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Caspar Br: Mute Massaker
by Mark Corroto
They say the 21st century has less irony and angst, more sincerity. Maybe if you are riding a huge IPO to Bill Gates-land, yes. Otherwise, I believe it remains the battle of us against McDonalds, Disney, and Brittney Spears. Apparently Caspar Brötzmann feels the same as evidenced by his newly-formed trio. Son of Peter Brötzmann, one ...
Rachel Z: On The Milky Way Express
by Mark Corroto
Rachel Z is a lot shorter than I expected her to be. The former Ms. Nicolazzo, henceforth the ‘Z,’ should be taller, much taller, a height equal to her ambitious sound. The once classical piano student turned jazz pianist, graduated from the New England Conservatory and set about playing music both inside and outside the jazz ...
Jack Wright: Places To Go
by Mark Corroto
By Anthony Braxton’s definition, Jack Wright is a very dangerous man. Not danger as in hazards, but dangerous as in possibilities. Braxton classifies musicians as traditionalists (retro-New Orleans), stylists (all those hard-bop clones), and restructuralists (Charlie Parker, John Cage, Sun Ra). The restructualist Wright, like Parker in his time, is walking the precipice of creative music. ...
David Leonhardt Jazz Group: Plays Gershwin
by Mark Corroto
The release of another all-Gershwin record might not be necessary, but when played as lovingly as David Leonhardt surely is welcome. Leonhardt, a veteran of David ‘Fathead’ Newman’s band, has worked with, among others Jon Hendricks, Herbie Mann and Ron Carter. This release, his fifth as leader, remains close to the Gershwin compositions. And why not? ...
Tim Hagans / Bob Belden: Re-Animation LIVE!
by Mark Corroto
I generally equate jazz/fusion with the paintings of Andy Warhol. Although interesting and often groundbreaking, they rarely require closer inspection. Visiting the Andy Warhol Museum in Pittsburgh requires a mere walkthrough to really see everything. The electric years of Miles weren’t recorded live on a lark. His sonically loud live appearance masked somewhat shallow waters. I’m ...
Phillip Greenlief and Covered Pages: Russian Notebooks
by Mark Corroto
If you have ever been to Russia, the music Phillip Greenlief conjures will help replicate your experiences. Not the packaged, “See the Hermitage on your left, Winter Palace on you right” kind of tour. But the dyslexic effects of being lost in the darkest cities where you cannot read a street sign to save your life ...
Tony Malaby: Sabino
by Mark Corroto
Finding your way in the jazz world is tricky these days. You are rewarded for playing music within the ‘jazz tradition’ but also penalized for not ‘having your own voice.’ Actually making it, has always been a sticky wicket. Think about artists like Herbie Nichols and Elmo Hope who stuck too their individual visions, but lived ...
Medeski Martin & Wood: The Dropper
by Mark Corroto
I picked up the latest disc by the trio Medeski Martin & Wood and trying to categorize it, I didn’t expect the Spanish Inquisition. (Nobody expects the Spanish Inquisition! Their chief weapon is surprise and fear... their two weapons are surprise, fear, and an almost fanatical devotion to the Pope...among...their...weapons are surprise, fear, an almost fanatical ...
Branford Marsalis: Contemporary Jazz
by Mark Corroto
Although the penultimate release from Branford Marsalis was entitled Requiem, this outing for sure embodies a fitting tribute to Kenny Kirkland. The pianist died mid-recording of Branford’s last disc, shocking the young saxophonist and causing him to find a new rhythm section leader. Well actually Tain Watts is the center of any rhythm scene wherever he ...
Wallace Roney: No Room For Argument
by Mark Corroto
In the mid-eighties I caught the great drummer Tony Williams’ band live. Williams, a member of Miles Davis’ second great quintet, had been making some pretty interesting music leading a band of youngsters including bassist Ira Coleman, saxophonist Billy Pierce, and trumpeter Wallace Roney. His music was a natural extension of those great sixties records and ...


