Results for "Louis Jordan"
Results for pages tagged "Louis Jordan"...
Louis Jordan
Born:
At the height of his career, in the 1940s, bandleader and alto saxophonist Louis Jordan scored 18 Number One hit records. Jordan exhibited a brilliant sense of showmanship that brought audiences first-rate entertainment without any loss of musical integrity. He performed songs that appealed to millions of black and white listeners. Able to communicate between these two audiences, Jordan emerged as one of the first successful crossover artists of American popular music. Born on July 8, 1908, in Brinkley, Arkansas, Jordan was the son of Jim Jordan, a bandleader and music teacher. Under the tutelage of his father, Jordan began studying clarinet at age seven, then saxophone
Benny Benack III: Third Time's The Charm
by Jack Bowers
While it remains to be seen whether rising star Benny Benack III's third album as leader is a charm (that is up to the listener), it is definitely a charmer, with delightful turns by trumpeter (and vocalist) Benack and pianist Emmet Cohen complementing stellar performances by a number of well-known and talented guest artists.
Mary Stallings: Songs Were Made to Sing
by Dave Linn
One of eleven children, Mary Stallings was born in San Francisco in 1939. In her teens, she began singing in San Francisco night clubs and performed with Ben Webster, Earl Hines, Red Mitchell, Teddy Edwards, and Wes Montgomery. Before graduating from high school, she joined R&B singer Louis Jordan's Tympani Five. In the early '60s, she ...
Bobby Sanabria: Vox Humana
by Cary Tenenbaum
The opening track on Vox Humana could easily have been the encore of this live performance recorded at Dizzy's Club Coca Cola, part of Jazz At Lincoln Center in New York City. It is a rousing version of the Duke Ellington crowd pleaser “Caravan" and a boisterous Latin tinged big band version it is, with Matthew ...
Saxophone Colossus: The Life And Music Of Sonny Rollins
by Ian Patterson
Saxophone Colossus: The Life And Music Of Sonny Rollins Aidan Levy 784 Pages ISBN: 978-0306902796 Hachette Books 2023 A colossal book for a colossal musician. Aidan Levy's biography of Sonny Rollins runs to over 700 pages, not including the no less remarkable notes, available as a separate 416-page download. ...
Rhythm and Roots: The Influence of Jazz on Ska and Early Reggae
by Kyle Simpler
If any country could be identified solely by its music, Jamaica would probably be a prime example. Over the years, reggae music has become one of the most identifiable art forms in Jamaica, but this was not always the case. Reggae rose to prominence in the late sixties, and much of its roots are in American ...
Christy Bennett's Fumee: Good Morning Heartache: The Music of Irene Higginbotham
by Jerome Wilson
Vocalist Christy Bennett has made a specialty of unearthing the work of forgotten songwriters from the past, particularly women. That has led to this album where she presents ten songs written by Irene Higginbotham, a jazz composer active in the '40s. Higginbotham's name is not well known today but a couple of her songs ...
Catherine Russell: Send for Me
by Angelo Leonardi
Il valore della tradizione. È l'aspetto che la cantante Catherine Russell ribadisce dal 2006, quando pubblicò il suo primo album da leader, dopo anni di lavoro come corista con Donal Fagen, gli Steely Dan, Wynton Marsalis, Madonna, David Bowie e altri. Quando terminò la collaborazione col cantante britannico dopo l'uscita di Reality (Iso Records 2003), Catherine ...
The Scott Silbert Big Band: Jump Children
by Jack Bowers
The best music, in jazz or any other genre, is and should be timeless. To prove the point, the Scott Silbert Big Band celebrates the songs of a bygone era on its debut album, Jump Children, refreshing a number of memorable themes from the '30s, '40s and '50s and underscoring their relevance in an ultra-modern twenty-first ...
Jon Hendricks: An Essential Top Ten Albums
by Peter Jones
Considering he reached the ripe old age of 37 before recording an album, Jon Hendricks' jazz legacy is remarkable. Although a singer, in his head he was more of an instrumentalist. When he improvised, he would imitate the tenor saxophone, the flute, the trombone, or the double-bass. His professional singing career lasted from 1932, when he ...
