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88

Article: Album Review

Ella Gahnt & The Dr. Jay Trio: Immaculate Union

Read "Immaculate Union" reviewed by Michael P. Gladstone


Philadelphia vocalist Ella Gahnt offers thirteen tracks on Immaculate Union, which suffers from inconsistent programming. She is supported by a piano trio under the direction of Dr. Jay Fluellen. The album begins in a promising fashion with an effective mid tempo version of the Rogers & Hart “This Can't Be Love" and moves into “Schizophrenic Love ...

114

Article: Album Review

Pete Malinverni: The Tempest

Read "The Tempest" reviewed by Michael P. Gladstone


New York pianist Pete Malinverni is a familiar name to jazz lovers who scan the newspaper pages to see who is appearing on the club scene. Although he has several recordings on the well-regarded independent Reservoir label over the past seven years, this is my first opportunity to hear him first-hand. Malinverni has also been a ...

216

Article: Album Review

Mark Masters Ensemble: American Jazz Institute Presents The Clifford Brown Project

Read "American Jazz Institute Presents The Clifford Brown Project" reviewed by Michael P. Gladstone


Having recently learned about the ingenuity of Mark Masters per his May 2004 release with Lee Konitz, One Day With Lee , I eagerly anticipated checking out Masters' 2003 album The Clifford Brown Project. In order to examine the body of music associated with the later trumpeter, Masters devised a unique methodology to ...

124

Article: Album Review

Buddy DeFranco with the John Pizzarelli Trio and Butch Miles: Cookin' The Books

Read "Cookin' The Books" reviewed by Michael P. Gladstone


How about that? Cookin' The Books provides a positive spin on the current description of corporate greed and deception. For the purposes of this album, it has been corrupted to refer to the Great American Songbook and, indeed, Buddy DeFranco and company are certainly doing a fine job of cookin' these tunes. DeFranco, in his 60th ...

173

Article: Album Review

Paul Serrato & Co.: Origami

Read "Origami" reviewed by Michael P. Gladstone


I like the sense of purpose and accomplishment of this effort by pianist/composer Paul Serrato and his group on seven compositions, all original except for Miles Davis' “Solar." Serrato is a midwesterner transplanted to the New York music scene and has developed an effective sound in which the Latin percussion of Henry Morales on conga and ...

128

Article: Album Review

Dave Askren Trio: Re: Bill Evans

Read "Re: Bill Evans" reviewed by Michael P. Gladstone


Los Angeles-based guitarist Dave Askren has undertaken a formidable project in adapting the music and style of Bill Evans for a guitar-bass-drums trio. In his liner notes Askren goes to a great deal of trouble to rationalize the validity and difficulties of this undertaking, insofar as Evans' influences for many of the selections and the difficulties ...

103

Article: Album Review

Mark Masters Ensemble: One Day With Lee

Read "One Day With Lee" reviewed by Michael P. Gladstone


Alto sax legend Lee Konitz seems to gather more steam with each passing year. I saw him play twice in the 1970s and each performance was a revelation. He appeared with a piano-less trio taking it both inside and out before an appreciative undergraduate audience and later in the decade with his bracing nonet. In recent ...

98

Article: Album Review

The Mike Murley Quintet: Extra Time

Read "Extra Time" reviewed by Michael P. Gladstone


Recorded in Toronto, this is the seventh album since 1987 by Canadian saxophonist Mike Murley, who has since gathered a reputation as an influential musician. He has previously recorded with several of the members of this current quintet. The seven originals presented here provide a look at this post-bop quintet with the two ...

110

Article: Album Review

The Joe Kap Organ Trio: Street Noise

Read "Street Noise" reviewed by Michael P. Gladstone


This recording of largely original compositions from the Joe Kap (né Kaplowitz) Organ Trio is a combination of the old and the new, insofar as the genre of organ-guitar-drum groups are concerned. The band well may have been playing the last set at Dupree's Rib Joint, possibly located near the intersection of Myrtle and Bedford Avenues ...

207

Article: Album Review

Greta Matassa: Live at Tula's

Read "Live at Tula's" reviewed by Michael P. Gladstone


Greta Matassa is a Seattle-based jazz singer who evidently has a strong following and some valid credentials from the prestigious Earshot Magazine. This publication named Matassa as Best Female Jazz Vocalist for multiple years in the Pacific Northwest area. This album, recorded live at Tula's, the popular downtown Seattle jazz club, offers thirteen standards backed by ...


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