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Take Five With Ivan Farmakovsky
by AAJ Staff
Meet Ivan Farmakovsky: My name is Ivan... Farmakovsky Ivan. I was fortunate to become part of a creative family: my father was a pianist and a choir conductor, my mom is an actress. I inherited the right passion, and at the age of 5 I was sent to special children's music school under the studio of ...
New Artists Records
by Marc Medwin
"We prize individuality," states pianist Connie Crothers emphatically of New Artists Records. “It's an integral part of our label identity and we have always safeguarded the individuality of each musician." New Artists being a cooperative, such a statement may contain an element of contradiction, but it stands at the heart of a label that ...
Lee Konitz & Martial Solal: Star Eyes 1983
by Glenn Astarita
This CD reissue of the original vinyl release signifies a timeless program between two giants of modern jazz. French pianist Martial Solal and American alto saxophonist Lee Konitz are two stylists who merge years of experience for a collaboration of synergistic interplay, serving as a motivating factor here. Solal's legendary performances with Django Reinhardt and other ...
Red Mitchell / Warne Marsh: Big Two
by Chris Mosey
In the 1950s, critics talked of East and West coast jazz. It was a way of playing the racial card, with East coast representing black, played from the gut; while West was white, played from the mind. As far as the dogmatists were concerned: East good, West bad. The word “cerebral" became a term of abuse. ...
Very Early: Bill Evans 1956-58
In the mid-1950s pianist Bill Evans was still a relative unknown, not yet the jazz-piano giant he’d become on the strength of recordings like Sunday at the Village Vanguard and Conversations With Myself. Evans had a strong influence on post-1960s jazz pianists—an influence some have found fault with, for certainly Evans had what’s been called a ...
Jack Reilly Trio: Live at Dean Clough
by Samuel Chell
Jack Reilly Trio Live At Dean Clough Dean Clough Unichrom 2007 After composing, performing and recording a work motivated by and patterned after a struggle with a life- threatening illness (Innocence: Green Spring Suite, Unichrom, 2007), Jack Reilly might be expected to lighten up on his ...
Montreal Jazz Festival: Days 4-6, July 4-6, 2009
by John Kelman
Days 1-3 | Days 4-6 | Days 7-9 Joshua Redman By Invitation Day 1 / Brian Blade and the Fellowship Band Joshua Redman By Invitation Day 2 / Kenny Werner QuintetJeff Beck / Anat CohenFestival International de Jazz de Montreal Montreal, Quebec, Canada July 4-6 2009
Toshiko Akiyoshi - Lew Tabackin Big Band: Mosaic Select
by Samuel Chell
Jazz was never more schizophrenic than in the 1970s. On the one hand, musicians equally savvy about mixing genres and running mixing boards were selling out arenas and producing lucrative, widely played albums, with bass-heavy danceable beats or soothing instrumental sounds tailor-made for air play on FM radio. At the other extreme, many of the jazz ...
Carl Maguire's Floriculture: Sided Silver Solid
by Nic Jones
It's been three years since Floriculture (Between the Lines, 2006), but it's been worth the wait. Maguire has one of those talents which manifest itself in singularity of vision, as opposed to prodigious technique that is analytically applied. What's happened in the period between his first release and this one is that his gifts have coalesced ...
Steve Snyder: Standards Of Giants
by Edward Blanco
The music of legendary composers has stood the test of time, becoming standards which have been rearranged and re-recorded by many jazz artist through decades. Alto saxophonist Steve Snyder pays humble tribute to these giants of music and the immortal tunes they have scored with his debut, Standards of Giants, fashioning creative interpretations of classic pieces ...
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