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Musician

Meinrad Kneer

Born:

Double bass player and composer Meinrad Kneer operates on the borders of jazz, improvised, ethnic and contemporary music. Born 1970 in Munderkingen/ Germany, after school years and civil service he studied Biology at the University of Tübingen. From 1995 till 1999 he studied music and double bass at the conservatories of Hilversum and Amsterdam, the Netherlands. Ever-since he is present and active in the Dutch music scene and abroad. He co-led the quartet and septet Dalgoo together with reed player Tobias Klein between 1998 and 2005. He was awarded the prestigious ‘Jur Naessens Music Award’ in 2002 with the septet Dalgoo - New Anatomy, a project around the work of Russian absurdist and writer Daniil Charms

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Article: Radio & Podcasts

James Brandon Lewis, Federico Ughi, Matthew Shipp & Fall Raye

Read "James Brandon Lewis, Federico Ughi, Matthew Shipp & Fall Raye" reviewed by Maurice Hogue


There are a lot of superlatives for the playing of saxophonist James Brandon Lewis floating about these days, and they're all well-deserved. JBL continues to make great music. His new Transfiguration with his quartet of Aruan Ortiz, Brad Jones & Chad Taylor--out on the Intakt label from Switzerland---keeps the momentum rolling. Mark this one down for ...

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Article: Radio & Podcasts

Frank Carlberg, Karl Evangelista & Benoit Delbecq

Read "Frank Carlberg, Karl Evangelista & Benoit Delbecq" reviewed by Maurice Hogue


Thelonious Monk has always been a magnet for jazz pianists. Frank Carlberg's fascination with the mysterious Monk has led to a second recording with his large ensemble. It's called Elegy For Thelonious. San Francisco guitarist Karl Evangelista is one who tends to fly under the radar, but his recent What Else Is There?, recorded in Chicago, ...

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Article: Radio & Podcasts

Jonas Kullhammar, Alistair Payne and Rich Halley Trio

Read "Jonas Kullhammar, Alistair Payne and Rich Halley Trio" reviewed by Maurice Hogue


This episode has a definite tilt to artists from Northern Europe with music from several different countries. Sweden's Moserobie Music catalog is featured in several tracks, particularly label founder and multi-reedist Jonas Kullhammar, while from the neighbouring Norway you'll hear music by saxophonist Andre Roligheten, bassist Dan Peter Sundland and the Bliss Quintet. Bassist Meinrad Kneer ...

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Article: Album Review

Julie Sassoon Quartet: Voyages

Read "Voyages" reviewed by Mike Jurkovic


As on a high speed, downhill slalom chase, listeners are suddenly, nakedly and without poles hurled into “Missed Calls"; the opening burst of sublime energy and groupthink cracks Voyages wide open, sets the mad, determined pace and tone for a craftily organic, six-song, free-jazz adventure which never lets up. It is breakneck rhythm churning, keening, into ...

Album

Voyages

Label: Jazzwerkstatt
Released: 2021
Track listing: Missed Calls; Shifting; Waltz With Me; Jerusalem; Outside; Melody.

Album

The Goldman Variations

Label: Jazzwerkstatt
Released: 2020
Track listing: Case of Need; Süßes Holz; Friede Den Hüten; Quorum; Goldman's Sack; Emma Goldman; Always Never; Clean Profits Trilemma A/B/C; Grau Normal Ja; Modified Princess.

Album

Andreas Willers 7 of 8 - The Goldman Variations

Label: Jazzwerkstatt
Released: 2020
Track listing: 1 Case Of Need 2 Süßes Holz 3 Friede Den Hüten 4 Quorum 5 Goldman's Sack 6 Emma Goldman 7 Always Never 8 Clean Profits Trilemma A 9 Clean Profits Trilemma B 10 Clean Profits Trilemma C 11 Grau Normal Ja 12 Modified Princess

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Article: Radio & Podcasts

Charles Rumback, Kuzu and More

Read "Charles Rumback, Kuzu and More" reviewed by Maurice Hogue


There's a slight Chicago flavour to this episode. Drummer Charles Rumback hooked up with noted New Orleans bassist James Singleton for Rumback's latest recording, Cadillac Turns. In an odd twist of strange, Singleton approached a jet-lagged Rumback in a bar in Sydney Australia and said he had seen Rumback playing in a Chicago bar a few ...

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Article: Year in Review

Il meglio del 2016 Secondo Paolo Peviani

Read "Il meglio del 2016 Secondo Paolo Peviani" reviewed by Paolo Peviani


Dal punto di vista discografico, quella del 2016 è stata un'annata molto ricca. Nessun picco straordinario ma tanti buoni, ottimi dischi, da ascoltare e riascoltare con attenzione. Dal mio piccolo e per forza di cose parziale osservatorio, ho avuto l'impressione che i grandi nomi del jazz -al netto di qualche eccezione -non abbiano prodotto grandi cose. ...


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