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Michael Cuscuna: In The Vault Playing God
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in December 2000. Michael Cuscuna is one of the most important figures in the jazz reissue field today. He has been responsible for hundreds of releases for many companies, and he was fortunate to meet and befriend Alfred Lion during the final ...
Blue Note Records: Lost In Space: 20 Overlooked Classic Albums
by Chris May
For anyone with a passion for Blue Note, it is hard to conceive of an album that has been “overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...
Another Set of Recent Listeners’ Favorites
by Marc Cohn
The number of the week is five (as in Show 435)! So, it's time for listener favorites from recent shows (421-430). WHYR, Mixcloud, Pacifica and All About Jazz messages, emails, and one-on-one (masked!) feedback in the grocery store are all considered. That would generate some five to six hours of material. So, we have to exercise ...
Fire Music: When Jazz Speaks Out - Part 3
by Ludovico Granvassu
As Martin Luther King put it in the opening address to the 1964 Berlin Jazz Festival, “Jazz speaks for life. The Blues tell the story of life's difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with ...
50th Anniversary Blue Notes for June
by Marc Cohn
Blue Note 50th anniversaries from June 1970, just two though: Horace Silver (That Healin' Feelin') and Lou Donaldson (Pretty Things). There was also a Reuben Wilson session, but it was never released, and only the 'vault gods' know if it was any good. But you know there's more (don't you?). 21st century music from the Posi-Tone ...
How to Play a Tin Whistle Like Michael Brecker
by Peter Rubie
I was talking to a musician friend of mine the other day, asking her how her move from Brooklyn to Forrest Hills was going. She said, “I love it! I love the neighborhood and best of all, musically, I'm not running any more jam sessions at the moment, just doing gigs—and practicing! It's great."
Another Edition of Listeners’ Favorites!
by Marc Cohn
Listeners' favorites from Gifts and Messages shows 401-410. 'We play the hits!.' See if yours made it to the top of the chart. Enjoy. (That would be a VERY young DrJ in the photo) Playlist Mose Allison “I'm Not Talking" from The Word from Mose (Atlantic) 00:00 Mike LeDonne “From The Heart" from From ...
Jonathan Goldman: Bump and Let It Slide
by Chris M. Slawecki
On Saturday February 29, Spanglish Fly will celebrate completing their tenth full year as America's leading producer and exporter of the wicked hot musical sauce known as Latin boogaloo with a special anniversary performance hosted by the legendary Brooklyn hotspot Barbes. The quintessential musical melting pot Spanglish Fly features musicians with roots in Puerto ...
Results for pages tagged "Lou Donaldson"...
Lou Donaldson
Born:
Lou Donaldson, alto saxophonist, recording star andentertainer extraordinaire was born in Badin, North Carolinaon November 1, 1926. He is the child of parents, LucyWallace Donaldson, mother, and Louis Andrew Donaldson,Sr., father. His mother was a first grade teacher at BadinHigh School, Musical Director at the school, and a concertpianist who was a graduate of Cheney University. His fatherwas a graduate of Livingstone College, an AME Zionminister, and insurance agent. Lou is the second of 4children, between older sister Margaret and younger sisterElizabeth and brother William, all of whom ended up involvedwith music. Lou never studied piano because his mother hada switch that she would crack across the fingers whenstudents missed a note. That turned him completely awayfrom being a pianist. When he was about 9 years old, sheheard him singing or humming all of the piano etudes that thestudents played and she took him aside and told him that hehad more musical talent than anyone in the family and that heneeded to play some type of instrument. She got a clarinetfrom the Band Director, Leo Gabriel, at the Alcoa AluminumPlant Band. Although she knew nothing about the clarinet,she taught him basic music and they used the clarinet bookto learn the fingerings and how to play the clarinet. Loumastered the instrument and this ignited his pursuit of acareer in music.
Blue Note 50ths and a Tad More
by Marc Cohn
Happy New Year! First show of the month and 2020—it's time for Blue Note albums that are celebrating their 50th anniversary, being from January 1970! Lou Donaldson, Grant Green, Lonnie Smith, Andrew Hill and the Thad Jones/Mel Lewis Orchestra! Bassist and saxophonist Mark Zaleski will be in Baton Rouge at Chorum Hall on Wednesday, January 8th, ...
