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Gabriele Coen Quintet: Leonard Bernstein Tribute
by Claudio Bonomi
Gabriele Coen sa come smarcarsi all'interno di uno spesso scontato scenario jazz contemporaneo che ama mimetizzarsi sotto i veli di un'apparente originalità o modernità tout court. Aveva già dato prova in passato del suo savoir faire interpretativo nei tributi a Kurt Weill e a John Zorn e anche nel caso di Leonard Bernstein il sassofonista e ...
About Leonard Bernstein
Instrument: Composer / conductor
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Leonard Bernstein
Born:
A presence on Broadway, in Hollywood, at Carnegie Hall and the New York Philharmonic, Leonard Bernstein was a major force in twentieth century music. His exuberant and dramatic style caught the heart of America, bringing classical music to thousands of people from diverse backgrounds. More than any American conductor before him, Bernstein expanded the audience of classical music while maintaining a deep artistic integrity. Bernstein was born in Lawrence, Massachusetts in 1918. His parents were first generation Jewish immigrants from Russia. Though he began learning the piano at age ten, his family hoped he would follow a more practical route, and sent him to the Boston Latin School. After graduating, he attended Harvard University, where he majored in music. His interest was in becoming a concert pianist, but upon graduating he began to seriously study orchestration at the Curtis Institute of Music in Philadelphia. More important than any of the formal training, however, were the summers he spent in Tanglewood, Massachusetts, studying with the great conductor Serge Koussevitzky. In 1942, Koussevitzky invited Bernstein to be the assistant conductor at Tanglewood. Though very young for a conductor, his flamboyant style and emotionally charged performances caught the attention of others in the classical music community--one of whom was Arthur Rodzinzki, who appointed him assistant conductor of the New York Philharmonic. It was at the New York Philharmonic that Bernstein got his big break. Asked to fill in for an ailing guest conductor, Bernstein (then only twenty-five) conducted a difficult and energetic performance with only an evening's preparation. Impressing all who came, Bernstein found himself on the cover of The New York Times--an instant celebrity. Within two years he was named the director of the New York City Symphony. He spent much of the 1950s conducting, teaching, and becoming involved in composing for non- classical genres. Of his many popular efforts of the time, On the Waterfront (1954), Candide (1956), and West Side Story (1957) are the best known. For On the Waterfront he received an Academy Award, and for nearly everything he did, he received the acclaim of an adoring public. In 1957, Bernstein returned to the New York Philharmonic, where he was to make his greatest contribution to the music world. The versatile musical genius that had made him a success on Broadway and in the classical concert halls of the world, found its true home at Lincoln Center. For the next eleven seasons, Bernstein would energize the Philharmonic and American classical music in a way no other director had done. Taking advantage of the recent technological advance of television, Bernstein presented classical music to a wider audience. While he toured throughout the world, visiting seventeen different countries, he also concentrated on creating accessible performances for the average American. For both children and adults, he created shows which were both entertaining and educational. By the time of his resignation from the Philharmonic, he had conducted nine hundred and thirty nine concerts with the orchestra--an unprecedented amount.
The Very Singular Mr. Ran Blake
by Duncan Heining
There have been few American composers and musicians, with the ability to encapsulate their country's music in all its racial and ethnic complexity. We might perhaps point to Aaron Copland, Leonard Bernstein, Charles Ives and perhaps, in their own distaff ways, Harry Partch and Steve Reich. In jazz, their number is fewer still--Duke Ellington and George ...
Gabriele Coen: Incontro con Leonard Bernstein in chiave Jazz
by Paolo Marra
Parlando del padre Leonard Bernstein la figlia Jamie in un occassione disse “Ogni anno la sua musica sembra sempre essere migliore, forse il suo momento arriverà, dopo tutto." In effetti la modernità delle composizioni è una delle caratteristiche che hanno reso la musica del grande direttore d'orchestra parte del patrimonio artistico del '900 tanto da risultare ...
Marcus Roberts And The Modern Jazz Generation At The Kimmel Center
by Victor L. Schermer
Marcus Roberts and the Modern Jazz Generation Kimmel Center for the Performing Arts Perelman Theater Philadelphia, PA October 11, 2019 Marcus Roberts is one of the great jazz pianists of his generation, coming up in the 1980s in Wynton Marsalis' band and since then more ...
Jacopo Ferrazza e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica La Sincerità. La qualità che desidero nei musicisti che suonano con me Sono diverse: La sincerità, l'impegno e la puntualità! Come musicista, il momento in cui sono stato più felice Probabilmente quando sono salito sul palco del Blue ...
Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
Tom Pierson: Last Works
by Doug Hall
As musicians make choices and pursue a passion for music which also directs their musical orbit, looking at jazz composer, arranger and pianist Tom Pierson's resume, it is clear that a creative search for originality and exploration was paramount, from the very beginning. Gifted at the start, Pierson was a piano prodigy and a soloist with ...
Michael Lauren: Give My Regards To Portugal
by Jim Worsley
From Broadway to jazz to Portugal. A circuitous route for sure. One that has, however, served international musician Michael Lauren well. The now seventy-year- old multi-styled drummer came out of the womb with a kick pedal and has been holding down a symphony of beats ever since. Over the years he has played or recorded with ...
Live From Brussels: Orchestre Philharmonique Royal de Liège, Sal La Rocca, Igor Gehenot, Diederniko Kummsels & Makas
by Martin Longley
Orchestre Philharmonique Royal de Liège Bozar January 9, 2019 Much of this evening's programme featured compositions that are probably of interest to jazzers, particularly with the presence of George Gershwin and Leonard Bernstein, although Aaron Copland and Samuel Barber will doubtless have more crossover appeal than most composers. There was ...
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