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3

Article: Album Review

Eskelin - Alcorn - Formanek: Mirage

Read "Mirage" reviewed by Glenn Astarita


The Rolling Stones, Yes, and other prominent bands have incorporated the pedal steel guitar into the rock vernacular. Here, pedal steel guitarist Susan Alcorn extends this instrument beyond customary Americana or Country & Western formats and becomes the link between modern jazz champions, tenor saxophonist Ellery Eskelin and bassist Michael Formanek. She builds a bridge for ...

2

Article: Live Review

Craig Taborn Trio: Columbus, Ohio April 27, 2013

Read "Craig Taborn Trio: Columbus, Ohio April 27, 2013" reviewed by Mark Corroto


Craig Taborn TrioWexner Center For The ArtsColumbus, OhioApril 27, 2013Traveling to support the release of Chants (ECM, 2013), pianist Craig Taborn's Trio, with bassist Thomas Morgan and drummer Gerald Cleaver, made an appearance at The Ohio State University's Wexner Center for The Arts. As label head/producer Manfred Eicher's artists are want ...

12

Article: Extended Analysis

Craig Taborn: Chants

Read "Craig Taborn: Chants" reviewed by John Kelman


While he's been making himself a ubiquitous presence on the jazz scene for the past two decades--playing with everyone from saxophonists Tim Berne, David Binney and Chris Potter (on the equally stellar The Sublime And (Thirsty Ear, 2003), Graylen Epicenter (Mythology, 2011) and The Sirens (ECM, 2013), respectively), to bassists Michael Formanek and Scott Colley (whose ...

17

Article: Extended Analysis

Wislawa

Read "Wislawa" reviewed by John Kelman


Since returning to the ECM fold in 1994 to record Matka Joanna (1995), Tomasz Stańko has virtually rebooted a career that demonstrated significant promise back in the 1970s, when he released Balladyna (1976) for the label, and worked with others including Finnish drummer Edward Vesala and American bassist Gary Peacock. The Polish trumpeter was far from ...

14

Article: Extended Analysis

Chris Potter: The Sirens

Read "Chris Potter: The Sirens" reviewed by John Kelman


The appearance of saxophonist Chris Potter as a leader on ECM may come as a surprise to some, but a look back at the label's 44-year history makes The Sirens--his label debut and 19th as a leader since first emerging with trumpeter Red Rodney before he'd turned twenty, and releasing his own debut, Presenting Chris Potter ...

Album

Small Places

Label: ECM Records
Released: 2012
Track listing: Small Places; Pong; Parting Ways; Rising Tensions and Awesome Light; Slightly Off Axis; Seeds and Birdman; Wobble and Spill; Soft Reality.

7

Article: Year in Review

Troy Collins' Best Releases of 2012

Read "Troy Collins' Best Releases of 2012" reviewed by Troy Collins


Considering the quantity of recordings released in a year's time, attempting to compile an end of the year list mentioning every first-rate session would be difficult at best. The ten titles included below are among the most exceptional new jazz albums I've heard in 2012. Jason Robinson Tiresian Symmetry Cuneiform Records

4

Article: Album Review

Devin Gray: Dirigo Rataplan

Read "Dirigo Rataplan" reviewed by Dave Wayne


In today's crowded jazz market, it's an achievement to come up with a signature group sound. And yet, this is just one of the wonderful things immediately apparent on Devin Gray's Dirigo Rataplan. An amazing percussionist, Gray's stunningly detailed playing sounds like a cross between Fritz Hauser and Roy Haynes.He flashes some serious compositional ...

3

Article: Album Review

Devin Gray: Dirigo Rataplan

Read "Dirigo Rataplan" reviewed by Eyal Hareuveni


Devin Gray is only 28 years old but, in his case, age does not mean much. Already, in his debut as a leader, this Brooklyn-based drummer proves himself a mature and resourceful composer and promising band leader, one who can lead any outfit with the energy and colors produced from his drum set, as the Latin-French ...

1

Article: Album Review

Michael Formanek: Small Places

Read "Small Places" reviewed by Hrayr Attarian


Bassist Michael Formanek's second release on ECM, Small Places, is an impassioned and gratifying album. Working with the same quartet as his first, The Rub and Spare Change (ECM, 2010), the music here has crystallized and matured further as the familiarity and camaraderie among the artists has grown. Although The Rub was freer ...


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