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Results for "Mark Sanders"
Paul Dunmall: Here Today Gone Tomorrow
by John Sharpe
Much improvised music may be ephemeral, but Here Today Gone Tomorrow, captures British saxophonist Paul Dunmall's long-standing quartet at a peak of collective lucidity. Featuring pianist Liam Noble, bassist John Edwards and drummer Mark Sanders, the ensemble works through three slabs of unapologetic free jazz that display the rare assurance ...
Sergio Armaroli: The Musical Omnivore
by Mark Corroto
Sergio Armaroli is an Italian composer, percussionist, vibraphonist, teacher and visual artist whose music can be found on multiple labels including ezz-thetics, Leo Records, Dodicilune, Ictus Records and Da Vinci Classics. His 2025 releases include Deconstructing Ayler In The Universe (Dodicilune), And I Entered Into Sleep (Die Schachtel), and the ezz-thetics discs Introducing A Very Heavy ...
Pat Thomas: HIKMAH
by Mark Corroto
Imitation may be the sincerest form of flattery--except, perhaps, when pianist Pat Thomas takes on the music of jazz legends. In those cases, what emerges is not imitation at all, but transformation. On albums such as Plays the Music of Derek Bailey & Thelonious Monk (FMR, 2008) and Pat Thomas Plays The Duke (New Jazz and ...
Mark Turner, Perelman/Wooley, O.N.E. & Herb Robertson
by Maurice Hogue
Acclaimed saxophonist Mark Turner's new recording, Reflections on: The Autobiography of an Ex-Colored Man, will attract attention not only for the brilliant playing, but also for the very forthright topic of a bi-racial man able to “pass" as white. Turner used as his motivation the semi-fictional account written by James Weldon Johnson, a central figure of ...
Neil Charles Quartet: Dark Days
by Mark Corroto
In 2025, amid global unrest and political fracture, the 1963 March on Washington for Jobs and Freedom can feel like a distant dream, and Dr. Martin Luther King Jr.'s “I Have a Dream" speech like a myth from a gentler past. Has social media, with all its noise and manipulations, induced a kind of societal amnesia? ...
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders: Ecliptic
by Mark Corroto
Some books are divided into chapters--numbered, titled, and carefully structured. The musical equivalent is the tracklist: segmented, labeled pieces presented in order. But Ecliptic by the trio Shifa (شفاء, Arabic for “healing") rejects that format entirely. This 46-minute set of improvised music by saxophonist Rachel Musson, pianist Pat Thomas and drummer Mark Sanders unfolds without titles, ...
Olie Brice Quartet: All It Was
by Mark Corroto
Bassist Olie Brice wears the title of Mr. Inside/Mr. Outside with remarkable ease. Equally adept in free improvisation and structured composition, Brice moves fluidly between extremes. His work with improvisers such as Tobias Delius and Mark Sanders on Somersaults (Two Rivers, 2015), or with Paul Dunmall on The Laughing Stone (Confront, 2023), exemplifie his outside approach. ...
A Brief Guide To Ukrainian Jazz: Part 4
by Ian Patterson
Part 1 | Part 2 | Part 3 | Part 4 The fourth installment of A Brief Guide To Ukrainian Jazz--a series developed with the cooperation of the Ukrainian Institute--introduces four more highly talented jazz artists/groups from Ukraine. The vast range of personal musical identities attests to the strength, depth and originality of contemporary ...
Gabriele Mitelli Three Tsuru Origami: Colapesce
by Mark Corroto
The second release from Gabriele Mitelli's Three Tsuru Origami ensemble shifts from the literal to the symbolic, expanding both in concept and personnel. Their debut, Three Tsuru Origami (We Insist!, 2022), was a meditation on birds and migration. This follow-up, Colapesce, draws inspiration from the 12th-century Sicilian legend of a half-man, half-fish who sacrifices himself to ...
Larry Stabbins & Mark Sanders: Cup & Ring
by John Sharpe
Inspired by the 5000 year old Neolithic rock carvings pictured on the sleeve, Cup & Ring opens and closes with brooding, ritualistic pieces in which Larry Stabbins' breathy flute drifts like mist over Mark Sanders' deliberate, processional percussion. These atmospheric bookends, along with similarly spare interludes throughout, frame a set grounded more deeply in the language ...
