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Luís Lopes Lisbon Berlin Trio: The Line
by Mark Corroto
Guitarist Luís Lopes posted the following quote on his Facebook page, art should comfort the disturbed and disturb the comfortable." With that as his mission statement, the question arises: can one listen to his music with a sympathetic ear? Or more importantly, is discomfort the motivation and ultimately the goal? Lopes' ...
Thomas Marriott: Urban Folklore
by Mark Corroto
Nothing has hit quite as hard as recent music from the trio of pianist Orrin Evans, bassist Eric Revis and Drummer Donald Edwards. The three musicians seek out (or probably are sought by) collaborators of equal weight and energy. It is not surprising that this recording of nine compositions, led by trumpeter and Seattle native Thomas ...
Paul Rogers/Robin Fincker/Fabien Duscombs: Whahay
by Mark Corroto
Is playing with a European free jazz sensibility antithetical to the music of Charles Mingus? Absolutely. Does renowned bassist Paul Rogers try his hand at it with his new trio Whahay? Yes. Do they triumph? Without question, yes. Rogers, a veteran of the London scene and bands of Keith Tippett, Paul Dunmall, and Elton ...
Jason Yeager: Affirmation
by Mark Corroto
No sophomore slump for pianist Jason Yeager. His trio disc Affirmation actually has the feel of a mature artist's fourth, fifth, and sixth recording. Maybe that is because his trio is a true working unit with bassist Danny Weller and drummer Matt Rousseau or possibly it's his ability to integrate varying musical concepts without sounding imitative. ...
UDU CALLS/Tiziano Tononi & Daniele Cavallanti with William Parker: The Vancouver Tapes
by Mark Corroto
The Vancouver Tapes might have been called The Lost Recordings had drummer Tiziano Tononi not found this recording at the bottom of a chest he stored it in after his appearance with saxophonist Daniele Cavallanti and bassist William Parker. It was their first ever meeting at the 1999 Vancouver Jazz Festival. The instant the ...
Black Milk Impulses: Manifesto
by Mark Corroto
We love jazz music because its purveyors wander off-script to make music. That is, they improvise. They do not wing-it or fake it. Step one, obtain a command of your instrument. Step two involves learning compositions. Step three, for a jazz musician, is to reinvent both step one and two.Such is Manifesto by the ...
Konstruct rules the world
by Mark Corroto
KonstruKt with Marshall Allen, Barlas Tan Özemek, and Hüseyin Ertunç Vibrations Of The Day Holidays Records 2014 If you are old enough, you might remember when four lads from Liverpool conquered America with rock-and-roll, or how the Rolling Stones redefined the blues tradition. The American blues tradition, that is. Add ...
Wayne Horvitz/The Royal Room Collective Music Ensemble: At The Reception
by Mark Corroto
Wayne Horvitz already has lovely. It's a tool he wields with ease in his music, be it in his Gravitas Quartet of piano/trumpet/cello/bassoon, his Sweeter Than The Day acoustic quartet or the electric Zony Mash. He even brought lovely to John Zorn's shocking Naked City bands of the 1990s. Horvitz has the ability to distill music, ...
Enten Eller: Pietas
by Mark Corroto
There may be an Italian jazz ensemble that has been together longer than Enten Eller, but certainly there's not one that is as innovative and expressive as this quartet. Founded some 25 years ago by guitarist Maurizio Brunod and drummer Massimo Barbiero, the group has maintained its lineup with trumpeter Albert Mandarini and bassist Giovanni Maier ...
KÖök: Imber, Wiltshire
by Mark Corroto
Tom Waits sung (spoke) the following lyrics on his Mule Variations (Epitaph, 1999) LP, What's he building in there?/What the hell is he building In there?/He has subscriptions to those magazines.../He never waves when he goes by/He's hiding something from the rest of us.../He's all to himself.../I think I know why..." But, of course ...


