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Article: Album Review

Robert Hurst: Bob a Palindrome

Read "Bob a Palindrome" reviewed by Hrayr Attarian


Bassist and composer Robert Hurst's sixth release as a leader Bob a Palindrome crackles with excitement and brims with innovative ideas. Leading a superlative ensemble made up of long time collaborators, Hurst presents eight of his compositions that range from the impressionistic to the intimately poetic.The pièce de résistance is the dramatic three part ...

2

Article: Album Review

Robert Hurst: BoB: a Palindrome

Read "BoB: a Palindrome" reviewed by Steve Bryant


Detroiter Robert Hurst has been considered one of the best bassists to come out of the Jazz Renaissance of the '80s. His melodicism, technique, and harmonic acumen positioned him as a first- string bass man. Trumpeter Wynton Marsalis made him his bottom man for the better part of the '80s, and as part of saxophonist Branford ...

Article: Interview

Marcus Belgrave: Il guardiano del Jazz

Read "Marcus Belgrave: Il guardiano del Jazz" reviewed by AAJ Italy Staff


4

Article: Live Review

Changing of the Guard: The 33rd Annual Detroit Jazz Festival

Read "Changing of the Guard: The 33rd Annual Detroit Jazz Festival" reviewed by C. Andrew Hovan


The 33rd Annual Detroit Jazz FestivalDetroit, MichiganAugust 31- September 3, 2012They don't call it the largest free jazz festival in North America for no reason. Every Labor Day weekend in Detroit, jazz fans try to wrap their brains around the diverse and generous offerings of one of the country's most successful jazz festivals, ...

4

Article: Interview

Marcus Belgrave: Preserver of Jazz

Read "Marcus Belgrave: Preserver of Jazz" reviewed by Shannon J. Effinger


If you trace the careers of many of today's jazz artists, you'll discover that they all converge around one man--trumpeter Marcus Belgrave. He gave Karriem Riggins his very first drum set. Ray Parker, Jr. got his first gig thanks to him. He even took a then 15- year-old James Carter to Europe for the first time. ...

3

Article: Take Five With...

Take Five With Will Goble

Read "Take Five With Will Goble" reviewed by AAJ Staff


Meet Will Goble: Without fanfare, Will Goble is steadily carving out a unique space for himself as a bassist and bandleader. Driven by a genuine love for group interaction and a positive exchange with audiences, he leads his own bands and supports other musicians with equal energy and enthusiasm. His first album as a ...

4

Article: Album Review

Sumi Tonooka: NOW: Solo Live at the Howland Cultural Center

Read "NOW: Solo Live at the Howland Cultural Center" reviewed by Jeff Dayton-Johnson


There are some jazz players who suffer an unusually large gap between their credentials and their renown. Pianist Sumi Tonooka is a case in point. She studied with Mary Lou Williams, made her recording début with Detroit trumpeter Marcus Belgrave (of Motown/Tribe Records fame), and was part of Philly Joe Jones's band. Two especially strong albums--Long ...

7

Article: Extended Analysis

Ray Charles: The Complete ABC Recordings 1959-1961

Read "Ray Charles: The Complete ABC Recordings 1959-1961" reviewed by Chris May


Ray CharlesThe Complete ABC Recordings 1959-1961Le Chant du Monde2012At first glance, it's a mystery. Why choose 1961 as the cut-off point for a collection spanning the first years of singer/keyboardist Ray Charles' lengthy tenure with ABC-Paramount? Extend that to 1962, and even within the 3-CD confines of The ...

28

Article: Live Review

Kenny Garrett Quartet: Denver, CO, May 4, 2012

Read "Kenny Garrett Quartet: Denver, CO, May 4, 2012" reviewed by Geoff Anderson


Kenny Garrett Quartet Soiled Dove Underground Denver, CO May 4, 2012The last couple times Kenny Garrett came through Denver, he was a sideman. In 2010 he toured with Chick Corea's Freedom Band that also featured Christian McBride on bass and 85-year-old Roy Haynes on drums. The year before, Garrett was a ...

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News: Interview

A Conversation with NEA Jazz Master David Baker

A Conversation with NEA Jazz Master David Baker

David Baker on the cello, which became his second instrument after an accident ended his trombone days. When friend and Jazz Education Network board colleague (and fine keyboardist in her own right) Monika Herzig—a proud Indiana University grad and student of National Endowment for the Arts Jazz Master David Baker—asked me to contribute a chapter to ...


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