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Seppe Gebruers: Playing With Standards
by Mark Corroto
Pianist Seppe Gebruers with his Playing With Standards follows in the footsteps of visual artists who work in xerography, a type of Situationists' détournement that construct art via a photocopier. While the 42 tracks presented over three discs reproduce jazz and pop standards, Gebruers' 'copies' are not reproductions as much as they are the products of ...
Matthew Shipp: Invisible Light - Live São Paulo
by Mark Corroto
Think About seeing someone perform with what looks to you like effortless joy. It may be how they glide across a stage, evenly cutting carrots, or nonchalantly pocket a foul ball. I hope you have noticed Matthew Shipp's studied casualness these past thirty-plus years of music making. His entire oeuvre of recordings and performances have set ...
Archie Shepp: The Way Ahead, Kwanza, The Magic Of Ju-Ju Revisited
by Mark Corroto
Allow me to expand on a much restated quote from Albert Ayler: “Coltrane was The Father, Pharoah was The Son, and I was... The Holy Ghost." If we remain with the Christian iconography, that makes Archie Shepp, Simon Peter, or the Apostle Peter whom Jesus called the rock upon which he built his church. Christened by ...
François Carrier/Alexander von Schlippenbach/John Edwards/Michel Lambert: Unwalled
by Mark Corroto
Don't you love it when a plan comes together? Even if the plan is totally improvised, as is that of Unwalled. The album is the first meeting between Canadian alto saxophonist François Carrier and German-born pianist Alexander von Schlippenbach. The free jazz pioneer Schlippenbach was the founder of the Globe Unity Orchestra back in 1966, and ...
John Coltrane: Song Of Praise: New York 1965 Revisited
by Mark Corroto
Witness [ wit-nis ] an individual who, being present, personally sees or perceives a thing; a beholder, spectator, or eyewitness. Have you ever considered yourself a witness to history? If you answered in the affirmative, let me posit that it was only after time and reflection that this notion occurred to you. Did the ...
Wasteland Jazz Ensemble: S/T
by Mark Corroto
Some releases should come with a warning label. We are not talking about Tipper Gore (remember her?) Parents' Music Resource Center (PMRC) stickers warning of the dangers of ”Raising PG Kids in an X-Rated Society" of the late 1980s. No, the alert that should be attached to S/T by the Wasteland Jazz Ensemble might read something ...
Miles Davis Quintets: Stockholm 1967 & 1969 Revisited
by Mark Corroto
Let me ask you, how many versions of Miles Davis do you recognize? Let us employ the word 'recognize' in terms of both, to identify and to approve. Listeners new to the world of Miles would be hard pressed to associate the artist seen and heard with Charlie Parker at New York's Three Deuces in 1947 ...
Danny Kamins / Vinny Golia / Garrett Wingfield: The Ojai Sessions
by Mark Corroto
Long before Bob Dorough sang about it in Schoolhouse Rock, and before the hip hop group De La Soul took up the anthem, three has always been a magic number. To the Buddhists it is the three jewels, for the Christians the Holy Trinity, the three core principles of Islam, and on and on. Maybe that ...
Marco Pacassoni: Life
by Mark Corroto
There are several types of triangles. Isosceles triangles have two sides of equal length and scalene triangles have no side or angles that are similar. Triangles are germane to this review because Marco Pacassoni's album with bassist John Patitucci and drummer Antonio Sanchez appears to maintain the status of an equilateral triangle throughout the performance. The ...
Muriel Grossmann: Universal Code
by Mark Corroto
Infectious is a word much maligned of late. What with a worldwide pandemic, the word has come to stand in for other terms such as contagious and transmittable. The word though has another meaning as demonstrated by saxophonist Muriel Grossmann's Universal Code. Infectious can also mean irresistible or compelling in an infectious way. Together with her ...
