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7

Article: Album Review

The Rempis Percussion Quartet: Cash And Carry

Read "Cash And Carry" reviewed by Mark Corroto


Besides his regular duo performances with fellow Chicagoans drummer Tim Daisy or Frank Rosaly, The Rempis Percussion Quartet is saxophonist Dave Rempis' longest standing active group. To mark their tenth anniversary in 2014, they met at Chicago's Hungry Brain and recorded two lengthy pieces of music.Success for each of these players has limited their ...

7

Article: Album Review

Last Exit: Iron Path

Read "Iron Path" reviewed by Mark Corroto


In saxophonist Peter Brötzmann's interview memoir We Thought We Could Change The World (Wolke Verlag Hofheim, 2014) he spoke about meeting Sonny Sharrock in Berlin 1969, when the guitarist was working for Herbie Mann. Brotzmann never forgot the meeting, and when bassist Bill Laswell conceived the idea of Last Exit in the mid-1980s, Sharrock was on ...

3

Article: Album Review

Anna Webber’s Percussive Mechanics: Refractions

Read "Refractions" reviewed by Mark Corroto


Credit the new generation of jazz musicians for neither following tradition, nor coloring within the lines. Their music is not created within “the tradition." Unless, of course, that tradition includes maverick innovators like Anthony Braxton, Roscoe Mitchell, and John Zorn, players that, at times, have been given the label of non-jazz. This new crop of players ...

5

Article: Album Review

Ivo Perelman/Whit Dickey: Tenorhood

Read "Tenorhood" reviewed by Mark Corroto


For this meditation session, we ask you not to think about the legends of the tenor saxophone. Just listen to the interplay between Ivo Perelman and drummer Whit Dickey. Press play, and ignore the track titles dedicated to Hank Mobley, Ben Webster, John Coltrane, Albert Ayler, and Sonny Rollins. Why? Because, the saxophonist did just that ...

5

Article: Album Review

Matana Roberts: Always

Read "Always" reviewed by Mark Corroto


The saxophone is possibly the musical instrument that produces a sound closest to the human voice. Listening to a virtuoso saxophonist like Matana Roberts, one hears more than just breath through a reed instrument. Her solo recording Always, travels beyond voice, to mind, body, and spirit. Recorded in studio, without the benefit of a ...

3

Article: Album Review

Ab Baars Trio: Slate Blue

Read "Slate Blue" reviewed by Mark Corroto


There used to be something about the Dutch jazz scene that made it stand out from American jazz, British jazz, and well, other European happenings. The “New Dutch Swing," to borrow the title from Kevin Whitehead's 1998 book, comprised an irreverent brand of music making, with little regard to tradition. Dutch players leaned heavily on Dada ...

2

Article: Album Review

Joe McPhee: Solos : The Lost Tapes (1980 – 1981 – 1984)

Read "Solos : The Lost Tapes (1980 – 1981 – 1984)" reviewed by Mark Corroto


The young cats (players thirty years his junior) know Joe. Players who have immersed themselves in free improvisation, like Ken Vandermark, Mats Gustafsson, Peter Evans, Martin Kuchen, and Mikołaj Trzaska, learned the possibilities of creating a new music from, not thin air, but from listening. They model their approach after Joe McPhee. Born in ...

2

Article: Album Review

Fred Lonberg-Holm/Ken Vandermark: Resistance

Read "Resistance" reviewed by Mark Corroto


When you consider all the musicians that have recorded duos with cellist Fred Lonberg-Holm, it sounds kind of like the SPAM Monty Python sketch comedy piece. “Yes, I'll have some Fred Lonberg-Holm and Ken Vandermark." What, you don't want Fred Lonberg-Holm and Axel Dörner, or Fred Lonberg-Holm and Mats Gustafsson, or Fred Lonberg-Holm and Peter Brotzmann, ...

3

Article: Album Review

Merzbow/Mats Gustafsson/Balázs Pándi: Live In Tabačka 13/04/12

Read "Live In Tabačka 13/04/12" reviewed by Mark Corroto


Let's bring back the maxim; “If it's too loud--you're too old." Certainly, when you listen to noise-music (is that an oxymoron? Absolutely not.) loudness is to a composition, what rhythm is to George Gershwin. That said, Live In Tabačka 13/04/12 is fascinating noise. This recording, released as a limited (400 copies) LP and digital ...

13

Article: Album Review

Bobby Bradford & John Carter Quintet: No U Turn: Live In Pasadena, 1975

Read "No U Turn: Live In Pasadena, 1975" reviewed by Mark Corroto


History, it is said, is written by the victors. With jazz history, the story is too often written by New Yorkers, or at least those east of the Mississippi. Listeners with inquisitive minds are required to dig deeper, into record bins and into interviews with musicians to learn about players that did not make New York ...


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