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George Freeman: 90 Going On Amazing
by Dan Bilawsky
George Freeman has long been a homebody. Early on he made his mark on stage and/or in the studio with the best of the best- -saxophone lodestars Lester Young and Charlie Parker, to mention just two--as they came through his hometown, Chicago. Touring did eventually figure into his career--he hit the road with soulful heavies Gene ...
Wild Bill Davison: The Danish Sessions
by Chris Mosey
Wild Bill Davison was aptly described by Humphrey Lyttelton as the kind of drunken reveller who throws his arms around your neck one moment and tries to knock you down the next. Aside from his drinking, Wild Bill was, more importantly, a white Dixieland cornet player of considerable ability, with a fierce, uninhibited attack, whose heroes ...
Charles Lloyd: Passin' Thru
by Ian Patterson
Billed as a ten-year celebration of Lloyd's New Quartet featuring Eric Harland, Reuben Rogers and Jason Moran, this 2016 live set actually marked the quartet's first extended tour in over three years and its first release since the extraordinary Athens Concert (ECM, 2011) -an indication of the difficulties of keeping together a working group of contemporary ...
Charles Lloyd: The Winds Of Grace
by Ian Patterson
At seventy nine years young Charles Lloyd is showing no signs of slowing down. The summer months see the Memphis saxophonist/flautist on the North American and European festival circuits with his quartet of Gerald Clayton, Reuben Rogers and Eric Harland, followed by dates with The Marvels, Lloyd's most recent group, featuring Bill Frisell, Greg Leisz, Rogers ...
The Stanley Clarke Band At Kuumbwa Jazz Center
by Walter Atkins
The Stanley Clarke Band Kuumbwa Jazz Center Santa Cruz, CA June 15, 2017 Preeminent bassist/composer Stanley Clarke and his talented band came to the welcoming and intimate environment of Santa Cruz's Kuumbwa Jazz Center for an enjoyable one night only date. The four time Grammy winner's band of young lions consisted ...
Flame Keepers: National Jazz Museum in Harlem
by Karl Ackermann
On 129th Street, in the heart of Harlem, Loren Schoenberg emerges from a crowded back room with an unusual looking recording. Aluminum discs like the one he holds, were the first instant, electrical means of recording. Invented in 1929 they were a means of allowing radio stations to record and archive live programs that could be ...
Nat King Cole Trio: Swiss Radio Days, Vol. 43 - Zurich 1950
by Dan Bilawsky
Nat King Cole means two very different things to two different segments of the music-loving populace today. To those simply plugged into popular culture he's the golden-voiced baritone crooner, debonair and delightful as can be while travelling over the airwaves. But to those steeped in jazz history he's known as a mighty and true pianist, throwing ...
Bobby Zankel: The Soul of Jazz - Past, Present, and Future Tense
by Victor L. Schermer
Part 1 | | Part 5 | Part 6[This is the first of an All About Jazz series of interviews and articles on “The Many Faces of Jazz Today: Critical Dialogues," in which we will explore the current state of jazz around the world. Jazz has expanded in many directions. The business, educational, geographical, ...
The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
Malcolm Griffiths: A Man For All Seasons
by Duncan Heining
We talk often of the stars, like 'Trane and Miles. We remember the bandleaders, such as Basie and Duke. We even recall the composers and arrangers, Ellington again, Gil Evans and Monk. And we never forget those star soloists like Johnny Hodges or Lester Young. But the guys in the machine room, the guys who make ...
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