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John Scofield: Uncle John's Band
by Ian Patterson
John Scofield's entire oeuvre can be roughly divided into groove-based or straight-ahead recordings. Yet even in maximum groove propulsion, as on A Go Go (Verve, 1998), to cite one stellar example, Scofield's grounding in straight-ahead jazz is never far from the surface. On the flip side, his most conventional jazz is always rhythmically vital. Uncle John's ...
Autumn Jazz Weathers Well in San Francisco
by Arthur R George
Autumn is a special season for jazz in San Francisco. The weather at other times of the year variously drives one indoors for warmth, a good enough reason to seek shelter in jazz. But in the autumn, mostly gone is the bone-chilling summer fog that pours into the city from the cold Pacific Ocean. Not yet ...
Jaimie Branch: 7 Steps To Heaven
by Chris May
Following the 2024 re-election of Donald Trump as President of the United States, and his subsequent ratification as President-for-Life, the US Constitution was suspended. Jaimie Branch, who had passed in 2022, was one of many musicians, film makers, writers and visual artists whose work, no longer protected by the First Amendment, was declared Un-American and its ...
John Scofield: Uncle John's Band
by Neil Duggan
Phil Lesh, Grateful Dead's bassist for over 30 years, claimed their basic inspiration came from the musical unions he saw in the Miles Davis Quartet along with the John Coltrane Quartet from the early 1960s. John Scofield and Lesh have played together on many occasions. So perhaps it is no surprise that the Grateful Dead anthem, ...
The Most Exciting Jazz Albums since 1969: 1996-1998
by Robert Middleton
The albums featured in the fourth installment of 72 Jazz Thrillers are from some of the most famous and accomplished bandleaders in all of jazz. The artists featured here, some with careers of as long as 60 years and half of whom are still living and recording, made albums that prove the timelessness of jazz. From ...
Samir Bohringer Quartet: Meta Zero
by Chris May
The Ezz-thetics label's sleeve-design grid and its orange and black colourway is as recognisable a piece of branding as were Reid Miles' sleeves for Blue Note in the 1950s and 1960s (or indeed Impulse!'s orange and black LP spines a little later). It is also a similarly copper-bottomed guarantee of quality. Ezz-thetics does not, of course, ...
Salvation through rhythm: Max Roach—The Drum Also Waltzes
by Peter Jones
Max Roach--The Drum Also Waltzes Directed by Sam Pollard and Ben Shapiro PBS American Masters2023 Anyone who enjoyed the recent Wayne Shorter documentary Zero Gravity might also dig this--a more conventionally structured but equally fascinating look at the life of Max Roach. Filmmaker and interviewer Sam Pollard began making it in ...
The Most Exciting Jazz Albums Since 1969: 1995-1996
by Robert Middleton
Many people cite 1959 as one of the greatest years in jazz. Miles Davis' Kind of Blue (Columbia Records), Ornette Coleman's The Shape of Jazz to Come (Atlantic Records), Time Out by the Dave Brubeck Quartet (Columbia Records), John Coltrane's Giant Steps (Atlantic Records), and Mingus Ah Um (Columbia Records) by Charles Mingus were the Jazz ...
Take Five with Tulio Araujo
by AAJ Staff
Meet Tulio Araujo Tulio is a Brazilian musician, carrying advanced degrees and experience in the fields of Percussion, Music Production and Sound Engineering. He has studied with renowned masters Ian Guest (Hungary), Santiago Reyther (Cuba), Marcos Suzano (Brazil), among others. Through his experimentation and study, he dreamt and effectively conceived a way to merge the pandeiro ...
Legendary Miles Davis’ Saxophonist Sam Morrison 'Whatever: Anthology 1' Now Available On Blue Buddha Productions
Sam Morrison is a multifaceted musician known for his mastery of the soprano and tenor saxophones, as well as his artistry on the alto and bass flutes. With a career that spans several decades, he has left an indelible mark on the world of jazz, collaborating with legendary artists and contributing to iconic recordings. One of ...
