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Article: Album Review

Gregory Lewis: Organ Monk Blue

Read "Organ Monk Blue" reviewed by Jerome Wilson


Organist Gregory Lewis gained the nickname “Organ Monk" due to his specialization in the music of Thelonious Monk. Known for his exaggerated, florid playing, this is the third CD he's done of Monk's music and this time he has teamed up with a musician who can match him flourish for flourish, chameleon guitarist Marc Ribot.

Album

Apocalypse

Label: Columbia Records
Released: 2017
Track listing: Power of Love; Vision is a Naked Sword; Smile of the Beyond; Wings of Karma; Hymn to Him.

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Article: Live Review

John McLaughlin & Jimmy Herring Meeting of the Spirits at Lincoln Theatre

Read "John McLaughlin & Jimmy Herring Meeting of the Spirits at Lincoln Theatre" reviewed by Eric Thiessen


Jimmy Herring and The Invisible WhipJohn McLaughlin and The 4th Dimension Lincoln Theatre Meeting of the Spirits Tour Washington, DC November 11, 2017 In the late 1960s, the bluesy electric soul music of Jimi Hendrix and the funk of Sly and the Family Stone began to influence Miles Davis, ...

3

Article: Album Review

Rudresh Mahanthappa: Agrima

Read "Agrima" reviewed by Jerome Wilson


Two years after the release of his acclaimed Charlie Parker project Bird Calls (ACT), saxophonist Rudresh Mahanthappa returns with his longstanding Indo-Pak Coalition for Agrima, a vinyl and download-only release that is a dazzling hybrid of Indian music and furious jazz-rock. Besides Mahanthappa the group consists of guitarist Rez Abbasi and drummer/tablaist Dan Weiss, ...

10

Article: Film Review

Jeff Beck: Live at the Hollywood Bowl

Read "Jeff Beck: Live at the Hollywood Bowl" reviewed by Doug Collette


Jeff Beck Live at the Hollywood Bowl Eagle Rock 2017 As fashionable as concert sit-ins have come to be in recent years, such guesting can be the bane of the live performance. So often it is the case that such invitees can interrupts the flow and/or momentum rather than nurturing it. ...

11

Article: Album Review

John McLaughlin: Where Fortune Smiles

Read "Where Fortune Smiles" reviewed by Roger Farbey


Where Fortune Smiles although customarily attributed to John McLaughlin is as much John Surman's record as it was the Mahavishnu's. But it's probably more accurate to describe it as a collective recording since all five musicians were equally matched players of international standing. The cover art actually depicts all five musicians' names and the title of ...

10

Article: Album Review

John McLaughlin and the 4th Dimension: Live at Ronnie Scott's

Read "Live at Ronnie Scott's" reviewed by Geno Thackara


Music has taken him and his guitar to some of the most exotic far reaches of the world, but Ronnie Scott's Jazz Club will always have a special place in John McLaughlin's heart. His mid-1960s time in the famous London venue's house band was a key early step in his musical life, and he idly wonders ...

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Article: Album Review

Yussef Kamaal: Black Focus

Read "Black Focus" reviewed by Rokas Kucinskas


If people still think that the capital of jazz is New York, surely they've never been to London or listened to anything that comes from the British capital these days. Just like New York, London is a melting pot. Because you can find musicians from any part of the world, the produced outcome is extremely cosmopolitan. ...

4

Article: Live Review

Burlington Discover Jazz Festival 2017

Read "Burlington Discover Jazz Festival 2017" reviewed by Doug Collette


The Burlington Discover Jazz Festival Burlington, Vermont June 2-11, 2017 With multiple popup shows and one on the roof of a local parking garage, in addition to the usual plethora of musical offerings up down and around Church Street at the center of the city, The Burlington Discover Jazz Festival ...

1

Article: Live Review

Jean Luc Ponty Band at the Boulder Theater

Read "Jean Luc Ponty Band at the Boulder Theater" reviewed by Geoff Anderson


Jean Luc Ponty Band Boulder Theater Boulder, Colorado June 13, 2017 One thing we learned Tuesday night: Enigmatic Ocean (Atlantic, 1977), Jean Luc Ponty's fourth album for Atlantic Records, is his favorite. And why not? It made it to number one on the jazz charts in 1977. Plus, it's pretty good. ...


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