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The Carole Nelson Trio, Heather Ward, Hi Res Heart, Dom Salvador
by Cheryl K.
During this week's two-hour program of jazz and improvised music, you'll hear from The Carole Nelson Trio; pianists Frank Carlberg and Dom Salvador; vocalists Heather Ward, Marisa Balistreri, and Michael Mayo; High Res Heart; and saxophonists Collin Sherman and Miguel Zenon. Playlist George Russell & The Living Time Orchestra “Event I: Organic Life on ...
Miguel Zenón Quartet: Vanguardia Subterránea: Live at The Village Vanguard
by Mark Corroto
The perfect sports analogy for saxophonist and composer Miguel Zenón might just be baseball legend Roberto Clemente. Both were born in Puerto Rico, and both are revered as masters of their respective crafts. Clemente was a perennial All-Star, a World Series MVP, a Gold Glove winner and a National League batting champion. Zenón, for his part, ...
Angelini/Niescier/Abdou, Wojciech Jachna, Johnny Dyani & Amalie Dahl
by Maurice Hogue
French pianist Bruno Angelini found much inspiration in a quote from his favourite musician Wayne Shorter's graphic novel, “Emanon": “The lotus exists only in the swamp, in our world of turmoil, and the blooming flower purifies the water around it." It led him to make a recording called Lotus Flowers where he and saxophonists Angelika Niescier ...
Siena Jazz 2025
by Paolo Peviani
Siena Jazz--International Summer Workshop--55th Edition Siena Jazz International Academy Siena, Italy July 26-August 7, 2025 Fifty-five editions, more than ninety students from around the globe, and some thirty faculty members who are also acclaimed performers on the international scene. Listing them all is not mere name-dropping, but a way to ...
Miguel Zenon: Vanguardia Subterránea: Live at The Village Vanguard
by Doug Collette
Suffused with shadows as is the cover photo of Vanguardia Subterranea, it is a perfectly appropriate match for the title of the Miguel Zenon Quartet's first live album. Released in celebration of the ensemble's 20th anniversary, both the image and the music favorably hearken to the displays of healthy improvisational jazz behind graphic designs for vintage ...
Ryan Keberle & Collectiv do Brasil: Choro das Aguas
by Katchie Cartwright
Ryan Keberle began to study music at age four in Spokane, first at the piano with his mother, Ann, followed by Suzuki violin lessons. His father Dan, a university jazz director, encouraged him to pick up the trombone at 10, for the sensible reason that he always seemed to be short a trombonist in his ensembles. ...
Francesco Bigoni e Siena Jazz - una lunga storia d’amore
by Paolo Peviani
In occasione della cinquantacinquesima edizione dei seminari estivi di Siena Jazz abbiamo incontrato il sassofonista Francesco Bigoni, dallo scorso mese di aprile direttore artistico e didattico dell'Accademia Nazionale del Jazz di Siena. All About Jazz: Siena Jazz è una realtà di cui ogni jazzofilo italiano ha sentito parlare. Penso tuttavia che non tutti abbiano ...
Siena Jazz - International Summer Workshop – 55a Edizione
by Paolo Peviani
Siena Jazz--International Summer Workshop--55a Edizione Siena Jazz International Academy Siena 26 luglio--7 agosto 2025 Cinquantacinque edizioni, oltre novanta studenti provenienti da ogni parte del mondo, una trentina di docenti che sono anche affermati musicisti in ambito internazionale. Li elenchiamo tutti, non per gusto declamatorio, ma per dare contezza della portata dei ...
New Music From Halvorson, Grasso, Harvey & More
by Bob Osborne
A selection of the best of new jazz releases in 2025 with a few classic tracks from previous years. In particular Mary Halvorson's new album is a strong contender for album of the year.Playlist Mary Halvorson “Full of Neon" from About Ghosts (Nonesuch Records) 00:00 Pasquale Grasso “Pannonica" from Solo Be-Bop! (Sony Masterworks) 06:55 ...
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
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