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Article: Album Review

Doctor Magnum: Live at Red Square

Read "Live at Red Square" reviewed by Jeff Dayton-Johnson


Pianist Robert Glasper, in the All About Jazz segment “One LP," talked about Slum Village's Fantastic, vol. 2 (Good Vibe, 1999), produced by J Dilla: “J Dilla is probably the only producer I know that changed the way musicians actually play their instruments." Exhibit A is Glasper's own piano playing with both his acoustic and electric ...

News: Recording

Angel In America: Salsa Master from Chicago Brings the Funk to His "Heritage"

Angel d'Cuba has never shied away from dropping everything he can into his music. A native Cuban, Angel came up in a rich musical melange where James Brown and Jackson 5 grooves mixed freely with red—hot Afro-Carribean traditions. And Angel never hesitated to add new flavors—funk, R&B, soca, samba, rock—to this eclectic sonic mix. Moving to ...

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Article: Album Review

Beata Pater: Red

Read "Red" reviewed by C. Michael Bailey


Polish vocalist/composer/violinist Beata Pater, as of late in San Francisco, releases Red, the third recording in her “colors" series following Black (B&B, 2006) and Blue (B&B, 2011). She specializes in the no-lyrics singing that is related to, but not exactly the same as scat singing. Much of this is present on Red where, an expressive and ...

News: Recording

Salsa Master Turned Chicago Mainstay Brings the Funk on "Heritage"

Angel d'Cuba has never shied away from dropping everything he can into his music. A native Cuban, Angel came up in a rich musical melange where James Brown and Jackson 5 grooves mixed freely with red-hot Afro-Carribean traditions. And Angel never hesitated to add new flavors — funk, R&B, soca, samba, rock — to this eclectic ...

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Article: Album Review

Enrico Rava: Rava on the Dance Floor

Read "Rava on the Dance Floor" reviewed by John Kelman


Italian trumpeter Enrico Rava doing a tribute to the late King of Pop, Michael Jackson? Italian trumpeter Enrico Rava doing a tribute to the late King of Pop, Michael Jackson, on ECM? If either of these concepts seem somehow wrong, it's likely because, in forty-plus years, ECM has garnered (beyond its reputation as one of the ...

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Article: Live Review

Jonathan Batiste: New York, NY, December 12, 2012

Read "Jonathan Batiste:  New York, NY, December 12, 2012" reviewed by Bob Kenselaar


Jonathan Batiste and the Stay Human Band National Jazz Museum in Harlem Metropolitan Community United Methodist Church New York, NY December 12, 2012Go to any of the major New York City jazz venues and you'll sometimes get the feeling you're in church. The crowds are polite and ...

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Article: Album Review

Wave Mechanics Union: Further To Fly

Read "Further To Fly" reviewed by Dan Bilawsky


Rock music has been mined to the nth degree by jazz prospectors. Trumpeter Miles Davis was doing Michael Jackson and Cyndi Lauper a quarter century back; pianist Brad Mehldau has made Radiohead his own; jazz legend Herbie Hancock spoke of new standards by Peter Gabriel and Nirvana; and organ guru Dr. Lonnie Smith has delivered a ...

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Article: Album Review

Marcus Miller: Renaissance

Read "Renaissance" reviewed by John Kelman


Some things change, other things stay the same. Marcus Miller--producer and performer with everyone from soul singer Luther Vandross and pianist Herbie Hancock to guitarist George Benson and Miles Davis, composing and producing the trumpeter's late period classic Tutu (Warner Bros., 1986)--has been releasing solo albums since 1983, but it was with The Sun Don't Lie ...

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Article: Profile

Marcus Miller: Renaissance Man

Read "Marcus Miller: Renaissance Man" reviewed by Pheralyn Dove


[Editor's Note: On Sunday, November 25, 2012, All About Jazz learned that Marcus Miller sustained non-life-threatening injuries during a bus crash on the A2 highway in central Switzerland. Unfortunately, the driver was killed in the accident. Online sources report that the bus was carrying 13 people, including two drivers and the 11 members Miller's band. The ...

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Article: Album Review

Iris Ornig: No Restrictions

Read "No Restrictions" reviewed by Hrayr Attarian


Intrepid bassist Iris Ornig's second release follows the thematic structure of her remarkable debut, New Ground (Self Produced, 2009), but is more polished and coherent, hence more engaging. This is a hard goal to achieve, as the first was a thoroughly enjoyable and stimulating album. If New Ground was a collection of short ...


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