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Results for "Mark Corroto"
Exhaustion / Kris Wanders: Exhaustion / Kris Wanders
by Mark Corroto
The marriage of punk rock to free jazz is a natural fit. Both art forms are DIY; punk a rejection of corporate rock-n-roll of the 1970s and free jazz, the stasis of jazz, some fifty years post-birth. Today, we find Sonic Youth's Thurston Moore playing with The Thing, Borbetomagus, The Ex and Ken Vandermark, John Zorn's ...
Jean-Michel Pilc: What Is This Thing Called?
by Mark Corroto
Jean-Michel Pilc's solo piano recording What Is This Thing Called? might have been titled Thirty-one Conversations About One Thing." That 'one thing' being his 31 variations on Cole Porter's composition What Is This Thing Called Love." Why record 31 versions of one song? Maybe ask yourself why Claude Monet created so many paintings of the same ...
Gebhard Ullmann/Basement Research: Hat And Shoes
by Mark Corroto
Saxophonist Gebhard Ullmann might be the German equivalent of Chicago's Ken Vandermark. Both players are influential composers and both maintain multiple creative ensembles in Europe and the United States. Like Vandermark, Ullmann's catalog is vast. Hat And Shoes is his 50th release as a leader or co- leader, and this band Basement Research have put out ...
Dave Rempis: Zen Master
by Mark Corroto
The best application of philosophy to improvised music is the Chinese concept of wu-wei." The best translation of this is no trying." Many listeners have the false impression that it takes a sophisticated ear or at least years of listening to get" improvised music. Actually, the opposite is true. The key is wu-wei or the art ...
Jon Davis: Moving Right Along
by Mark Corroto
Every jazz generation has its own Tommy Flanagan, an unheralded player that finally steps into the spotlight and everyone wonders how he has been hiding in plain sight all these years. With Moving Right Along, a follow up to One Up Front (Posi-Tone, 2013) pianist Jon Davis takes center stage with an assured sense of swing ...
New Vocabulary: New Vocabulary
by Mark Corroto
Saxophonist Ornette Coleman has such an original voice that his horn would be recognizable if he sat in with a Japanese noise band. Like late-Miles Davis appearances, the pleasure is hearing his distinctive blues-drenched sound, the plaintive cry of his alto saxophone. He last surfaced, on a recording that is, with Sonny Rollins' Road Shows, Vol. ...
Timothy Daisy: October Music (Vol. 1) 7 Compositions For Duet
by Mark Corroto
In 2001 drummer Tim Daisy replaced Tim Mulvenna in Vandermark 5. From that instant, his career has evolved first as a sideman to composer/saxophonist Ken Vandermark in V5, Bridge 61, Resonance Ensemble, The Frame Quartet, and more recently in Audio One and Made To Break. Next he distinguished himself with fellow Chicago musicians in Dave Rempis' ...
Chad Eby Quartet: The Sweet Shel Suite
by Mark Corroto
Reading poet Shel Silverstein's The Giving Tree once again as an adult, it is improbable that one would take away the same message as you did reading the book as a child. The boy in the story grows up playing in the branches of the tree and eating its fruit, eventually cutting the trunk for wood. ...
Peter Brotzmann/John Edwards/Steve Noble: Soulfood Available
by Mark Corroto
Listeners often ask where to begin listening to the music of Peter Brotzmann. Recording for nearly 50 years (yes, five-0), he has amassed a discography that totals nearly 300 recordings. Do you start back in the Machine Gun days and his work with FMP, fast forward to Material and Last Exit or his grand projects, the ...
Kid Millions & Jim Sauter: Fountain
by Mark Corroto
Fountain, the duo by Jim Sauter and Kid Millions, could easily be mistaken for the work of noise artist Merzbow and Hungarian drummer Balázs Pándi, Japanese guitarist Keiji Haino and Rashied Ali, or guitarist Ed Ricart and Chicago drummer Tim Daisy. Sauter of the infamous free jazz noise band Borbetomagus creates sound often mistaken for guitar ...


