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MUSICIAN Born:

Miroslav Vitous

Miroslav Vitous played music with his brother Alan and Jan Hammer while attending the Prague Conservatory, and played in a Dixieland band with trumpeter/singer Jiri Jerinek. Winning first prize in an international music competition in Vienna gave Miroslav the opportunity to study in the U.S., at Berklee College of Music. It was during this time that he was asked to play in Cannonball Adderley's group, but turned it down in order to complete his studies at Berklee. In the summer of 1967, Miroslav moved to New York to get involved in the vibrant music scene of the mid-sixties. What many people may not know is that Miroslav was ranked as a top Olympic contender in free style swimming

ARTICLE: RADIO

The Genius of Kenny Kirkland - Part 2

Read "The Genius of Kenny Kirkland - Part 2" reviewed by Ludovico Granvassu

A classical musical upbringing; a deep knowledge of contemporary classical masters; a career that rapidly saw him develop affinities and life-long collaborations with mainstream and forward-looking jazz musicians, both from the US and from abroad; equally at home with fusion, pop and rock. In sum, Kenny Kirkland epitomized that kind of musician that defies categorization which ...

ARTICLE: BOOK EXCERPTS

DOCTONE: An oral history of legendary pianist Kenny Kirkland (1955-1998)

Read "DOCTONE: An oral history of legendary pianist Kenny Kirkland (1955-1998)" reviewed by Noah Haidu

In chapter 2 of my book Doctone, I interviewed drummer Billy Hart and we discussed his interaction with Kenny Kirkland as he emerged in the 1970's fusion scene, his unique personality, the “Kirklandese" language and Kenny's legacy as one of the great pianists and composers in this music Noah Haidu: What were your first ...

ARTICLE: LIVE REVIEW

4th Zbigniew Seifert International Jazz Violin Competition

Read "4th Zbigniew Seifert International Jazz Violin Competition" reviewed by Ian Patterson

4th Zbigniew Seifert International Jazz Violin Competition Cricoteka Museum, Kraków, Poland/Various international locations on-line July 8-10, 2020 When the fanfare and drum roll had died down the big moment arrived. After three days of on-line competition, the six finalists waited anxiously in front of their screens, in Israel, The USA, Austria, ...

Atlantic Records: More Giant Steps: An Alternative Top 20 Albums

Read "Atlantic Records: More Giant Steps: An Alternative Top 20 Albums" reviewed by Chris May

Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...

ARTICLE: ALBUM REVIEW

Attila László: Concerto for Jazz Guitar & Chamber Orchestra

Read "Concerto for Jazz Guitar & Chamber Orchestra" reviewed by Friedrich Kunzmann

A household name in Hungary's jazz topographic for about 40 years, Hungarian guitarist Attila Laszlo has made a lasting impact on the fusion guitar world with a number of critically acclaimed collaborations, and by performing alongside international heavy weights of the genre, such as Randy Brecker, Peter Erskine and Weather Report bassist Miroslav Vitous. More recently ...

ARTICLE: INTERVIEW

Jon Hassell: Words with the Shaman

Read "Jon Hassell: Words with the Shaman" reviewed by Chris May

Jon Hassell is best known as the creator of Fourth World music, an acoustic-electronic blend of jazz, minimalism, drone, ambient, traditional African and Asian instruments and harmolodic signatures. Hassell has defined Fourth World as “serious music with transcultural appeal and a smile." He unveiled the concept on his debut album, Vernal Equinox (Lovely Records), in 1977. ...

ARTICLE: SOCAL JAZZ

Jimmy Haslip: Amperes Beyond the BASSics, Part 2

Read "Jimmy Haslip: Amperes Beyond the BASSics, Part 2" reviewed by Jim Worsley

In case you missed it, Part One of my conversation with Jimmy Haslip covered a lot of ground and had a few good laughs along the way. Although we talked about the Yellowjackets, we delved more deeply into why and how he parted ways with the band some eight years ago. Haslip has been producing records ...

ARTICLE: RADIO

Dave Sewelson, Satoko Fujii and Tatsuya Yoshida & More

Read "Dave Sewelson, Satoko Fujii and Tatsuya Yoshida & More" reviewed by Maurice Hogue

There's a definite theme of muscular sounding saxophone in this edition of One Man's Jazz: Dave Sewelson, Steve Baczkowski, Chris Pitsiokos, Massimo Magee, Tomasz Szukalski, Marty Ehrlich, Cene Resnik, David Leon, Jonas Kullhammar and Remy Alvarez can all skronk with the best of them, and they're somewhere blowing their reeds apart throughout the music in this ...

ARTICLE: SOCAL JAZZ

Darek Oleszkiewicz: Rolls-Royce Groovin'

Read "Darek Oleszkiewicz: Rolls-Royce Groovin'" reviewed by Jim Worsley

Inspiring greatness has long been the two-word association with the grand luxury of Rolls-Royce. Britain's entry into automobile finery has thus become benchmark terminology. To hear bassist Darek Oleszkiewicz interact, navigate, and improvise with today's finest jazz musicians is to understand why he has been deemed the Rolls-Royce of the modern day upright. Carrying the torch ...


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