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2

Article: Live Review

Manfred Eicher - L'uomo che fa accadere la musica: ECM 50 a Flagey, Bruxelles

Read "Manfred Eicher - L'uomo che fa accadere la musica: ECM 50 a Flagey, Bruxelles" reviewed by Mario Calvitti

by Mario Calvitti

ECM 50 Centro Culturale Flagey Bruxelles, Belgio 21-24.11.2019 Nell'anno in cui ricorre il cinquantesimo anniversario della fondazione della casa discografica tedesca ECM sono stati numerosi in Europa e America i festival musicali dedicati alla celebrazione ufficiale dell'evento. Uno dei più importanti è sicuramente stato quello svoltosi alla fine di Novembre a ...

9

Article: Live Review

"ECM Records at 50" at Lincoln Center

Read ""ECM Records at 50" at Lincoln Center" reviewed by Tyran Grillo

by Tyran Grillo

ECM Records at 50 Rose Theater, Lincoln Center New York, NY November 2, 2019 On the 1st and 2nd of November 2019, Jazz at Lincoln Center commemorated the 50th anniversary of ECM Records with two nights of musicians--many longtime associates, some newer additions--from the label's roster. More than that, it was ...

Article: Album Review

Massimo Falascone Seven: Méliès

Read "Méliès" reviewed by Neri Pollastri

by Neri Pollastri

Avevamo avuto occasione già due volte di vedere dal vivo e recensire il progetto Méliès del Massimo Falascone Seven, ispirato alle opere di Georges Méliès, cineasta e illusionista vissuto a cavallo tra l'Otto e il Novecento, uno dei padri del cinema e inventore degli effetti nel cinema e della cinematografia fantastico-fantascientifica. La seconda volta, in occasione ...

4

Article: Radio & Podcasts

Jazz Singers in the 1950s – Sarah Vaughan, Helen Merrill, Dinah Washington and Abbey Lincoln (1954 - 1962)

Read "Jazz Singers in the 1950s – Sarah Vaughan, Helen Merrill, Dinah Washington and Abbey Lincoln (1954 - 1962)" reviewed by Russell Perry

by Russell Perry

Many jazz singers of the 1950s continued the tradition of recording with major instrumentalists who were given the space to improvise, feeding off the collaboration. In 1954, EmArCy records matched three of their singers, representing the wide range of their offerings--Sarah Vaughan, Dinah Washington and Helen Merrill--with jazz ensembles featuring their rising star, trumpeter Clifford Brown. ...

Article: Album Review

Jeanne Lee, Ran Blake: The Newest Sound You Never Heard

Read "The Newest Sound You Never Heard" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Jeanne Lee e Ran Blake si conoscono a cavallo fra anni Cinquanta e Sessanta ai corsi del Bard College di New York, affacciato sul fiume Hudson. Si producono per la prima volta in duo in occasione di un concorso all'Apollo Theater, che vincono, cosicché, sul finire del 1961, incidono un primo album, The Newest Sound Around, ...

1

Article: Radio & Podcasts

This Will Make You Laugh - Famous Jazz Fathers and Their Children

Read "This Will Make You Laugh - Famous Jazz Fathers and Their Children" reviewed by Mary Foster Conklin

by Mary Foster Conklin

The Fathers Day broadcast included new releases from Ayelet Rose Gottlieb, Roxy Coss, Anat Cohen and Camila Meza, with birthday shout outs to the songwriters Irene Higgenbotham, Ivan Lins and Cy Coleman, pianists Geri Allen, Monika Herzig and Daryl Sherman, vocalists Nancy King, Alicia Olatuja, and harpist Carol Robbins, among others. Plus we hear from some ...

17

Article: Album Review

Paul Bley / Gary Peacock / Paul Motian: When Will The Blues Leave

Read "When Will The Blues Leave" reviewed by Karl Ackermann

by Karl Ackermann

Had Paul Bley, Gary Peacock and Paul Motian recorded together more consistently, they would have been considered among the best piano trios in modern jazz history. The three first recorded on the ECM collection Paul Bley with Gary Peacock (1970), a compilation from the 1960s where three of the eight tracks had Billy Elgart on drums. ...

Article: Live Review

Sipario sul Torino Jazz Festival 2019

Read "Sipario sul Torino Jazz Festival 2019" reviewed by Libero Farnè

by Libero Farnè

Torino, varie sedi 3-4.05.2019 Un assaggio del Torino Jazz Festival, partecipando solo alle due giornate conclusive, ha permesso di prendere atto di una delle scelte programmatiche, e cioè la volontà di portare alla ribalta musicisti torinesi di varie generazioni e notorietà, facendoli spesso interagire con ospiti internazionali. Non a caso anche i due ...

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Article: Album Review

Alexander Hawkins: Iron Into Wind

Read "Iron Into Wind" reviewed by John Sharpe

by John Sharpe

On his second solo album pianist Alexander Hawkins creates an adventurous and deeply personal synthesis which draws from both jazz and classical wellsprings. One of the foremost representatives of an exciting younger generation of British musicians, his talents are on display not only on his own projects, like Uproot (Intakt, 2018), but with growing circle of ...

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Article: Album Review

Cory Weeds Quintet: Live at Frankie's Jazz Club

Read "Live at Frankie's Jazz Club" reviewed by Jack Bowers

by Jack Bowers

Yes, this is saxophonist/master of all livelihoods Cory Weeds' quintet, the year is 2018, and the group is beyond a doubt Live at Frankie's Jazz Club in Vancouver, British Columbia. But close your eyes, open your ears and it's the unapologetic re-creation of a quintessential hard-bop session from the historic Blue Note / Prestige years of ...


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