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2021’s Overlooked and Underrated Gems
by Pat Youngspiel
Giovanni Guidi Ojos De Gato CAM Jazz 2021 In a year where saxophone roots-revivalist James Brandon Lewis made headlines everywhere --topping multiple year end lists for his collaboration with the Red Lily quartet on Jesup Wagon (among numerous placements in jazz publications around the globe for that album and ...
Stan Tracey Trio: The 1959 Sessions
by Chris May
Sonny Rollins summed up the outsize talent of British pianist Stan Tracey in a remark he made sometime in the early 1960s. Tracey was then the house pianist at Ronnie Scott's Jazz Club, where Rollins was playing a season. “Does anyone over here realise how good this guy is?" Rollins asked the audience. ...
Bévort 3: Live 2020-2021
by Ian Patterson
Twenty-five years on from her debut, A Live (Music Mecca, 1997), recorded at Copenhagen's Jazzhaus, Danish saxophonist Pernille Bévort returns with another live outing. Live is only her second live recording as leader in that time, though 2021 did see the archival releases, in EP format, of a quartet performance from 1999 and another of Bévort ...
Eddie Harris - Harmonic Genius, solos form Jeff Parker & Patrick Shiroisk, and Christian McBride
by David Brown
Multi-layered solo works from Jeff Parker and Patrick Shiroishi, quartets & big bands from both Jared Schonig & Toshiko Akiyoshi; then a tribute to harmonic genius Eddie Harris; and finally, Christian McBride in Trio, and the Inside Straight. Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... wherever the music takes us. Each ...
George Coleman: An Alternative Top Ten Albums
by Chris May
Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...
Fit As A Fiddle: How The Violin Helped Shape Jazz, Part 1
by Peter Rubie
Part 1 | Part 2 That was then... Considering jazz is an art form that mostly makes it up as it goes along, it's ironically appropriate that printed records--i.e., data--from the days of its birth are decidedly sparse. We know, at least, that during the 18th and 19th Centuries in New Orleans white plantation ...
Miles Davis: The Real Second Great Quintet
by Chris May
Miles Davis' first great quintet is generally agreed to be the one with tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones--the group which in 1955-56 recorded Columbia's 'Round About Midnight and Prestige's The New Miles Davis Quintet, Steamin', Workin', Relaxin' and Cookin'. Davis' second great quintet ...
Chet Doxas: You Can't Take It With You
by Jerome Wilson
Tenor saxophonist Chet Doxas has been getting attention in recent years by collaborating with prominent musicians such as Dave Douglas and Carla Bley. On this album he explores his own compositions in a trio with two sympathetic partners, pianist Ethan Iverson and bassist Thomas Morgan. Doxas' music here falls into one of two general styles, slippery ...
Barry Harris: Iconic Jazz Pianist and Keeper of the Flame
by Victor L. Schermer
In memory of Barry Harris. This article was first published at All About Jazz on October 29, 2015. At the ripe age of 85, pianist Barry Harris has been on the jazz scene for seventy years, and throughout that time, he has remained loyal to and consistent with his bebop roots. Even though his ...
Doug Lawrence: Doug Lawrence & Friends
by Jack Bowers
If the name Doug Lawrence doesn't sound familiar, the name Count Basie surely should. What is the Lawrence- Basie connection? Well, for more than two decades Lawrence has been the featured tenor saxophone soloist with the renowned and still- active Count Basie Orchestra, a chair once impressively occupied by the likes of Lester Young, Eddie “Lockjaw" ...
