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Abbey Rader Releases First Album With West Coast Quartet
The Abbey Rader West Coast Quartet was formed in January 2015 when Abbey Rader, Peter Kuhn, Kyle Motl and Drew Ceccato met in California for the first time. Rader and Kuhn are both practicing Buddhists, and the common ground created an ever-present air of spirituality. First Gathering was born out of Rader’s desire to create music ...
Satoko Fujii Orchestra Berlin: Ichigo Ichie
by Mark Corroto
I'm going to propose a computer “app" called Big Band World Domination. With this software players would be able to go forward and backward in time to have big bands compete against each other. Spin back to the territory bands of the 1920s, 30s, all the way to the 1960s, and then up to today. We ...
Makaya McCraven: In The Moment
by Mark Corroto
Somewhere in heaven Miles smiles, Miles Davis that is. Beside him, listening to In The Moment by drummer, mixmaster, and organizer Makaya McCraven is Teo Macero. Both men would have given the nod to this project that culled 73 minutes of music from 48 hours of live performance, recorded over a year of performance with an ...
Chris Pitsiokos Trio: Gordian Twine
by Mark Corroto
Saxophonist Chris Pitsiokos answers a slight variation of the classic Zen koan, what is the sound of one hand ripping a telephone book in two? It is this: alphabetical orderliness counts, but then again so does maelstrom. Gordian Twine, his debut as a leader, showcases his organizational and compositional skills, and, maybe more importantly, it places ...
The Rempis Percussion Quartet: Cash And Carry
by Mark Corroto
Besides his regular duo performances with fellow Chicagoans drummer Tim Daisy or Frank Rosaly, The Rempis Percussion Quartet is saxophonist Dave Rempis' longest standing active group. To mark their tenth anniversary in 2014, they met at Chicago's Hungry Brain and recorded two lengthy pieces of music.Success for each of these players has limited their ...
Last Exit: Iron Path
by Mark Corroto
In saxophonist Peter Brötzmann's interview memoir We Thought We Could Change The World (Wolke Verlag Hofheim, 2014) he spoke about meeting Sonny Sharrock in Berlin 1969, when the guitarist was working for Herbie Mann. Brotzmann never forgot the meeting, and when bassist Bill Laswell conceived the idea of Last Exit in the mid-1980s, Sharrock was on ...
Anna Webber’s Percussive Mechanics: Refractions
by Mark Corroto
Credit the new generation of jazz musicians for neither following tradition, nor coloring within the lines. Their music is not created within “the tradition." Unless, of course, that tradition includes maverick innovators like Anthony Braxton, Roscoe Mitchell, and John Zorn, players that, at times, have been given the label of non-jazz. This new crop of players ...
Ivo Perelman/Whit Dickey: Tenorhood
by Mark Corroto
For this meditation session, we ask you not to think about the legends of the tenor saxophone. Just listen to the interplay between Ivo Perelman and drummer Whit Dickey. Press play, and ignore the track titles dedicated to Hank Mobley, Ben Webster, John Coltrane, Albert Ayler, and Sonny Rollins. Why? Because, the saxophonist did just that ...
Matana Roberts: Always
by Mark Corroto
The saxophone is possibly the musical instrument that produces a sound closest to the human voice. Listening to a virtuoso saxophonist like Matana Roberts, one hears more than just breath through a reed instrument. Her solo recording Always, travels beyond voice, to mind, body, and spirit. Recorded in studio, without the benefit of a ...
Ab Baars Trio: Slate Blue
by Mark Corroto
There used to be something about the Dutch jazz scene that made it stand out from American jazz, British jazz, and well, other European happenings. The “New Dutch Swing," to borrow the title from Kevin Whitehead's 1998 book, comprised an irreverent brand of music making, with little regard to tradition. Dutch players leaned heavily on Dada ...
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