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Cecil Taylor: Mixed to Unit Structures Revisited
by Giuseppe Segala
La pubblicazione di Mixed To Unit Structures, nella meritevole collana Revisited Series della Ezz-thetics, sotto-etichetta della svizzera Hat Hut, riunisce due date di registrazione importanti nella vicenda di Cecil Taylor, distribuite tra l'ottobre 1961 e il maggio 1966. La prima, composta dai tre brani “Pots," “Bulbs" e “Mixed," era stata pubblicata dall'etichetta Impulse! nel disco Into ...
La Jazz Poetry di Jayne Cortez
by Maurizio Zerbo
Articolo originariamente pubblicato nel marzo 2003 e ora riproposto in occasione del mese dedicato al contributo femminile al jazz Per la sua spiccata componente di oralità, la Jazz Poetry è probabilmente l'espressione che meglio di altre connota—insieme al jazz stesso—l'esperienza artistica afroamericana del '900, in quanto trait d'union fra improvvisazione e composizione scritta.
Logan Richardson: To Boldly Go Where No Jazz Has Gone Before
by Chris May
In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift, ...
Francesca Remigi: impegno sociale, innovazione e crescita
by Serena Antinucci
Il primo disco della batterista e compositrice Francesca Remigi, Il labirinto dei topi, realizzato insieme al gruppo Archipélagos è un progetto complesso e importante, in cui si osserva la società e si esprimono le sue profonde contraddizioni. La batterista di Bergamo ci fa ascoltare il deterioramento delle logiche capitalistiche, lo sfaldamento del sistema sociale e culturale ...
Cecil Taylor & Tony Oxley: ...Being Astral And All Registers - Power Of Two...
by Karl Ackermann
The late free jazz icon Cecil Taylor was thought to have only recorded two duo albums in his career. One was Embraced (Pablo, 1977) with Mary Lou Williams, the other, Historic Concerts (Soul Note, 1984) with Max Roach. Both were underwhelming mismatches, with Taylor overpowering his partners. In 2020, drummer Tony Oxley found two live Taylor-Oxley ...
Straight Ahead: il canto di protesta di Abbey Lincoln dal 1957 al 1961
by Maurizio Zerbo
La lettura di un libro sull'Africa, l'intuizione del manager, e la frequentazione di artisti impegnati nella rivendicazione dei diritti civili determinarono il cambio di passo nello status artistico di Anna Maria Woolridge, tra il 1956 e il 1961. Cantante nei night club californiani con lo pseudonimo di Gaby Lee, era una artista di varietà quando decise ...
A Different Drummer, Part 1: Mark Lomax II and Mauricio Takara
by Karl Ackermann
The drum is an instrument of power and presence. It is the heartbeat of music but with uncertain origins. In Africa, China, and Turkey, archeologists have found evidence to suggest that any of those regions may have been the forebearers of the beat, of the definitive expression of freedom. Data concludes that instrumental music is at ...
Khruangbin: The Sly Art of Containment
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...
Brian Jackson: Winter In America Pt. 2
by Chris May
As Gil Scott-Heron's songwriting and performing partner during the 1970s, keyboardist, composer and arranger Brian Jackson was co-author of some of the most galvanising liberation music of the era. Inhabiting the intersection of jazz, soul and spoken word, Jackson and Scott-Heron, who met while they were both students at Lincoln University, were a team from Pieces ...
Charlie Parker: Be Bop Live
by Mark Corroto
The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming ...
