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The Whammies: Play The Music of Steve Lacy Vol. 3, Live
by Mark Corroto
The third volume of Steve Lacy dedications by the cover/not cover band The Whammies is a live recording from their 2014 tour. Recorded in Italy and Austria, the band performs their self-described “instant-arranging" of mostly Lacy tunes that in true-to-form fashion elicit surprise and clever improvisation.Saxophonist Steve Lacy, who passed away in 2004, would ...
Albert Ayler: Spiritual Unity
by Mark Corroto
Fifty years after the recording of Albert Ayler's Spiritual Unity, the music (and the man) are still causing tumult. It is not so much that free jazz hasn't been on our radar these past decades, it's just that this recording remains one of those “where were you, when you first heard it?" experiences. Recorded ...
L.A. Jenkins / Hasan Abdur-Razzaq / Adam Smith: Intrusion
by Mark Corroto
This outwardly simple and uncomplicated trio recording by L.A. Jenkins matches three improvisers with almost identical musical visions. The guitarist collaborates with saxophonist Hasan Abdur-Razzaq and drummer Adam Smith. Both partners are versed in the exploratory music of Sun Ra, Albert Ayler, and Pharoah Sanders. And both are members of The Wizards, a quartet that mines ...
Tom Chang: Tongue and Groove
by Mark Corroto
When did the ultimate compliment for a jazz performance switch from “you swing, cat" to “you rock, dude"? Perhaps it happened after a generation of jazz artists raised on rock-n-roll found their way into improvisation and the latitudes of expression that jazz enable. Case in point is Tongue And Groove by guitarist Tom Chang.
Your Shipp Has Come In
by Mark Corroto
These two guest appearances demonstrate that pianist Matthew Shipp has become an elder statesman in the jazz world. How that happened can be boiled down to two simple elements. One: he has created a unique sound and language for improvised music and two: Shipp has become a doyen of cutting edge music making and opinion.
Peter Brotzmann/Sonny Sharrock: WHATTHEFUCKDOYOUWANT
by Mark Corroto
Gone, now more than twenty years ago, guitarist Sonny Sharrock passing in 1994 seems like just yesterday. Maybe it is because his inexhaustible larger-than-life sound still permeates the music of today's free jazz community. This recording, from 1987 is a hidden gem and treasured fragment, perhaps another Rosetta Stone that allows listeners to appreciate how the ...
KonstruKt with Marshall Allen: Live At Sant’anna Aressi Jazz Festival
by Mark Corroto
I have seen the future of free jazz (to paraphrase rock critic Jon Landau) and it's name is KonstruKt. Born in Turkey, but cross-fertilized by a global phenomenon of visiting jazz bees: Peter Brotzmann, Joe McPhee, Evan Parker, and Marshall Allen who perform and pollinate the flowering creative music scene. This quartet of saxophonist ...
Bobby Selvaggio: Short Stories
by Mark Corroto
Like the Japanese calligraphy art know as ensō, the condensed and succinct introduction alto saxophonist Bobby Selvaggio delivers on the track “Price Of Being (Intro)" is a disciplined stroke, delivered with an ease and elegance that belies the character and control required for such a statement. He works his instrument through this exercise with such command ...
Agustí Fernández/Barry Guy/Ramón López: A Moment's Liberty
by Mark Corroto
The term “elegance," is rarely utilized when referring to a jazz recording. In fact, “elegant jass"might be an oxymoronic term. Sure, The Modern Jazz Quartet always performed in formal wear, and Duke Ellington evoked gracefulness in response to his advertised “jungle music," but jazz has always bumped up against the high brow ceiling of more orthodox ...
Alan Wilkinson/Steve Noble/John Coxon/Pat Thomas: The Founder Effect I
by Mark Corroto
You cannot judge a book by its cover. Maybe, but music fans somehow know that expression doesn't lend itself to album covers (in this case, CD covers). Look at the Blue Note Records covers from the 1960 sixties, Miles Davis' On The Corner (Columbia, 1972), or The Clash's London Calling (Columbia, 1979), and tell me you ...
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