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Article: Album Review

Florian Weber: Imaginary Cycle

Read "Imaginary Cycle" reviewed by Alberto Bazzurro


Una musica molto composta--nella doppia accezione--suddivisa su quattro suites centrali più un prologo e un epilogo, è quanto ci giunge da questo nuovo lavoro, certamente ambizioso, del quarantasettenne pianista e compositore tedesco Florian Weber, già allievo di John Taylor a Colonia, Joanne Brackeen e Paul Bley a Boston, Richie Beirach e Lee Konitz a New York. ...

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Article: Chats with Cats

The Label Head: Nils Winther

Read "The Label Head: Nils Winther" reviewed by B.D. Lenz


Talk to anyone from around the jazz business and they'll all tell you the same thing, there is no shortage of it. There is plenty of great music being made by plenty of great musicians. In fact, the supply is probably outpacing the demand. And yet independent jazz labels are having a tough time. Do they ...

4

Article: Interview

Roy Haynes Revisited

Read "Roy Haynes Revisited" reviewed by AAJ Staff


This article was first published on All About Jazz in January 1999. Roy Haynes is one of the few living legends remaining in jazz. He has been awarded the Danish Jazzpar prize, Grammys, and numerous other awards and polls. Haynes is the most versatile drummer in jazz history, do in most part to his ...

3

Article: Radio & Podcasts

Carmen McRae, Quincy Jones, Black & White Sessions

Read "Carmen McRae, Quincy Jones, Black & White Sessions" reviewed by David Brown


This week, Duke Ellington works as interpreted by Franz Koglmann / Lee Konitz, Della Reese and then Etta Jones with the Cyril Haynes Quartet. The Jones tune comes from a Mosaic Box Set reissuing works recorded for the short-lived label Black & White Records. We'll hear two more tracks from that box, from Ivie Anderson and ...

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Article: Album Review

Keith Jarrett: The Old Country: More from the Deer Head Inn

Read "The Old Country: More from the Deer Head Inn" reviewed by Jack Kenny


Keith Jarrett remarked as he listened to a tape of the session: “I think that you can hear on this tape, what jazz is all about." What did he mean? Was he reacting to criticisms of his long-form improvisations? Was it because he was in a small venue that prioritized jazz? Of course, you ...

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Article: Live Review

Immanuel Wilkins At Bordeaux Jazz à Descas

Read "Immanuel Wilkins At Bordeaux Jazz à Descas" reviewed by Artur Moral


Immanuel Wilkins QuartetChâteau Théâtre Descas Jazz À Descas Bordeaux, France October 7, 2024 It's easy to find an excuse to visit Bordeaux, the capital of the French department of Gironde. In addition to the world-famous wines made in its legendary terroirs the region has many geographical, historical and cultural ...

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Article: Radio & Podcasts

Max Light, Julian Lage, and Irreversible Entanglements

Read "Max Light, Julian Lage, and Irreversible Entanglements" reviewed by Jerome Wilson


This program features music from Max Light, Julian Lage, Ornette Coleman, Irreversible Entanglements, Jeff Lederer, and others. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Ahmad Jamal “Tangerine" from Emerald City Nights: Live at the Penthouse 1963-1964 ...

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Article: Live Review

Clod Ensemble + Nu Civilisation Orchestra At Barbican Theatre

Read "Clod Ensemble + Nu Civilisation Orchestra At Barbican Theatre" reviewed by Chris May


Clod Ensemble + Nu Civilisation Orchestra Barbican Theatre The Black Saint And The Sinner LadyLondon September 19, 2024 We will never know exactly what Charles Mingus meant by the title of his suite The Black Saint And The Sinner Lady (Impulse!, 1963). Indeed, Mingus himself may not have ...

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Article: Album Review

Miguel Zenon: Golden City

Read "Golden City" reviewed by Dan McClenaghan


The alto saxophone rose to jazz prominence in the 1940s, under the influence of Charlie Parker and the birth of bebop. Important players such as Art Pepper, Lee Konitz and Ornette Coleman took the horn in their own directions, crafting distinctive alto saxophone voices. Moving ahead to the new millennium, no alto saxophonist has entered the ...

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Article: Multiple Reviews

Brilliant ECM Luminessence Series Shines New Light On Classic Vinyl

Read "Brilliant ECM Luminessence Series Shines New Light On Classic Vinyl" reviewed by Joshua Weiner


Blue Note. Verve. Impulse! ESP-Disk. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. By the close of the 1960s, jazz was undergoing a period of intense change, with an unprecedented mixing and matching of styles and influences--both musical and political--that ...


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