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Article: Radio & Podcasts

New ECM Releases, Shorter Live, And More

Read "New ECM Releases, Shorter Live, And More" reviewed by Bob Osborne


ECM records continue to release an eclectic range of remarkable music which transcends narrow genre classifications and offers the listener the chance to explore new sounds and experiences. Four excellent new releases from that label are featured on this episode. In addition there is a fascinating and varied mix of new releases yet again proving that ...

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Article: Radio & Podcasts

Neta Raanan, Avery Sharpe, Lauren Henderson and Matt Mitchell

Read "Neta Raanan, Avery Sharpe, Lauren Henderson and Matt Mitchell" reviewed by Hobart Taylor


New music from sax innovator Neta Raanan, National Symphony Orchestra composer in residence Carlos Simon, healing music from Esperanza Spalding, and the latest from Pi recording artist Matt Mitchell.Playlist Caroline Davis “Cover Up (feat. Jen Shyu)" from Portals Volume 2 Returning (Intakt) 0:00 Philip Weberndoerfer “My Ideal" from Tides (Shifting Paradigm) 7:53 Neta Raanan ...

Article: Album Review

Kim Cass: Levs

Read "Levs" reviewed by Vincenzo Roggero


Cosa c'entrano Karlheinz Stockhausen, Arnold Schoenberg e Pierre Boulez con l'arte visiva e con l'inchiostro delle partiture? Ce lo spiega nelle sintetiche e un po' enigmatiche note di copertina lo stesso Kim Cass, bassista dalle frequentazioni eccellenti e dalla mente aperta. Poi, si sa, quello che conta è il risultato finale, dove la miscela degli ingredienti ...

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Article: Album Review

Matt Mitchell: Zealous Angles

Read "Zealous Angles" reviewed by Troy Dostert


Among 2024's contenders for the most tireless and ambitious pianists in creative music, one has to put Matt Mitchell near the top of the list. When he is not working as a sideman alongside other pathbreaking musicians like Miles Okazaki, Ches Smith, Darius Jones or Kim Cass, he is busy crafting his own idiosyncratic compositions and ...

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Article: Radio & Podcasts

Bassdrumbone, Kim Cass & Ivo Perelman

Read "Bassdrumbone, Kim Cass & Ivo Perelman" reviewed by Maurice Hogue


Ever heard of “fartlek"? It's a method of training for runners where they can play around with their speeds, very unstructured. That's sort of what this episode of One Man's Jazz turned out to be--all over the place in terms of style, tempos, musical variations and origins in the albums debuting. For instance, the Southeast Asian ...

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Article: Album Review

Dan Weiss: Even Odds

Read "Even Odds" reviewed by Mark Corroto


Drummer and composer Dan Weiss turns his experiments and percussion exercises into compositions on this trio recording Even Odds. In other words, he composes, not on a piano, but with his drum kit for the twenty tracks heard here. That fact may not be groundbreaking except that Weiss recorded those tracks and sent the music to ...

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Song of the Day

It Is What It Is

Album:
By
Label: Cygnus Recordings
Released: 2024
Duration: 3:38

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Article: Album Review

Caroline Davis’ Alula: Captivity

Read "Captivity" reviewed by Alberto Bazzurro


Quote rosa in perfetto equilibrio in questo nuovo lavoro della quarantaduenne altosassofonista Caroline Davis, al secolo Caroline Rebecca Anson, alla testa di Alula, in edizione riveduta e corretta (con Chris Tordini e Tyshawn Sorey al posto di Matt Mitchell e Greg Saunier, oltre a Val Jeanty, giradischi ed elettronica), e in equilibrio anche il comparto acustico ...

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Article: Album Review

Yuhan Su: Liberated Gesture

Read "Liberated Gesture" reviewed by Angelo Leonardi


«Quest'album rappresenta la libertà che stavo cercando--dice Yuhan Su--una variante di me più raffinata e un messaggio sul periodo in cui ci troviamo». Giunta al quarto disco in un decennio d'attività professionale a New York, la vibrafonista taiwanese conferma d'essere una strumentista di prim'ordine e soprattutto una compositrice e leader innovativa, in equilibrio ...

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Article: Album Review

Dan Weiss: Even Odds

Read "Even Odds" reviewed by Mike Jurkovic


To say that “It Is What It Is"--regarding drummer/composer Dan Weiss's feverish first track on the fervently episodic Even Odds--misses the whole point entirely. It could be anything. And within its spacious yet oddly claustrophobic three-and-a-half minutes, evolutions come and go in real time. And real time is a bitch if you cannot keep up.


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