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Louis Jordan
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At the height of his career, in the 1940s, bandleader and alto saxophonist Louis Jordan scored 18 Number One hit records. Jordan exhibited a brilliant sense of showmanship that brought audiences first-rate entertainment without any loss of musical integrity. He performed songs that appealed to millions of black and white listeners. Able to communicate between these two audiences, Jordan emerged as one of the first successful crossover artists of American popular music. Born on July 8, 1908, in Brinkley, Arkansas, Jordan was the son of Jim Jordan, a bandleader and music teacher. Under the tutelage of his father, Jordan began studying clarinet at age seven, then saxophone
Sonny Rollins Blows His Last At 95
by Ian Patterson
Sonny Rollins, the world-renowned tenor saxophonist who lit up the jazz world for nearly seven decades, has died at the age of 95. Hailed in many quarters as the greatest improvising musician in jazz, his passing feels like the end of an era. In a career that began in the 1940s, Rollins played with ...
Honky Tonk at Seventy
by Daniel Gould
Seventy years ago this summer, a group of jazz men made a record that became the genre's first million-seller. The group was the Bill Doggett Combo, and the track was Honky Tonk, Parts 1 & 2" (King, 1956). It sold 4 million copies worldwide and went to #2 (Pop) and #1 (R&B). While Bill Doggett always ...
The !!!!Beat: The Rise And Fall Of The "Hippest Show On Television"
by Kyle Simpler
During the mid-1960s, American television programming often featured syndicated music variety shows. While many of the programs featured country and western artists, performers like Porter Wagoner and The Wilburn Brothers did not completely dominate the airwaves. In fact, there were plenty of rock and roll programs like Sump'n Else, Shivaree or Upbeat, showcasing rock and pop ...
Cab Calloway & The Nicholas Brothers: Jumpin' Jive
by Ian Patterson
Born on Christmas Day 1907 in Rochester, New York, bandleader Cab Calloway enjoyed a brilliant career that spanned the 1920s to the 1990s. He made his name at the helm of the Cab Calloway Orchestra between 1930-1948, a period that included a four-residency at the Cotton Club. At various times his swing orchestra included musicians of ...
Meet Andy Bey
by Chris M. Slawecki
From the 1995-2003 archive: This article first appeared on All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...
Michael Buckley: Blowing Hot
by Ian Patterson
An early spring vacation to New York saw Michael Buckley and his wife take in what he describes as the usual sights." But for the Dublin saxophonist that also meant trips to three or four saxophone shops." Once a tenor saxophonist, always a tenor saxophonist. Buckley, in fact, started out on the flute, playing ...
Sun Ra: Lights on a Satellite: Live At The left Bank
by Ian Patterson
Sun Ra aficionados seem to possess an insatiable appetite for archival recordings of the ever-evolving ensembles of the pianist, composer and bandleader. Born Helman Poole Blount, in Alabama, in 1914, Ra released possibly as many as 200 albums during his lifetime, including extremely limited pressings with hand-painted covers that he sold in person. You might think ...
B.B. King: In France: Live At The 1977 Nancy Jazz Pulsations Festival
by Pierre Giroux
B.B. King In France captures the blues legend at a pivotal moment in his career, showcasing his impeccable musicality and performance style rooted in nuance rather than sheer force. In this live recording produced by Zev Feldman, King offers something akin to jazz standards, channeling timeless emotional narratives through a blues lens that feels as classic ...
B.B. King: In France: Live At The 1977 Nancy Jazz Pulsations Festival
by Ian Patterson
By the time B.B. King arrived in France in the autumn of 1977 he could already reflect upon a good year. After a string of misfiring crossover albums, the Indianola blues musician had returned to studio form with the mostly straight-ahead blues of King Size (ABC, 1977). An invitation to Yale saw King become only the ...



