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Chris Smith: At The Intersection Of Scholarship, Performance and Pedagogy
by David A. Orthmann
In the introduction to his book Jazz Matters (University Of California Press, 2010), David Ake writes about bringing “together the practical side of making jazz, the pedagogical side of teaching it, and the academic side of writing about it." (p. 12) “Nothing but good," Ake adds, “can come if we increase the numbers of scholars who ...
Laura Dickinson: One for My Baby: To Frank Sinatra with Love
by Jack Bowers
Invoking the name Frank Sinatra, even in adulation, always presents a challenge, as Ol' Blue Eyes is considered by many aficionados to be the best-ever interpreter of American popular song. Singer Laura Dickinson writes that she “fell in love" with Sinatra as a teen-ager and resolved then to help keep his music and that of the ...
Allison Neale: I Wished On The Moon
by Bruce Lindsay
Classic tunes, played by a young alto saxophonist with a distinctive tone, impeccable taste and a talent for recruiting three of the best bandmates around. Add a quartet of guest appearances by a fine young Milt Jackson-inspired vibes player. Do the music justice by ensuring high-quality sound. Presenting I Wished On The Moon, the third album ...
I Nuovi Protagonisti dell'Orchestrazione - 1: Darcy James Argue - Ryan Truesdell - Orrin Evans
by Angelo Leonardi
Dopo la morte di Gil Evans e Thad Jones nella seconda metà degli anni ottanta e la progressiva uscita di scena di George Russell, il ruolo del compositore/orchestratore nel jazz ha sofferto di un gap generazionale. Meno marcato di quanto è apparso pubblicamente ma comunque consistente. Anche se negli anni novanta già operavano figure del calibro ...
Becky Archibald: Midnight At Monteton
by Chris Mosey
Becky Archibald is an extremely talented lady. Relatively new to jazz, her composing and arranging skills at best warrant comparison with those of such great names as Marty Paich and Mary Lou Williams. Though they are all her own and bang up to date. A native of Anderson, Indiana, she sums up her ...
Swingin' on a Riff . . . Hangin' by a Thread?
by Jack Bowers
Betty and I returned to Albuquerque on Memorial Day after attending Swingin' on a Riff, the latest in a series of marvelous semi-annual events presented by Ken Poston and the Los Angeles Jazz Institute for more than twenty years at venues in and around L.A. This one was held May 23-26 at the Los Angeles Marriott ...
Dave Pell: Four Classic Albums
by David Rickert
If you were to wander up and down the West Coast in the fifties you were more likely to find Dave Pell playing dances on college campuses than in clubs. Despite filling his octet with seasoned musicians who could really cut loose when given the chance, Pell's studio recordings always have a hint of ...
Fresh Sound Records and the Legacy of Recorded Jazz
by Bruce Klauber
If the importance and the contributions of jazz are measured by its recorded legacy, then Fresh Sound Records--and its founder, Jordi Pujol--must be duly recognized for rescuing a legacy that might otherwise be lost or nearly impossible to find, and for making it available to the public. Specifically, this legacy includes recorded works by ...
Did Stan Kenton Swing? You Bet Your Walkin' Shoes He Did...
by Jack Bowers
I've been listening to a lot of Stan Kenton's music recently while coming to grips with the age-old question, did the Kenton orchestra really swing? The answer, to me, is a no-brainer: Yes, Kenton swung. Liberally and often. [Note: This of course depends on how “swinging" is defined; opinions may vary]. In his own way--although he'd ...
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