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Results for "Mark Corroto"
The Volcanic World Of Pyroclastic Records
by Mark Corroto
As listeners we so often typecast musicians and music labels. Artists are pigeonholed into silos: classical, jazz, rock, blues, pop, etc.. Go into any record store (if you can find a brick & mortar one) and this segregation, a forced separation, is also evident. Even streaming services are divided in this manner. Maybe it is just ...
Dustin Laurenzi's Natural Language: A Time And A Place
by Mark Corroto
When Chicago tenor saxophonist Dustin Laurenzi dedicates a song “Albert" on A Time And A Place to the the Holy Ghost of the avant- garde, Albert Ayler, he doesn't follow what most impersonators do and scream “ALBERT" at you. He builds upon a simple melody pattern (Ayler-like) patiently magnifying the intensity and fervor. Unlike Ayler, whose ...
Tim Berne: The Deceptive 4—Live
by Mark Corroto
The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...
Jason Robinson: Harmonic Constituent
by Mark Corroto
If you've ever visited Mendocino County you would have a head start to appreciate saxophonist Jason Robinson's Harmonic Constituent. His week-long retreat to this magnificent Northern California coast inspired this ambitious and diverse recording. Robinson, a musical omnivore previously recorded with the quartet Cosmologic, his Henry Threadgill inspired Janus Ensemble, in duos with Anthony Davis and ...
Jon Irabagon: I Don't Hear Nothin' But The Blues Volume 3: Anatomical Snuffbox
by Mark Corroto
In season two of the classic British TV comedy Monty Python's Flying Circus, John Cleese plays an architect making a presentation to a committee assembled to build an apartment complex. His design has “classical neo-Georgian features" with “tenants arriving in the entrance hall...carried along corridors on a conveyor belt in extreme comfort...towards the rotating knives. The ...
Roscoe Mitchell Quartet: Come and See What There Is to See
by Mark Corroto
In a recent interview, trumpeter Ambrose Akinmusire related the story of when he first visited a jazz club; as an eighth grader in Oakland, he experienced a performance by The Art Ensemble Of Chicago. What a spectacle it must have been and, of course, he would have witnessed the maestro himself, Roscoe Mitchell. Decades ...
The Thing with Joe McPhee: She Knows...
by Mark Corroto
After nearly three dozen releases over seventeen years, it was announced in 2019 that the trio The Thing would be on a hiatus from touring and recording. This garage punk jazz trio has carried the flame of Black Flag's get-in-the-van philosophy, traveling and recording with the likes of Sonic Youth's Thurston Moore, Otomo Yoshihide, Neneh Cherry, ...
Luís Vicente: Maré
by Mark Corroto
We have no idea whether Portuguese trumpeter Luís Vicente is Catholic. Nor if he knew before performing at the Monastery of Santa Clara-a-Nova that he would be in harmony with the building's monastic religious order, the Poor Clares. His music performed at the Anozero-Bienal de Arte Contemporânea de Coimbra, however, is as stark and austere as ...
Chris Pitsiokos / Javier Areal Velez / Kevin Murray: First Blush
by Mark Corroto
Was this gig at New York's Downtown Music Gallery in January, 2020, a one-off performance? Saxophonist Chris Pitsiokos was scheduled to perform solo, probably to promote his extraordinary solo release Speak In Tongues (Relative Pitch, 2019), but chose instead to expand to a trio. And a new trio at that. This wasn't one of his recent ...
Peter Brötzmann / Maâlem Moukhtar Gania / Hamid Drake: The Catch Of A Ghost
by Mark Corroto
Nearly a quarter century after recording The “WELS" Concert (Okka, 1997), saxophonist Peter Brötzmann reconvened a three-continent trio to deliver a remarkable set of ecstatic-trance music. His European free jazz met American drummer Hamid Drake and African Gnawa music master Maâlem Moukhtar Gania at the AngelicA, Festival Internazionale di Musica in Bologna, Italy in 2019. Same ...
