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10

Article: Live Review

European Jazz Conference 2018

Read "European Jazz Conference 2018" reviewed by Ian Patterson


European Jazz Conference 2018 Centro Cultural de Belém Lisbon, Portugal September 13-15, 2018 It was on the very edge of South-Western Europe, in Lisbon, that the European Jazz Conference celebrated its fifth annual gathering. The three hundred plus delegates from thirty five countries who convened in the Centro Cultural de ...

4

Article: Album Review

Joe Zawinul: Faces and Places

Read "Faces and Places" reviewed by Kris Perdew


It is reassuring and life-affirming to hear in Faces and Places, a return to form for Joe Zawinul at age 70. On this album, the Austrian-born keyboardist revisits many of the themes he originally unveiled with his famous collective Weather Report three decades ago. On this exceptional set, Zawinul is joined by Cameroonian bassist and singer ...

16

Article: Album Review

Carlos Bica & Azul featuring Frank Möbus and Jim Black: More Than This

Read "More Than This" reviewed by Henning Bolte


Azul, comprising Portuguese bassist Carlos Bica, guitarist Frank Möbus from Germany and drummer Jim Black from New York, is one of those trios around with a highly notable profile and characteristic signature. No doubt many dedicated music lovers will have their own history with this group that has been active now for more than 20 years. ...

5

Article: Album Review

Guinga: Porto da Madama

Read "Porto da Madama" reviewed by Budd Kopman


Brazilian music is an immediately recognizable genre with a distinct sense of melancholy underlying its beautiful melodies and harmonies. Indeed, the poetic lyrics, the soft edges of the language itself and the particular chordal colorings chosen virtually define that which is “Brazil." Although this exceedingly attractive music has naturally been picked up by musicians ...

2

Article: Interview

Rui Neves e la scena jazzistica portoghese

Read "Rui Neves e la scena jazzistica portoghese" reviewed by Libero Farnè


Nel 2013 su All About Jazz Italia comparve una serie organica di interviste da parte di Enrico Bettinello a protagonisti del jazz italiano (produttori, agenti, direttori artistici...) con l'obiettivo di analizzare i meccanismi e i criteri che caratterizzano la programmazione dei festival jazz nel nostro Paese. A quella meritoria ed esauriente iniziativa si può ricollegare idealmente ...

5

Article: Profile

Iva Bittova: Knowing, Feeling...

Read "Iva Bittova: Knowing, Feeling..." reviewed by Ian Patterson


[Note: This article was first published in Music & Literature, a North American magazine dedicated to promoting artists worthy of wider attention] Iva Bittová is a rare talent. She has developed a personal idiom and vocabulary that is almost entirely her own. Her sound, her very personal language, forged from the union of ...

7

Article: Interview

Sara Serpa: A Musical Journey

Read "Sara Serpa: A Musical Journey" reviewed by Hrayr Attarian


Vocalist and composer Sara Serpa is one of the most original and innovative musicians to emerge since the turn of the century. She has already made an indelible mark on the modern music scene in the span of a mere four years. Her unique style of vocalese allows her to utilize the full range of her ...

7

Article: Big Band Caravan

Bob Mintzer Big Band / Bob Wilber and the Tuxedo Big Band / Joe Chambers Moving Pictures Orchestra

Read "Bob Mintzer Big Band / Bob Wilber and the Tuxedo Big Band / Joe Chambers Moving Pictures Orchestra" reviewed by Jack Bowers


Bob Mintzer Big BandFor the MomentMCG Jazz2012 Anyone who has followed Bob Mintzer's career knows that the multi-talented saxophonist / educator has always had a special place in his heart for music from south of the border (he even recorded a big-band album, Latin from Manhattan, back in ...

9

Article: Interview

Simin Tander: Softly, As In A Morning Dew

Read "Simin Tander: Softly, As In A Morning Dew" reviewed by Ian Patterson


For many people around the world, the word jazz evokes a singer in a bar, club, restaurant or hotel, reworking the standards of yore. Vocal jazz has such a high profile, relatively speaking, because radio stations and TV stations largely balk at the idea of instrumental music, and, easy listening-as a lot of vocal jazz tends ...

2

Article: Album Review

David Linx, Maria Joao and the Brussels Jazz Orchestra: A Different Porgy and Another Bess

Read "A Different Porgy and Another Bess" reviewed by C. Michael Bailey


The French classical label Naive has made a successful foray into jazz with recordings like Mina Agossi's Red Eyes (2012); and Tania Maria's Tempo (2012). A Different Porgy and Another Bess is the first thematic big-band offering from the label. Drawing from the George Gershwin/DuBose Heyward opera, Porgy and Bess (1935), A Different Porgy highlights eleven ...


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