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7

Article: Album Review

Jon Irabagon: Rising Sun

Read "Rising Sun" reviewed by Mike Jurkovic


Since his days with bassist Moppa Elliot's maddeningly inventive Mostly Other People Do the Killing, first-generation Filipino-American saxophonist Jon Irabagon has seemed to be on the periphery of the larger jazz world looking in. His big surging tone instantly and reverently recalls late era John Coltrane and has been associated with fellow adventurers Dave Douglas, Ralph ...

7

Article: Multiple Reviews

Gordon Grdina: Intuitive Idiosyncrasy

Read "Gordon Grdina: Intuitive Idiosyncrasy" reviewed by Doug Collette


Prolific as is Gordon Grdina, he never falls prey to pointless repetition. When the Canadian multi-instrumentalist/composer/bandleader does deign to return to familiar realms, it's with a purpose, so he and his collaborators all bring fresh viewpoints and open minds in order to nurture that spirit of the moment air of continuous surprise. And Grdina relishes the ...

12

Article: Album Review

Gordon Grdina: Night's Quietest Hour

Read "Night's Quietest Hour" reviewed by Mark Corroto


Gordon Grdina might be proof of the saying “you can't keep a good man down." With Night's Quietest Hour he turns his attention once again to traditional Iraqi and Arabic folk music. This release by his small big band Haram follows Her Eyes illuminate (Songlines, 2012) and includes a guest appearance by Marc Ribot. Much like ...

14

Article: Live Review

Beyond Europe Sarajevo 2022 Showcases

Read "Beyond Europe Sarajevo 2022 Showcases" reviewed by Ian Patterson


Various Artists National Theatre/Jazzbina Club Beyond Europe Sarajevo 2022 Sarajevo, Bosnia and Herzegovina June 2-5, 2022 Sarajevo, the capital of Bosnia and Herzegovina proved an excellent choice as host city for Beyond Europe, the latest initiative from Europe Jazz Network. The three-day music conference, Beyond Europe Sarajevo 2022, in conjunction ...

1

Article: Album Review

Anthony Coleman and Brian Chase: Arcades

Read "Arcades" reviewed by Troy Dostert


An interesting cross-generational pairing, Arcades features veteran pianist Anthony Coleman alongside relative upstart, drummer Brian Chase. A key exponent of the jazz avant-garde, Coleman's body of work extends back to the 1980s with John Zorn, plus a host of recordings since then with folks like Wadada Leo Smith and Marc Ribot, not to mention a substantial ...

1

Article: Radio & Podcasts

Mingus Centennial: The Composer + new releases

Read "Mingus Centennial: The Composer + new releases" reviewed by David Brown


Celebrating the centennial of the birth of composer, bandleader and bassist Charles Mingus. We'll feature Mingus compositions as performed by Henry Threadgill, Chuck D, Bill Frisell, Marc Ribot, Harry Skoler, Yoko Miwa, Joe Henderson, Anthony Braxton and Rahsaan Roland Kirk. Then we'll spin Mingus last major work, Cumbia Jazz & Fusion. We'll start and end the ...

11

Article: Live Review

Brilliant Corners 2022

Read "Brilliant Corners 2022" reviewed by Ian Patterson


Brilliant Corners 2022 The Black Box Belfast, N. Ireland March 4-12, 2022 Brilliant Corners is ten. Belfast's onliest jazz festival celebrated the milestone by welcoming audiences back to The Black Box after 2021's virtual edition. When Brilliant Corners was last held here before a live audience, in March 2020, Covid ...

15

Song of the Day

Longa Nahawad

Album:
By
Label: Attaboygirl Records
Released: 2022
Duration: 10:18

6

Article: Book Excerpts

Bill Frisell, Beautiful Dreamer

Read "Bill Frisell, Beautiful Dreamer" reviewed by AAJ Staff


The following is a revised excerpt from “Chapter 20: Frislandia" of Bill Frisell, Beautiful Dreamer by Philip Watson (Faber & Faber, 2022). Bill Frisell's music has always, right from the beginning, raised critical questions about definition and classification, about the very nature of genre. What is it that Frisell is playing, and how ...

3

Article: Album Review

Bridge Of Flowers: A Soft Day's Night

Read "A Soft Day's Night" reviewed by Mark Corroto


Go back to a time when music genre categories were not in effect, and listeners were open to crossing borders. Miles Davis was invited to play at rock concerts and Carlos Santana could cover a John Coltrane composition. Some might recall that the innovative free jazz label ESP Disk, started in 1963 by Bernard Stollman, put ...


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