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380

Article: Album Review

Carl Maguire's Floriculture: Sided Silver Solid

Read "Sided Silver Solid" reviewed by Nic Jones


It's been three years since Floriculture (Between the Lines, 2006), but it's been worth the wait. Maguire has one of those talents which manifest itself in singularity of vision, as opposed to prodigious technique that is analytically applied. What's happened in the period between his first release and this one is that his gifts have coalesced ...

259

Article: Album Review

Steve Snyder: Standards Of Giants

Read "Standards Of Giants" reviewed by Edward Blanco


The music of legendary composers has stood the test of time, becoming standards which have been rearranged and re-recorded by many jazz artist through decades. Alto saxophonist Steve Snyder pays humble tribute to these giants of music and the immortal tunes they have scored with his debut, Standards of Giants, fashioning creative interpretations of classic pieces ...

930

Article: Interview

John di Martino: Piano Man In/On Demand

Read "John di Martino: Piano Man In/On Demand" reviewed by Marcia Hillman


John di Martino is a New York area based pianist, composer, arranger and Venus recording artist. He is a sought after musical director and is in demand by many singers as an accompanist, having accompanied such singers as Jon Hendricks, Sylvia Sims, Diane Schuur and Billy Eckstine. His talents as a pianist and arranger can be ...

657

Article: Live Review

Curtis Clark, Connie Crothers, and Joe Bonner: Exploring the World of Piano in Northampton, MA

Read "Curtis Clark, Connie Crothers, and Joe Bonner: Exploring the World of Piano in Northampton, MA" reviewed by Lyn Horton


Curtis Clark, Connie Crothers, Joe Bonner World of Piano Series Northampton Center of the Arts Northampton, Massachusetts Sitting at the piano before playing it is somewhat like sitting at a drawing table in front of a blank piece of paper before drawing on it. The keyboard is like the piece ...

502

Article: Live From New York

March 2009

Read "March 2009" reviewed by AAJ Staff


Helen Sung and Ron CarterHelen Sung and Ron CarterRubin MuseumNew York City February 6, 2009To hear pianist Helen Sung and bassist Ron Carter in a duo setting at the Rubin Museum (Feb. 6th), in a small theater with no amplification, will surely rank as one of this year's ...

779

Article: Interview

Jochen Pfister: Touring with Sheila Jordan

Read "Jochen Pfister: Touring with Sheila Jordan" reviewed by AAJ Staff


German pianist Jochen Pfister had played in workshops with Sheila Jordan in Germany and, at her invitation, in the United States. In 2008, while in Cologne, he asked her if she might be interested in a German tour. “Yes" was the answer, and now it's about happen The first gig is Friday Match 6, 2009, in ...

1,268

Article: Extended Analysis

Anthony Braxton: The Complete Arista Recordings

Read "Anthony Braxton: The Complete Arista Recordings" reviewed by Clifford Allen


Anthony BraxtonThe Complete Arista RecordingsMosaic2008 Few artists in the realm of improvised music can claim as important or varied a series of recordings as reedman-composer Anthony Braxton did during his contract to Arista Records in the 1970s. With the financial backing provided by what was then an upstart ...

Album

Abstraction & Improvisation

Label: FiveFour
Released: 2007
Track listing: Untitled Blues; Blue Boy; Atonement; Coolin

Album

Berlin Jazz Piano Workshop 1965

Label: Impro-Jazz
Released: 2007
Track listing: Intro ; Memories Of You ; I've Got The World On A String ; Love; All Of Me; Django ; Cool Boogie; Beautifull Love; Free Improvisation ; Rosetta;

490

Article: Book Review

Lennie Tristano: Jazz Visions & Lennie Tristano: His Life in Music

Read "Lennie Tristano: Jazz Visions & Lennie Tristano: His Life in Music" reviewed by Francis Lo Kee


In 1949 Lennie Tristano (1919-78) recorded “Intuition and “Digression , two of the earliest examples of freely improvised jazz. Though the approaches and content differ greatly, authors Peter Ind and Eunmi Shim agree on the following: Tristano best represents how a non-commercial artist can be “air-brushed out of jazz history as an extremely influential teacher.


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