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The Scott Silbert Big Band: Jump Children
by Jack Bowers
The best music, in jazz or any other genre, is and should be timeless. To prove the point, the Scott Silbert Big Band celebrates the songs of a bygone era on its debut album, Jump Children, refreshing a number of memorable themes from the '30s, '40s and '50s and underscoring their relevance in an ultra-modern twenty-first ...
Jon Hendricks: An Essential Top Ten Albums
by Peter Jones
Considering he reached the ripe old age of 37 before recording an album, Jon Hendricks' jazz legacy is remarkable. Although a singer, in his head he was more of an instrumentalist. When he improvised, he would imitate the tenor saxophone, the flute, the trombone, or the double-bass. His professional singing career lasted from 1932, when he ...
Chris Barber: A Trailblazer’s Legacy Due Out July 23rd On Last Music Co.
On March 2nd, the world mourned the passing of Chris Barber OBE. A British Jazz pioneer who performed for over seven decades until his retirement in 2019, Barber was a transformational figure in the UK music scene. He unlocked the door for a new generation of renowned musicians who in turn, continue to inspire on a ...
The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66
by Skip Heller
Louis Armstrong officially returned to small band leadership May 17, 1947 via a triumphant concert at Town Hall that was less comeback than reaffirmation. It was even the dawn of his second great period, full of recordings that stood tall with his epochal 1920's output, and the subsequently-assembled Louis Armstrong and his All Stars would immediately ...
This Is Bop: Jon Hendricks And The Art Of Vocal Jazz
by Ian Patterson
This Is Bop: Jon Hendricks And The Art Of Vocal Jazz Peter Jones 263 Pages ISBN: 978 1 78179 874 4 Equinox Publishing 2020 Few are the jazz singers accorded the fanfare usually reserved for the music's great instrumentalists. Jon Hendricks was one, taking scat and vocalese to unprecedented ...
Rudy Royston: Little Steps, Big Pictures
by Ian Patterson
Everybody needs a helping hand now and then. Rudy Royston understands that. The Covid-19 pandemic has caused gigs to completely dry up for all musicians, and with that, their main income stream. Yet there are still mortgages, rents and bills to pay, and children to feed. It says something about the precarious finances of a jazz ...
Rudy Royston: PaNOptic
by Ian Patterson
Record label bosses probably do not hear the words “solo drum album" too often. Or if they do, judging by the paucity of such exemplars on the market, they likely only have to hear the phrase the once. After three impressive albums on Dave Douglas' Greenleaf Music label, to wit, 303 (2014), Rise of Orion (2016) ...
Jerry Granelli: Updating Music of Past Heroes
by R.J. DeLuke
"I've earned the privilege of not playing anything I don't want to play," says drummer Jerry Granelli, whose past is replete with the names of many greats in jazz for whom he supplied rhythmic support—sometimes force—over several decades. “That used to be a fear," he adds, “You figured if you turned something down, the ...
Back At The Chicken Shack
by Thomas Fletcher
Back At The Chicken Shack celebrates 60 years since its recording date at the Van Gelder Studio in Englewood Cliffs. The same session produced Midnight Special (Blue Note, 1961), though Back At The Chicken Shack would have to wait three years for its release. The label's co-founder, Alfred Lion, later revealed that the healthy sales of ...
Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums
by Chris May
Bob Thiele is best remembered for his years as the artistic director and house producer of Impulse!. He took over from founder producer Creed Taylor in 1961 and stayed with the label until 1969, when he left to run his own Flying Dutchman Records. Thiele's tenure at Impulse! was its most glorious period, when Thiele curated ...
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