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Miroslav Vitous
Born:
Miroslav Vitous played music with his brother Alan and Jan Hammer while attending the Prague Conservatory, and played in a Dixieland band with trumpeter/singer Jiri Jerinek. Winning first prize in an international music competition in Vienna gave Miroslav the opportunity to study in the U.S., at Berklee College of Music. It was during this time that he was asked to play in Cannonball Adderley's group, but turned it down in order to complete his studies at Berklee. In the summer of 1967, Miroslav moved to New York to get involved in the vibrant music scene of the mid-sixties. What many people may not know is that Miroslav was ranked as a top Olympic contender in free style swimming
William Carn's Choices: The Unburdening
by Dan McClenaghan
The Covid pandemic allowed Canadian trombonist William Carn to push toward electronics, to move in the direction of going remote with his fellow players for the process of putting a set of sounds together. His debut album, 2023's self-produced Choices (review here) started the process. He doubles down (a much-heard phrase in the 2020s, thanks to ...
Roy Haynes: Still Lighting It Up
by Chris M. Slawecki
This article was first published on All About Jazz in June 1997. Drummer Roy Haynes isn't just cool--he's cooooolllll. In conversation, Roy Haynes is languid and relaxed yet full of fire, yet playful, mysterious and serious. Similarly, his music--and he's played alongside the best--is simultaneously passionate and precise, free-swinging and loose, but ...
Emil Viklicky / Imogen Ryall: Songs
by Neil Duggan
In addition to being highly regarded as a classical composer, Czech pianist and composer Emil Viklický has been a significant presence on the international jazz scene for over 50 years. His jazz compositions, often influenced by Moravian folk songs, have seen him perform and record in the company of such significant artists as Bobby Wellins, Bill ...
Ten Supreme Fender Rhodes Albums
by Chris May
In 1965, reeling from the impact of Motown and the Brit invasion led by the Beatles, and about to be hit by the triple whammy that was acid rock and the rebel culture that went with it, jazz was on the back foot. Its relevance as entertainment, art form and spiritual sustenance was under threat, at ...
Steve Marcus, Miroslav Vitous, Sonny Sharrock, Daniel Humair: Green Line
by Joshua Weiner
Several decades into the jazz reissue boom, first on CD and now increasingly on vinyl, one might imagine the bottom of the barrel is being scraped, and that any newly rediscovered obscurities might at this point have been best left alone. Yet so vast are the archives of recorded jazz that diamonds remain in the mine, ...
John Surman: Words Unspoken
by Joshua Weiner
Englishman John Surman has been one of jazz's most important reedmen since his debut album on the progressive Deram label in 1969. From the start, on classic albums such as John McLaughlin's Extrapolation, Surman displayed a unique voice on the baritone sax, soprano sax, and bass clarinet, sometimes adding electronics to the mix. Since his first ...
Green Line
By Steve Marcus
Label: Endless Happiness
Released: 2023
Track listing: Melvin; Mr. Sheets at Night; Green Line; The Echos.
Wayne Shorter: An Essential Top Ten Albums
by Chris May
At the start of September 2021, trumpeter Terence Blanchard released Absence (Blue Note), dedicated to saxophonist and composer Wayne Shorter, who for health reasons had recently been obliged to retire from performing, at least temporarily. Some people celebrating their eighty-eighth birthday, as Shorter did the previous month, might not welcome being the dedicatee of an album ...
Take Five with Bassist Bruno Råberg
by AAJ Staff
Meet Bruno Råberg Bruno Råberg is an internationally renowned bassist and composer. Since coming to the US from his native Sweden in 1981, he has made 13 recordings as a leader, about 30 as a sideman, and has performed with numerous world-class artists, including Kris Davis, Terri Lyne Carrington, Jerry Bergonzi, George Garzone, Kenny Werner, Sam ...
