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Jared Hall
Blending post-bop tradition with modern harmonic storytelling, trumpeter and composer Jared Hall creates music defined by lyricism, rhythmic clarity, and expressive depth. A Spokane native, Hall first picked up the trumpet in fifth grade, captivated by the sounds of Lee Morgan and Miles Davis—a spark that continues to shape his voice today. A past winner of the National Trumpet Competition – Jazz Division (2013), Hall has been described by Earshot Jazz as “a fiercely expressive soloist, equally grounded in tradition and innovation.” He has performed and recorded with a wide range of jazz and commercial legends, including Maria Schneider, Paquito D’Rivera, Terence Blanchard, Arturo Sandoval, Jeff “Tain” Watts, Peter Erskine, George Benson, Johnny Mathis, Gloria Estefan, Wycliffe Gordon, Vincent Herring, Troy Roberts, and many others.
Known for his expressive tone and dynamic improvisation, Hall has performed on prominent stages and festivals including Carnegie Hall, Benaroya Hall, The Triple Door, the Bellevue Jazz Festival, Gene Harris Jazz Festival, and Leavenworth Jazz Festival. He has also been a featured soloist with the Seattle Repertory Jazz Orchestra, Symphony Tacoma, South Florida Jazz Orchestra, and Spokane Jazz Orchestra.
Hall’s latest album, Influences (Origin Records, 2024), follows Seen on the Scene (2021) and his debut, Hallways (2017). His music has been praised by All About Jazz, Jazz Weekly, and JazzTimes, which described his work as “fiery and fluid... steeped in tradition but pushing forward.” His extensive discography also includes Home at Last (2024), Inventions (2021), and Cheap Thrills: The Music of Rick Margitza (2020), North By Freaking Northwest (2019), and Jazz & The Philharmonic (2014), among others.
As a passionate educator, Hall has presented clinics at the Jazz Education Network Conference, NAfME Northwest Division Conference, and Washington Music Educators Association (WMEA). He has taught at institutions including the University of Miami, Indiana University, Northwest University, Pacific Lutheran University, and Jazz Night School. Since 2022, he has served as Director of Jazz Studies at Whitworth University, where he directs jazz ensembles, gives private lessons, and teaches music education courses.
Hall’s students have gone on to win DownBeat Student Music Awards, earn scholarships to prestigious graduate institutions such as Manhattan School of Music, Berklee College of Music, University of North Texas, and University of Northern Colorado, launching professional careers of their own as performers and educators.
Hall is Artistic Director of the Leavenworth Jazz Association, and co-author of The Piano Grip System (2020), a widely used resource for non-pianists learning jazz harmony and theory. Hall remains an active performer throughout the Pacific Northwest and beyond where his mentorship continues to shape the next generation of jazz artists and educators.
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Cassio Vianna Jazz Orchestra: Vida
by Jack Bowers
As you can't always describe a book by its cover, neither can you invariably pinpoint with accuracy a jazz ensemble's locale by its name alone. The Cassio Vianna Jazz Orchestra, to choose a random example, is not from Italy--nor from anywhere else in Europe. Although born in Rio de Janeiro, Brazil, Cassio Vianna has lived in the United States since 2009 and is, in fact, a music educator and director of Jazz Studies at Pacific Lutheran University in Tacoma, Washington, ...
Continue ReadingJared Hall: Influences
by Paul Rauch
Jazz music has proliferated through generations traditionally by means of the oral tradition--meaning that knowledge is passed on by mentors, some by personal connection and others by more casual means. In modern times, this tradition lives alongside the jazz school phenomenon, where classrooms and studios incubate talent, while students inescapably still must pay their dues on the bandstand, playing with musicians that are more accomplished and more experienced. Trumpeter Jared Hall has for years straddled that fine line ...
Continue ReadingLeavenworth Jazz Festival 2023: A First Breath of Mountain Air
by Paul Rauch
Leavenworth Jazz Festival Leavenworth, WA May 5-7, 2023 The one-hundred-and-twenty-mile journey from the city of Seattle, to the village of Leavenworth, WA is one of perilous beauty and wonderment. Once arriving in the town of Monroe at the foot of the Cascade Mountains, Highway 2 east rises majestically over the Cascade summit at Stevens Pass, and descends sharply downhill for the remaining thirty five miles to Leavenworth. The town sits at the top of the Wenatchee ...
Continue ReadingPhil Parisot: Inventions
by Jack Bowers
Even at a time when jazz has broadened its horizons to encompass music from a wide variety of sources, it is not often that one happens upon a jazz album inspired by the life and music of Johann Sebastian Bach. However, that is the premise animating drummer Phil Parisot's sunlit Inventions, an astute post-bop session wherein Bach's muse may be present but whose point of view, exemplified by Parisot's stylish compositions, is decidedly contemporary. The truth is, if ...
Continue ReadingJared Hall: Seen on the Scene
by Jack Bowers
Seen on the Scene, Seattle-based trumpeter Jared Hall's second album as a leader, has a lot going for it: tight-knit group unity and tasteful dynamics; bright, technically polished solos by all hands; and engaging tunes by Hall and the late bop master, Tadd Dameron. As a bonus, the acclaimed alto saxophonist Vincent Herring is on the scene" to share the front line with Hall, elevating the session whenever he assumes the spotlight. Hall's sound is crisp and ...
Continue ReadingJared Hall: Seen on the Scene
by Paul Rauch
In many ways the title Seen on the Scene encapsulates trumpeter Jared Hall's story leading up to the studio session in 2018 which resulted in this, his sophomore release. The native of Spokane, Washington, arrived in Seattle in 2015 after completing studies with mercurial trumpet ace Brian Lynch and, almost immediately, scored a residency at Tula's, the city's legendary jazz spot. Sporting new compositions and a new recording on Lynch's Hollistic MusicWorks label, Hall went about establishing himself on the ...
Continue ReadingJared Hall: Seen on the Scene
by Dan McClenaghan
With Seen On the Scene, his Origin Records debut, trumpeter Jared Hall offers up the sort of fresh bebop/post bop sounds found on the Blue Note Records label in the late 1950s and early 1960s. Horace Silver and Art Blakey and the Jazz Messengers seem to serve as touchstones, as does pianist / composer Tad Dameron, too. Hall's quintetthe familiar trumpet and sax and rhythm section line-uptakes on a pair of Dameron's classics: Mating Call," and two versions of If ...
Continue Reading“Trumpeter Jared Hall… impresses with imaginative improvisations and a total of eight compositions that he dedicates to the trumpeters.” ⭐️⭐️⭐️⭐️⭐️ -for Influences, Michael van Gee, Jazz ’N’ More, Switzerland
"The trumpeter knows how to make a sound record... a solid effort by a dedicated band."
⭐️⭐️⭐️⭐️ -for Influences, Paul Rauch, All About Jazz
Primary Instrument
Trumpet
Location
Spokane
Willing to teach
Advanced only
Clinic/Workshop Information
Hall is available for private study in Spokane, Washington (and via online ZOOM Lessons), clinics, and workshops specializing in: Trumpet, Jazz Improvisation, Jazz Piano, Jazz Theory, Composition and Arranging.
Hall has studied with the most prominent figures in the trumpet and jazz idioms including Brian Lynch and Terence Blanchard, as well as incredible educators and performers including Bill Adam, Joey Tartell, David Baker, Whit Sidener, Pat Harbison, Dan Keberle, and Brent Edstrom
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Music
Song for Shaw
From: InfluencesBy Jared Hall
From the Ancestors
From: InventionsBy Jared Hall
Seen on the Scene
From: Seen on the SceneBy Jared Hall



