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Jazz Quanta April – Five Women II: Sarah Vaughan, Barb Jungr, marty Elkins, Phyllis Blanford, and Tina Phillips
by C. Michael Bailey
There is never too much of a good thing... Sarah Vaughan Live at Rosy's Resonance Records 2016 The most important and popular female jazz vocalists all had nick names. Lady Day, The First Lady of Song, The Devine One..."The President" Lester Young gave Billie Holiday her ...
If I'm Lucky
by Mark Barnett
Getting Started If you're new to jazz, go to our Getting Into Jazz primer for some hints on how to listen. CD Capsule Gorgeous improvisations on some beautiful yet rarely played songs by tenor saxophonist Zoot Sims and pianist Jimmy Rowles. Background Zoot Sims was one ...
Vocalist Sinne Eeg at Chris’ Jazz Cafe
by Victor L. Schermer
Sinne Eeg Trio Chris' Jazz Cafe Philadelphia, PA March 23, 2016 Sincerity, authenticity, and fidelity to tradition are qualities seriously lacking in what's left of jazz in America today. Computers, unbridled capitalistic exploitation, and a massive field of competing talent have led too many musicians to seek audiences through entertainment, ...
Brilliant Corners 2016
by Ian Patterson
Brilliant Corners 2016 Various venues Belfast, N. Ireland March 5-12, 2016 Another Brilliant Corners, a few more brilliant corners. Belfast's fledgling international jazz festival may only be in its fourth year but already it feels like an established part of the city's vibrant cultural landscape, a date in the ...
Last Message of Pres: 1959
Last week I received an email from filmmaker Henry Ferrini, who is busy making a documentary on Lester Young. He sent along a clip in which he features Young playing I Can't Get Started from March 1959 and the tenor saxophonist being interviewed by jazz journalist François Postif. The music is beautiful and Young's words about ...
Co-Improvisation: Explaining the Magic
by Victor L. Schermer
When we listen to great jazz performances, we pay most attention to the soloists, some of whom become our musical heroes. In that respect, jazz is an affirmation of the individual, the uniqueness and liberation of either the “free and joyful spirit," of whom there was none greater than Louis Armstrong, or the arduous struggle of ...
Stan Getz
by Mark Barnett
The story of Stan Getz (1927-1991) has to begin with Lester Young. Before Young, tenor sax players seemed awash in testosterone. Their sound was full, rich, deep, blown hard out of the instrument's lower registers, with emotion pouring out in lavish swoops and honks. Then along came Lester. In the post-war 1940s, he invented a new ...
Teddy Edwards: Four Classic Albums
by David Rickert
Teddy Edwards was a formidable tenor player on the '50s and '60s West Coast scene with a warm and congenial tone reflected the laid-back thoughtfulness of the West Coast scene with enough soul to indicate he was listening some Coleman Hawkins in the midst of the Lester Young platters. His own recordings were a typical mix ...
The Many Sides of Mike Nock
by Jakob Baekgaard
Throughout his career, the New Zealand-born pianist, Mike Nock, has explored many musical forms: fusion, modern jazz and classical music. You name it, and he has played it. At one time, he was even involved with the Naxos Jazz label as a producer and the music he helped bring to the world once again showed his ...
Stan Getz: Spring 1976
by C. Michael Bailey
The musical specter of John Coltrane is so massive and dense that its creative gravity often does not allow even a whiff of his contemporary saxophone players. While certainly acknowledged as an innovator in his own right, saxophonist Stan Getz rarely gets the attention he deserves as often as many of his contemporaries. That is what ...
