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Francois Carrier - Michel Lambert: Kathmandu
by AAJ Italy Staff
Kathmandu è il resoconto di una settimana di incontri, di amicizie, di sorprese, di colori, di profumi, e, naturalmente, di suoni che il sassofonista Francois Carrier e il batterista Michel Lambert hanno avuto modo di registrare nella capitale nepalese durante la quinta edizione del Jazzmandu Festival. Tra i principali esponenti della scena improvvisativa canadese, i due ...
Le Passant (The Wanderer)
Label: Rant
Released: 2006
Track listing: The Wanderer: Mirror of Truth; Eternal Errant; Labyrinth of Remorse: Spiritual Shock; Pilgrimage of Humankind; Improvisations: Running in the Cave; Quib; Extracting Lines; Pretend Make-Believe; Ruffians, Riffraff and Ruffs; Lost Passengers; Cue 9-3, Recalling the Wanderer.
Recalling the Wanderer
Album: Le Passant (The Wanderer)
By Michel Lambert
Label: Jazz from Rant
Released: 0
Duration: 2:04
Michel Lambert: Le Passant (The Wanderer)
by Troy Collins
Montreal-based and conservatory-trained percussionist Michel Lambert conceived the suite on Le Passant as a conceptual conflict, pitting a chamber orchestra against a small group of jazz improvisers. In the liner notes Lambert describes the piece as more struggle than collaboration, an argument as opposed to discussion, improvisation versus composition. The first half of the ...
Le Passant (The Wanderer)
Label: Rant
Released: 2005
Track listing: Mirror of Truth: Eternal Errant; Labyrinth of Remorse: Spiritual Shock; Pilgrimage of
Humankind; Running in the Cave; Quib; Extracting Lines; Pretend Make-Believe; Ruffians,
Riffraff and Ruffs; Lost Passengers; Cue 9-3, Recalling the Wanderer.
Michel Lambert: Le Passant (The Wanderer)
by John Kelman
The usual meeting place of improvisation and orchestra works around firm structure where the improvisers solo within the rigid confines of the orchestral arrangements, or the orchestra acts as an underlying support, scored in and around pre-existing extemporization. But in rare cases, daring composers have found ways to allow improvisers to remain untethered while at the ...
Michel Lambert: Le Passant (The Wanderer)
by Jerry D'Souza
Michel Lambert began working on the music on Le Passant (The Wanderer) in 1992. Time, however, brought about changes. He reduced his original symphonic work to its current instrumentation. He calls it a meeting of the two forces and a confrontation between music that is through-composed and freely improvised. The latter is seen in complete detail ...
Michel Lambert: Out Twice
by AAJ Staff
With the advent of free improvisation--or spontaneous composition, as some prefer to call it--formal structure ceased to be a fence so much as a path. But no matter how hard some improvisers may have tried, the random walk just never became reality. So that path has taken a central importance in defining the styles that shape ...
Michel Lambert: Out Twice
by Frank Rubolino
Michel Lambert divided his drumming leadership between two trios on Out Twice, one with pianist Milcho Leviev and bassist John Giannelli, and the other with bassist Barre Phillips and saxophonist Lionel Garcin. He also split his recording venues between American and European sites. Both ventures were unique; Lambert used his personal drawings and ...
