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Take Five With Guitarist Scott Emmerman
by AAJ Staff
Meet Scott Emmerman Scott Emmerman is a jazz-rock guitarist whose playing incorporates elements of r&b, jazz, & rock. Born in Chicago, Scott was steeped in the blues at an early age but became enamored with the music of Jimi Hendrix and later began to explore jazz through the music of John McLaughlin. He performed on guitar ...
Jaga Jazzist: '94 - '14
by John Kelman
It's hard to believe that Norway's Jaga Jazzist is celebrating its 20th anniversary this year, in 2014. Not that there aren't other groups that have lasted as long, but look for a group whose primary composer was just 14 when the whole thing began, find a band where five out of its eight current members were ...
Mike DiRubbo: Human Spirit
by C. Andrew Hovan
In an era that seems to more fully embrace the idea of the 'tough young tenor,' alto saxophonist Mike DiRubbo puts forth a singular voice that stands apart from the crowd. With exceptions such as Kenny Garrett, Steve Wilson, and Vincent Herring, DiRubbo is one of the few musicians of this generation to choose the alto ...
Ola Kvernberg & The Trondheim Soloists: The Mechanical Fair Live
by Chris May
Ola Kvernberg's Steamdown (Grappa) was perhaps the most sensationally visceral album to come our way during 2018. Part future-jazz, part EDM, part avant-rock, part contemporary-classical and 100% wrap-around shamanistic. It was Kvernberg's follow-up to The Mechanical Fair (Jazzland, 2014), which is here in an extensively recalibrated version recorded live at the Molde International Jazz Festival in ...
Francesca Han: Exuding Honesty
by Ian Patterson
Pianist and composer Francesca Han's duo album with Ralph Alessi, Exude (Hanji, 2022), is a timely reminder of the Korean's talent as an interpreter, an improvisor and as a creative force. It is a beautiful, conversational album, open to multiple influences. Classically trained, Han discovered jazz while studying in her native Seoul. It was ...
Charnett Moffett: The Bridge
by Howard Mandel
Solo bass records are rare, and might seem to appeal mostly to bassists and bass aficionados. But on The Bridge Charnett Moffett, the charismatic bass virtuoso with an impressive past and equally brilliant future, has proven here — without benefit of a band--that his music can touch anyone who loves music, regardless of instrumentation or genre. ...
George Colligan: Ultimatum
by C. Andrew Hovan
Unlike classical music, where so much of the performance is based on an authentic interpretation of the material, jazz has always been more about inventiveness and the musician's quest to find an original voice. Additionally, some of the most innovative artists in the genre have been known not only for their instrumental prowess, but also for ...
Dan Costa: Beams
by Craig Arthur
UK-born pianist Dan Costa plays and composes in the impressionistic tradition of Bill Evans, acoustic Herbie Hancock, Chick Corea or Marcin Wasilewski. It is a style that lends itself well to the alchemy of turning light into music, music into light. And his subject matter of choice on Beams, like that of an impressionist painter, is ...
Miles Davis: Miles Davis With Tadd Dameron Revisited
by Chris May
1949 was a year of massive change for Miles Davis, and not in a good way. It began, in January, with him fronting the first of the recording sessions, made with a nonet, that became generically known as The Birth Of The Cool and which, if he had achieved nothing else of note, would have secured ...
Bob Albanese: Time Remembered
by Howard Mandel
Everything we remember is time past. How those memories live anew in the present is the subject of Time Remembered, pianist Bob Albanese's beautifully rendered solos and collaborations with bassist Eddie Gomez, drummer Willard Dyson, percussionist David Meade and (briefly on one track) “Furmina the Wonderdog." “It's a record of feeling which I hope ...
