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Matthew Shipp: To Duke
by Mark Corroto
Unlocking the language of an avant-garde musician like Matthew Shipp can be a tough task for those new to creative music, and also for those new to the pianist's approach. He has developed a method of music making that draws from classical music, free jazz, and the energies of electronic music. With a discography pushing into ...
John O'Gallagher: The Honeycomb
by Mark Corroto
What if jazz was rock-and-roll? Not the corporate-halftime show-American Idol rock, but the dangerous music your parents (maybe grandparents) were afraid of. Remember, there was a time when jazz was threatening. Charlie Parker and Dizzy Gillespie startled listeners with their revolutionary 'bebop,' before Ornette Coleman and Albert Ayler caused fist fights and mini-riots. Jazz has since ...
Ben Wolfe: The Whisperer
by Mark Corroto
You can always gauge a bassist-led recording by the players he attracts on the bandstand or in the studio. Proof of this premise is Ben Wolfe's latest, The Whisperer. Just like Charles Mingus had his Jaki Byard, Booker Ervin, and Dannie Richmond, and Dave Holland his Craig Taborn, Kevin Eubanks, and Eric Harland, Wolfe is also ...
Jonas Kullhammar: Gentlemen
by Mark Corroto
Swedish saxophonist Jonas Kullhammar continues to capture the late-fifties and early-sixties Blue Note sound. That magic golden age of jazz, when legends roamed roamed the earth, and recorded their music at Rudy Van Gelder's studio. His music conjures names like Joe Henderson, Sonny Rollins, and John Coltrane. The twelve compositions recorded here are the ...
Juan Pablo Carletti/Tony Malaby/Christopher Hoffman: Niño/Brujo
by Mark Corroto
A funny thing happened on the way to a free jazz trio session. What's funny is that leader Juan Pablo Carletti brought seven unique compositions for his trio to perform. The Argentinian-born, New York-based drummer recruited tenor saxophonist Tony Malaby and cellist Christopher Hoffman for this recording. An inconspicuous drummer-led session. Carletti's last decade ...
Joachim Badenhorst: Forest // Mori
by Mark Corroto
Clarinetist Joachim Badenhorst probably doesn't know who Ray Johnson is, or was. He died 20 years ago. Johnson, the father of Mail Art, created a network of artists and patrons beginning in the1960s through his correspondences. He called them 'correspondances.' His mailings created a worldwide democratic system for art. Mail Art peaked pre-internet, in ...
Exhaustion / Kris Wanders: Exhaustion / Kris Wanders
by Mark Corroto
The marriage of punk rock to free jazz is a natural fit. Both art forms are DIY; punk a rejection of corporate rock-n-roll of the 1970s and free jazz, the stasis of jazz, some fifty years post-birth. Today, we find Sonic Youth's Thurston Moore playing with The Thing, Borbetomagus, The Ex and Ken Vandermark, John Zorn's ...
Jean-Michel Pilc: What Is This Thing Called?
by Mark Corroto
Jean-Michel Pilc's solo piano recording What Is This Thing Called? might have been titled Thirty-one Conversations About One Thing." That 'one thing' being his 31 variations on Cole Porter's composition What Is This Thing Called Love." Why record 31 versions of one song? Maybe ask yourself why Claude Monet created so many paintings of the same ...
Gebhard Ullmann/Basement Research: Hat And Shoes
by Mark Corroto
Saxophonist Gebhard Ullmann might be the German equivalent of Chicago's Ken Vandermark. Both players are influential composers and both maintain multiple creative ensembles in Europe and the United States. Like Vandermark, Ullmann's catalog is vast. Hat And Shoes is his 50th release as a leader or co- leader, and this band Basement Research have put out ...
Dave Rempis: Zen Master
by Mark Corroto
The best application of philosophy to improvised music is the Chinese concept of wu-wei." The best translation of this is no trying." Many listeners have the false impression that it takes a sophisticated ear or at least years of listening to get" improvised music. Actually, the opposite is true. The key is wu-wei or the art ...


