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Jazz Musician of the Day: Lee Morgan
All About Jazz is celebrating Lee Morgan's birthday today! Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. Beginning in 1956, he began recording as a leader, mainly for the Blue Note label, eventually he recorded twenty-five albums for the company. Morgan's principal influence as a ...
Marques Carroll: The Ancestors' Call
by Jerome Wilson
This is the debut album from Chicago-based trumpeter Marques Carroll and he uses it to address very specific concerns—the ongoing struggle for identity and freedom that African-Americans have been going through in the USA for centuries. He does this in compositions that represent a dialogue between generations, music that reaches back to the spiritual jazz of ...
Nathaniel Cross: Deep Vibrations
by Chris May
At the time of writing in summer 2021, there are a number of super-talented musicians on London's alternative jazz scene who deserve far more prominence than they have yet to achieve. Some of these players have been ill-served by their record labels. Others have only recorded as sidepersons. A few have chosen to confine their music-making ...
The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records
When you get your copy of Mosaic’s new five-CD collector’s set, The Complete Joe Henderson Blue Note Studio Sessions, you’ll be holding a master key to unlocking 1960s jazz. That’s a big statement. But when you consider how much was happening from 1963 to 1966, the years covered by this collection, and contemplate how many different ...
Marty Sheller: The Name Behind The Sound You All Know, Part 1
by Skip Heller
There are certain musicians who embody eras, even if they're not the player with their picture on the cover. In our contemporary musical climate, Greg Leisz comes to mind. Since 1991, he has popped up on hundreds of acclaimed albums, and without ever really changing his style, he has become centrifugal beyond the considerations of genre ...
Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
John Hasselback III: Entrance
by Jack Bowers
Entrance, New York-based trumpeter John Hasselback III's debut recording, is basically a quintet date on which Hasselback shares the front line on four tracks each with saxophonist Wayne Escoffery or trombonist Steve Davis. If one is known by the company he keeps, that's a rather persuasive frame of reference. Hasselback wrote every number save one, the ...
New Hard-Bop Videos
Hard bop emerged in the early 1950s when a new generation of New York jazz musicians began combining original compositions with funky rhythms, a stronger, sophisticated beat and tightly arranged horns influenced by the rise of R&B. As the decade evolved, the hard-bop sound smoothed out, placing an emphasis on collective harmony and the driving force ...
Roberto Magris & Eric Hochberg: Shuffling Ivories
by Dan McClenaghan
You cannot get a sound that is more dead-center-of-the-U.S.A than pianist Roberto Magris and Eric Hochberg's Shuffling Ivories. This makes sense geographically as the disc comes from Kansas City's JMood Records, the label that seems intent on recording everything that Magris has to offer, including the pianist's 2020 magnum opus, Suite. Born in Trieste, ...
Out To Dinner: Play On
by Kyle Simpler
Record producers don't always get the same amount of attention as the musicians featured on an album, but their role and influence is vital in the recording process. Take The Beatles' producer, George Martin, for example. His involvement brought the music to a new level. This is also the case with Blue Note co-founder Alfred Lion, ...
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