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Jared Hall: Seen on the Scene
by Jack Bowers
Seen on the Scene, Seattle-based trumpeter Jared Hall's second album as a leader, has a lot going for it: tight-knit group unity and tasteful dynamics; bright, technically polished solos by all hands; and engaging tunes by Hall and the late bop master, Tadd Dameron. As a bonus, the acclaimed alto saxophonist Vincent Herring is “on the ...
Jared Hall: Seen on the Scene
by Paul Rauch
In many ways the title Seen on the Scene encapsulates trumpeter Jared Hall's story leading up to the studio session in 2018 which resulted in this, his sophomore release. The native of Spokane, Washington, arrived in Seattle in 2015 after completing studies with mercurial trumpet ace Brian Lynch and, almost immediately, scored a residency at Tula's, ...
Jared Hall: Seen on the Scene
by Dan McClenaghan
With Seen On the Scene, his Origin Records debut, trumpeter Jared Hall offers up the sort of fresh bebop/post bop sounds found on the Blue Note Records label in the late 1950s and early 1960s. Horace Silver and Art Blakey and the Jazz Messengers seem to serve as touchstones, as does pianist / composer Tad Dameron, ...
Seen on the Scene
Album: Seen on the Scene
By Jared Hall
Label: Origin Records
Released: 2021
Duration: 06:17
Postponed Parade
By Ryan Burns
Label: Odd Bird Records
Released: 2020
Track listing: Up & Up; Boogaloo Bird; Night School; Subdued Mood; Postponed Parade; Shoreline; Bacon
and Eggs.
Results for pages tagged "Michael Glynn"...
Michael Glynn
Born in Seattle, Michael Glynn began playing bass at the age of 11. Beginning his jazz studies with former Count Basie and Louis Armstrong bassist Buddy Catlett, Michael starting working professionally while still a student at Garfield High School, where he played for four years in that school's renowned jazz band. After two years in engineering school at Columbia University in New York City, Michael returned to Seattle where he graduated summa cum laude in 2001 with a Bachelor of Arts and Bachelor of Music in Jazz Studies from the University of Washington, where he studied under Doug Miller and Barry Lieberman. Moving to Albuquerque in 2006, he quickly established himself as an integral part of the New Mexico music scene, performing and recording extensively, and also making time to earn his Master of Music degree from the University of New Mexico, studying with Mark Tatum
Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution
by Paul Rauch
It was the tail end of a long weekend. Temperatures had risen to 80 degrees under a sunny only-in-Seattle blue sky, the waterways and markets humming with a sea of humanity. It was not a night one would expect many to venture into the quiet, dark solitude of Tula's Jazz Club, where for nearly 26 years ...
Ten on Cellar Live
by C. Michael Bailey
That crafty Canadian Cory Weeds was onto something with the creation of his Cellar Live and now Cellar Music label. He reveals himself as a man for all seasons in being a confident saxophonist, music historian, and archivist with his new label Reel to Real (in cooperation with that maestro of the catalog, Zev Feldman. With ...
Jay Thomas with the Oliver Groenewald Newnet: I Always Knew
by Paul Rauch
Jay Thomas has lived the jazz life. He has endured, overcome, and continued to artistically thrive through all the ruminations of a path chosen by few. While much of his life may form a parallel story to those of many, Thomas' version, his personal adjunct to its litany, is a story of artistic triumph that opened ...
Dawn Clement: Here In The Moment
by Paul Rauch
Dawn Clement is like a primal force of nature. From being the mother of three young children, to her professorship at Cornish College of the Arts, to her performing career as a touring and recording artist, she maintains a musical standard of excellence achieved by very few. Her piano style is strong and versatile, whether she ...
