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10

Article: Album Review

Kamaal Williams: The Return

Read "The Return" reviewed by Chris May


Cross-pollination of jazz and hip hop has spread fast during the 2010s. In-the-moment creativity and giving-the-drummer-some are powerful synergies. In the US, key players include Kamasi Washington, Thundercat and Christian Scott. In Britain, they include the extended family of musicians associated with reed player Shabaka Hutchings and the Brownswood Recordings label. Some of the British players ...

3

Article: Live Review

Dixie Dregs at Lincoln Theatre

Read "Dixie Dregs at Lincoln Theatre" reviewed by Eric Thiessen


The Dixie Dregs Lincoln Theatre Washington, DC March 7, 2018 Back in the 1970s, many aspiring young guitarists yearned to play like Eric Clapton, Jimmy Page or Jimi Hendrix, but truly inspired musicians wanted to be as good as John McLaughlin or Steve Morse of the Dixie Dregs (later just The Dregs). While the ...

6

Article: Album Review

Escaper: Edge Detection

Read "Edge Detection" reviewed by Doug Collette


Its name cryptic but provocative, Escaper embarks on something of a fantastic journey with its sophomore album, Edge Detection. As the quintet moves from the earthy realms of the material world into far-flung reaches of space(s), it legitimately seeks to inspire and to a great degree achieves that ambition. Nine nimble renderings of Escaper's ...

23

Article: Interview

John McLaughlin on the Mystery of Creativity, Inspiration, & Music

Read "John McLaughlin on the Mystery of Creativity, Inspiration, & Music" reviewed by Alan Bryson


Improvised music within a sophisticated framework is one if the primary hallmarks of jazz. World class improvisation requires split second reactions, mental agility, dexterity, and the emotive soul of an artist. As a testament to his age defying vitality, on January 29, 2018 at the age of 76, John McLaughlin won a Grammy® Award for the ...

4

Article: Album Review

Gregory Lewis: Organ Monk Blue

Read "Organ Monk Blue" reviewed by Jerome Wilson


Organist Gregory Lewis gained the nickname “Organ Monk" due to his specialization in the music of Thelonious Monk. Known for his exaggerated, florid playing, this is the third CD he's done of Monk's music and this time he has teamed up with a musician who can match him flourish for flourish, chameleon guitarist Marc Ribot.

Album

Apocalypse

Label: Columbia Records
Released: 2017
Track listing: Power of Love; Vision is a Naked Sword; Smile of the Beyond; Wings of Karma; Hymn to Him.

2

Article: Live Review

John McLaughlin & Jimmy Herring Meeting of the Spirits at Lincoln Theatre

Read "John McLaughlin & Jimmy Herring Meeting of the Spirits at Lincoln Theatre" reviewed by Eric Thiessen


Jimmy Herring and The Invisible WhipJohn McLaughlin and The 4th Dimension Lincoln Theatre Meeting of the Spirits Tour Washington, DC November 11, 2017 In the late 1960s, the bluesy electric soul music of Jimi Hendrix and the funk of Sly and the Family Stone began to influence Miles Davis, ...

3

Article: Album Review

Rudresh Mahanthappa: Agrima

Read "Agrima" reviewed by Jerome Wilson


Two years after the release of his acclaimed Charlie Parker project Bird Calls (ACT), saxophonist Rudresh Mahanthappa returns with his longstanding Indo-Pak Coalition for Agrima, a vinyl and download-only release that is a dazzling hybrid of Indian music and furious jazz-rock. Besides Mahanthappa the group consists of guitarist Rez Abbasi and drummer/tablaist Dan Weiss, ...

10

Article: Film Review

Jeff Beck: Live at the Hollywood Bowl

Read "Jeff Beck: Live at the Hollywood Bowl" reviewed by Doug Collette


Jeff Beck Live at the Hollywood Bowl Eagle Rock 2017 As fashionable as concert sit-ins have come to be in recent years, such guesting can be the bane of the live performance. So often it is the case that such invitees can interrupts the flow and/or momentum rather than nurturing it. ...

11

Article: Album Review

John McLaughlin: Where Fortune Smiles

Read "Where Fortune Smiles" reviewed by Roger Farbey


Where Fortune Smiles although customarily attributed to John McLaughlin is as much John Surman's record as it was the Mahavishnu's. But it's probably more accurate to describe it as a collective recording since all five musicians were equally matched players of international standing. The cover art actually depicts all five musicians' names and the title of ...


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