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Album

Elements

Label: FMR Records
Released: 2019
Track listing: 1. Elements 25.38; 2. Roar of Joy 05.21; 3. Wilderness 29.32

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Article: Radio & Podcasts

Cale Brandley & Triptych Myth and Philip Zoubek

Read "Cale Brandley & Triptych Myth and Philip Zoubek" reviewed by Maurice Hogue


Master drummer Andrew Cyrille turned 79 in November. His wonderful new recording Lebroba, following on the heels of his acclaimed The Declaration of Musical Independence proves age has little to do with creativity. You'll hear two tracks from the new release which features Bill Frisell and Wadada Leo Smith, another septuagenarian at peak powers.

Album

Alom Mola

Label: Jazz from Rant
Released: 2017
Track listing: Caravaggio ténèbres et lumières: Duel de la Vie; Pierre Le Vral; Fourmis et Gravier; Impossibles Couleurs; Mort d’Avenel; Mort de Jarczyk; Liquide et Cire; Prisonnier et Cuit; Mille huit fenêtres ; Les cahiers de Barcelone: Tesoros del Raval; Sense el Vilallonga; Gaudi cançò; Cant de l’escamarlà; Sant Josep de la Boqueria; Musique du temps du rêve ; Alom molA.

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Article: Album Review

Francois Carrier: Out Of Silence

Read "Out Of Silence" reviewed by Mark Corroto


There is this phenomena that is becoming apparent (at least to me) in the music of free jazz musicians. It is a deep-rooted insecurity. First I thought it was a component of the music, a certain stability in instability. But spinning the latest release from saxophonist François Carrier and drummer Michel Lambert, one gets the sense ...

2

Article: Live Review

Suoni Per Il Popolo 2017

Read "Suoni Per Il Popolo 2017" reviewed by Mike Chamberlain


Casa del Popolo, Sala Rossa, La Vitrola Suoni Per Il Popolo Montreal, Quebec, Canada June 1-24, 2017 This year's edition of the Suoni per il Popolo, or Suoni as it is popularly known, was the 17th since the inception of Mauro Pezzente and Kiva Stimac's Casa del Popolo mini-empire, which also ...

7

Article: Album Review

Michel Lambert: Alom Mola

Read "Alom Mola" reviewed by John Eyles


Michel Lambert is probably best known as a jazz and improvising drummer, most familiar from his recordings with fellow Canadian and saxophonist François Carrier, made since the turn of the millennium. However, there are other sides to Lambert that are not immediately obvious from that work. He has released several albums of his own compositions on ...

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Article: Album Review

Francois Carrier: The Joy of Being

Read "The Joy of Being" reviewed by John Sharpe


Canadian reedman Francois Carrier and drummer Michel Lambert enjoy a fertile alliance. They first met back in 1998, when they invited the great Dewey Redman to join them. Since then they've waxed no fewer than 12 discs either in duet or together with other guests and collaborators. On The Joy Of Being they team up with ...

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Article: Album Review

Francois Carrier: Freedom is Space for the Spirit

Read "Freedom is Space for the Spirit" reviewed by Budd Kopman


Saxophonist Francois Carrier had quite a week in late May of 2014. It began when he and his long-time percussionist Michel Lambert played with bassist John Edwards and pianist Steve Beresford at the Vortex Jazz Club in London on May 25th and ended with the duo performing with acoustic bassist Rafal Mazur at the Alchemia Jazz ...

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Article: Album Review

Francois Carrier: The Joy of Being

Read "The Joy of Being" reviewed by Budd Kopman


Continuing their world travels, the team of reedman Francois Carrier and percussionist Michel Lambert again meet acoustic bassist Rafal Mazur, almost a year to the day from the recording of Unknowable at the Alchemia Jazz Klub in Krakow, Poland to create The Joy Of Being.Much of what can be said about “spontaneous" jazz in ...

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Article: Album Review

Francois Carrier: OUTgoing

Read "OUTgoing" reviewed by Budd Kopman


In the realm of Western music, the role of the performer has been rather circumscribed. In Classical music, the composer is king and the range of “allowed" expression rather limited. For most of its history, jazz performers relied on tunes as the basis for their improvisations, and thus, the composer (or tunesmith) was still ...


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