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24

Article: Album Review

McCoy Tyner / Joe Henderson: Forces Of Nature: Live At Slugs'

Read "Forces Of Nature: Live At Slugs'" reviewed by Joshua Weiner


How does one go about nominating Zev Feldman for a Nobel Peace Prize? Time and again, the intrepid “Jazz Detective" tracks down unknown, unheard, un-even-hoped-for sonic artifacts, painstakingly brushes away the audio dust and grime, and puts us front and center at events that rewrite the history of jazz. Forces of Nature: Live at Slugs' another ...

News: Video / DVD

Miles Davis: Miles 54, the Prestige Recordings

Miles Davis: Miles 54, the Prestige Recordings

In 1954, Miles Davis's future meant considerably more than his past. Recording for Prestige since 1951 (The New Sounds was his first album for the label), the trumpeter came into his own in 1954. Returning to New York in February of that year after kicking his heroin habit, Davis had also kicked his bebop fixation. What ...

7

Article: Album Review

Gil Evans Remembered: Gil Evans Remembered (Live At The Cutting Room, NYC)

Read "Gil Evans Remembered (Live At The Cutting Room, NYC)" reviewed by Jack Kenny


Few people have a better right to remember Gil Evans than these musicians. The serrated wail of this band enraptured, touched and torched the listeners. It is easy to see why musicians from the Monday Night Band would want to play, creating under Evans' beatific musical vision. It must have been inspiring. Most of the musicians ...

6

Article: Radio & Podcasts

Jimi Hendrix - A Jazz Experience, Part 2

Read "Jimi Hendrix - A Jazz Experience, Part 2" reviewed by Ludovico Granvassu


As we have been exploring how Jimi Hendrix has inspired the jazz world, this segment focuses on the connections between Hendrix and Miles Davis and musicians close to him.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Gil Evans, Laurent Cugny “Stone Free" Rhythm-a-ning (Polygram) 0:16 Host ...

1

Article: Album Review

Gato Barbieri: Standards Lost and Found 1

Read "Standards Lost and Found 1" reviewed by Alberto Bazzurro


Aperto e chiuso da brani a firma di due dei compagni di viaggio di Gato Barbieri in questo inedito (in studio, il che ha del sorprendente) della primavera 1968, rispettivamente Giovanni Tommaso e Franco D'Andrea, il disco in oggetto è innegabilmente pervaso dall'ombra lunga di Miles Davis (i due temi-cardine di Kind of Blue, più “Nardis" ...

8

Article: Album Review

Lisa Hilton: Lucky All Along

Read "Lucky All Along" reviewed by Mike Jurkovic


Throughout the course of her quietly triumphant, just south-of-the-spotlight, virtuoso career, pianist/composer Lisa Hilton has never actively pursued, Captain Ahab-like, the biggest fish in the sea. She has played alongside many of the biggies--Christian McBride,  Antonio Sanchez, Nasheet Waits, Sean Jones, JD Allen--but finds the greatest comfort, harmony, and camaraderie among her long-standing rhythm mates: bassist Luques Curtis, drummer ...

Article: Live Review

Bologna Jazz Festival 2024

Read "Bologna Jazz Festival 2024" reviewed by Libero Farnè


Varie sedi Bologna Jazz Festival 2024 Bologna e Ferrara 23 ottobre--17 novembre 2024 Per l'ampiezza della sua durata il Bologna Jazz Festival 2024 potrebbe essere definito un festival fiume, con le caratteristiche più di una rassegna che di un festival concentrato. Per la varietà delle proposte si è qualificato invece come ...

Article: Live Review

Marilyn Mazur Shamania al Teatro Golden di Palermo. Rassegna Catania Jazz 2024.

Read "Marilyn Mazur Shamania al Teatro Golden di Palermo. Rassegna Catania Jazz 2024." reviewed by Maurizio Zerbo


Marilyn Mazur Shamania Teatro Golden Palermo 13 novembre 2024 Presentato in prima nazionale a Catania e Palermo, il progetto Shamania sintetizza l'enciclopedismo musicale di Marilyn Mazur che ha mutuato, con coordinate diverse, quanto fatto nel jazz e nel rock da Don Cherry, Miles Davis e Frank Zappa. Sul palco ...

20

Article: Play This!

Remembering Roy Haynes: Modern Jazz Giant

Read "Remembering Roy Haynes: Modern Jazz Giant" reviewed by Ian Patterson


When Roy Haynes sat down at the tiny kit on the stage of the Everyman Theatre, during the Guinness Cork Jazz Festival in 2005, he shook his head ruefully and said, “Man, I feel like a midget!" Rising above the audience laughter, somewhere in the depths of the theatre, a voice replied, “Roy, you're a giant!" ...

8

Article: Album Review

Angell & Crane: Angell & Crane

Read "Angell & Crane" reviewed by Dan McClenaghan


Montreal-based artists Simon Angell and Tommy Crane make what they call “jazz-adjacent improvised music." Angell plays bass and guitars, along with synths. Crane crafts his sounds with drums and percussion, programming synths and a vibraphone. Mix in some vocalese by Sarah Rossy and alto sax and flute from Charlotte Greve and we have Angell & Crane, ...


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