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Marc Ribot Trio: Live At The Village Vanguard
by Mark Corroto
It had been 16,631 days since bassist Henry Grimes had last played music at New York's infamous Village Vanguard. His performance, with saxophonist Albert Ayler, on December 18, 1966 was recorded and released as In Greenwich Village (Impulse!, 1967). Back after 45 years, 6 months, and 12 days, the bassist, now part of guitarist Marc Ribot's ...
Rejoice - Three New Ivo Perelman Discs
by Mark Corroto
Just think what could have been if artists like Jimmy Lyons or Albert Ayler were recording today. We might have had the ability to witness their development and observe how creative music gets nudged in new and different directions. That's exactly the gift we're given with the proliferation of recent Ivo Perelman recordings. The São Paulo-born, ...
Mats Gustafsson/dieb13/Martin Siewert: Fake The Facts: Soundtrack
by Mark Corroto
Stripped to its core, music is communication. It is the accompaniment to life's movie. The first fabulists, our cavemen ancestors probably invented music by imitating the sounds of nature, such as bird calls, wolf howls, and the patter of rain on the cave's entrance. The pleasure delivered by that experience caused several members of the cavemen's ...
Douglas Detrick’s Anywhen Ensemble: The Bright and Rushing World
by Mark Corroto
Go ahead, ask the question, “But is it jazz?" Douglas Detrick's Anywhen Ensemble presents the ten movement suite, The Bright and Rushing World, a continuous piece of music, commissioned by Chamber Music America. So maybe it isn't jazz. Detrick's ensemble contains a jazz drummer Ryan Biesack, who can be heard on Pieces (OA2 Records, ...
The Young Mothers: A Mothers Work Is Never Done
by Mark Corroto
Ingebrigt Håker Flaten reminds us that jazz is the musical equivalent of a dark star, a musical black hole, absorbing all musical energy and classifications. The Norwegian-born bassist-turned Austin, TX resident assembled a multi-genre sextet under the uncategorizable name The Young Mothers. Sure, let's not call this jazz, because it would alienate 99% of fans. But ...
Ensemble 5: The Summary Of 4
by Mark Corroto
It is refreshing to hear a free jazz improvising group that doesn't abandon meter and melody for the goal of spontaneous music making. For percussionist Heinz Geisser, performing improvised music doesn't require he throw the figurative baby out with the bath water. The dude abides.Like the Collective 4tet he established in the 1990s with ...
Celebrating Blue Note Records 75th With Delicious Vinyl
by Mark Corroto
Everything old is new again. Except of course for the timeless music of Blue Note Records which celebrated its 75th anniversary this year. The recordings Alfred Lion and Francis Wolff produced starting in 1939 have been collector's items since day one. While much of the label's music has been re-released in digital format, CDs and in ...
Orrin Evans' Captain Black Big Band: Mother's Touch
by Mark Corroto
Nobody does big bands these days. Nobody. Not without institutional support like a university or a foundation. Not unless you are Orrin Evans. The Philadelphia pianist writes and arranges music so appealing, a revolving cast of musicians can't resist playing his music. While we will never see an independent outfit like the Captain Black Big Band, ...
Dave Rempis / Lasse Marhaug: Naancore
by Mark Corroto
When you've been through the desert on a horse with no name, as the 1971 song by the band America goes, it feels good to be out of the rain. Indeed, music crafted outside of genres and categories often evokes that horse with no name. This duo by Chicago saxophonist Dave Rempis and Oslo electronics/noise artist ...
Peter Brötzmann / Peeter Uuskyla: Dead And Useless
by Mark Corroto
Nothing new, just better. Let me rephrase that, Dead And Useless is not a new recording by saxophonist Peter Brötzmann and drummer Peeter Uuskyla, it was taken from the 2006 Born Broke (Atavistic, 2008) session and was the second disc of a 2-CD set. It is, though, remastered here as a loving vinyl release (somewhere Mats ...
