Results for "Michael Glynn"

Jared Hall: Seen on the Scene

by Dan McClenaghan
August 13, 2021

With Seen On the Scene, his Origin Records debut, trumpeter Jared Hall offers up the sort of fresh bebop/post bop sounds found on the Blue Note Records label in the late 1950s and early 1960s. Horace Silver and Art Blakey and the Jazz Messengers seem to serve as touchstones, as does pianist / composer Tad Dameron, ...

Seen on the Scene

August 1, 2021

Album: Seen on the Scene
By Jared Hall
Label: Origin Records
Released: 2021
Duration: 06:17

Postponed Parade

By Ryan Burns

Label: Odd Bird Records
Released: 2020
Track listing: Up & Up; Boogaloo Bird; Night School; Subdued Mood; Postponed Parade; Shoreline; Bacon and Eggs.

Michael Glynn

Born in Seattle, Michael Glynn began playing bass at the age of 11. Beginning his jazz studies with former Count Basie and Louis Armstrong bassist Buddy Catlett, Michael starting working professionally while still a student at Garfield High School, where he played for four years in that school's renowned jazz band. After two years in engineering school at Columbia University in New York City, Michael returned to Seattle where he graduated summa cum laude in 2001 with a Bachelor of Arts and Bachelor of Music in Jazz Studies from the University of Washington, where he studied under Doug Miller and Barry Lieberman. Moving to Albuquerque in 2006, he quickly established himself as an integral part of the New Mexico music scene, performing and recording extensively, and also making time to earn his Master of Music degree from the University of New Mexico, studying with Mark Tatum

Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution

by Paul Rauch
August 16, 2019

It was the tail end of a long weekend. Temperatures had risen to 80 degrees under a sunny only-in-Seattle blue sky, the waterways and markets humming with a sea of humanity. It was not a night one would expect many to venture into the quiet, dark solitude of Tula's Jazz Club, where for nearly 26 years ...

Ten on Cellar Live

by C. Michael Bailey
April 23, 2019

That crafty Canadian Cory Weeds was onto something with the creation of his Cellar Live and now Cellar Music label. He reveals himself as a man for all seasons in being a confident saxophonist, music historian, and archivist with his new label Reel to Real (in cooperation with that maestro of the catalog, Zev Feldman. With ...

Jay Thomas with the Oliver Groenewald Newnet: I Always Knew

by Paul Rauch
December 12, 2018

Jay Thomas has lived the jazz life. He has endured, overcome, and continued to artistically thrive through all the ruminations of a path chosen by few. While much of his life may form a parallel story to those of many, Thomas' version, his personal adjunct to its litany, is a story of artistic triumph that opened ...

Dawn Clement: Here In The Moment

by Paul Rauch
January 23, 2018

Dawn Clement is like a primal force of nature. From being the mother of three young children, to her professorship at Cornish College of the Arts, to her performing career as a touring and recording artist, she maintains a musical standard of excellence achieved by very few. Her piano style is strong and versatile, whether she ...

Jay Thomas / Gary Smulyan: Lowdown Hoedown

by Paul Rauch
January 18, 2017

Sometimes the most joyous and satisfying things in life occur in the light of pure happenstance. Such was the case when New York based baritone saxophone master Gary Smulyan ventured west in the 90's to perform and teach at the Jazz Port Townsend Festival in Washington state, in those days directed by veteran saxman, Bud Shank. ...

Phil Parisot: Lingo

by Paul Rauch
January 10, 2017

Seattle based drummer/ composer Phil Parisot has straddled several 20th century musical traditions in his career as a sideman, and member of the eclectic big band, Big Neighborhood. His understanding of funk, Afro-Cuban, rock and symphonic music has influenced his approach as a composer, and more so as a drummer on numerous projects in recent memory. ...