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Quinsin Nachoff's Flux: Path Of Totality
by Roger Farbey
The title of Quinsin Nachoff's ambitious double album refers to the August 2017 lunar eclipse, when the moon passed in front of the sun and cast a shadow known as the path of totality." This event also gave rise to a twin-headed metaphor reflecting both his band's creative evolutionary process and the current political and environmental ...
Claudio Fasoli N.Y. 4ET: Selfie
by Angelo Leonardi
Il 2017 è stato un anno ricchissimo per Claudio Fasoli, sia sul versante della produzione musicale che su quello dei riconoscimenti al valore artistico. Ha pubblicato due notevoli album per l'etichetta Abeat (Inner Sounds e Haiku Time) ed è stato votato musicista dell'anno dalla critica italiana. Anche l'incisione di questo disco risale a quella stagione, essendo ...
Jonathan Finlayson: 3 Times Round
by Glenn Astarita
As a solo artist, trumpeter/composer Jonathan Finlayson (Steve Coleman, Henry Threadgill) has been forging a rapid growth-pattern, conspicuously illustrated here, on his third release for Pi. On his previous solo outings for the label, Finlayson was the lone horn player with his band Sicilian Defense. Now, he broadens his scope by employing eminent saxophonists, Steve Lehman ...
Jonathan Finlayson: 3 Times Round
by Mark Corroto
Listening to the music of Jonathan Finlayson is kind of like being in the audience of a TED Talk where the entire house is packed with PhDs. You understand the presenter is operating on a higher level, and so the acquisition of knowledge requires attention and some discipline. But you come to expect a challenge from ...
Meredith Monk, Will Mason & The Fabulous Thunderbirds
by Martin Longley
Meredith Monk Brooklyn Academy Of Music March 18, 2018 The multivalent Meredith Monk gave the world premiere of her Cellular Songs work at BAM over five days. Your scribe, burdened by a heavy rotation of electronic seances, live soundtrack silent movies and late night jazz jointing, opted for the Sunday ...
Rosario Di Rosa
by Vincenzo Roggero
1. Thelonious Monk, Blue Monk (Bandstand, 1988). Questo disco è un bootleg registrato al Newport Jazz Festival nel 1966. Avrei potuto inserire qualunque disco di Monk ma ho scelto questo perché è in assoluto il primo che ho acquistato all'inizio degli anni '90. All'epoca avevo appena iniziato a interessarmi al jazz, anche se non ...
Dan Weiss: Starebaby
by Mark Corroto
It is always interesting when a musician's newest release zigzags away from previous works, making an abrupt change of course. Often it happens at the request of a producer or record company, and probably because his/her previous disc was not well received. This in no way explains Starebaby by drummer Dan Weiss. Sixteen: Drummers Suite (Pi ...
Noah Preminger: Genuinity
by Mark Corroto
Quite often when an über-talented musician records a disc under his own name, he uses sidemen of lesser talent so as not to detract from his moment in the limelight, or because his ego won't allow him to play nice. That has never been the case with saxophonist Noah Preminger. On Genuinity, his tenth disc released ...
NYC Winter Jazzfest 2018 - The Friday Marathon
by Dan Bilawsky
NYC Winter Jazzfest The Friday Marathon New York, NY January 12, 2018 As the setting sun ushered in the first of two NYC Winter Jazzfest marathon nights on Friday, January 12, the only thing that seemed to be missing was winter itself. After coping with a deep freeze for weeks, ...
Tyshawn Sorey: Verisimilitude
by Giuseppe Segala
Il tocco ricco di sottili contrasti dinamici che Tyshawn Sorey mette in risalto alla batteria si avvicina per ampiezza espressiva a quello delle dita su un pianoforte: dalla pennellata acquosa al colpo ovattato, dall'urto leggero alla cupa, vigorosa stoccata. Sempre restando nell'ambito di una gamma elastica, mobile, rilassata. Una qualità che, unita alla plastica intelligenza musicale, ...





