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Results for "Lee Konitz"
Michael Robinson: Jeweled Saddle
by Hrayr Attarian
Multi-instrumentalist, composer and inventor Michael Robinson is an idiosyncratic artist whose prolific output is split between piano improvisations and performances on his own invention, the electronic keyboard, the meruvina. Over his career, Robinson has been heavily influenced by Indian traditional music as well as the stylings of such luminaries as alto saxophonist Lee Konitz and clarinetist ...
Florian Weber: Imaginary Cycle
by Alberto Bazzurro
Una musica molto composta--nella doppia accezione--suddivisa su quattro suites centrali più un prologo e un epilogo, è quanto ci giunge da questo nuovo lavoro, certamente ambizioso, del quarantasettenne pianista e compositore tedesco Florian Weber, già allievo di John Taylor a Colonia, Joanne Brackeen e Paul Bley a Boston, Richie Beirach e Lee Konitz a New York. ...
The Label Head: Nils Winther
by B.D. Lenz
Talk to anyone from around the jazz business and they'll all tell you the same thing, there is no shortage of it. There is plenty of great music being made by plenty of great musicians. In fact, the supply is probably outpacing the demand. And yet independent jazz labels are having a tough time. Do they ...
Roy Haynes Revisited
by AAJ Staff
This article was first published on All About Jazz in January 1999. Roy Haynes is one of the few living legends remaining in jazz. He has been awarded the Danish Jazzpar prize, Grammys, and numerous other awards and polls. Haynes is the most versatile drummer in jazz history, do in most part to his ...
Carmen McRae, Quincy Jones, Black & White Sessions
by David Brown
This week, Duke Ellington works as interpreted by Franz Koglmann / Lee Konitz, Della Reese and then Etta Jones with the Cyril Haynes Quartet. The Jones tune comes from a Mosaic Box Set reissuing works recorded for the short-lived label Black & White Records. We'll hear two more tracks from that box, from Ivie Anderson and ...
Keith Jarrett: The Old Country: More from the Deer Head Inn
by Jack Kenny
Keith Jarrett remarked as he listened to a tape of the session: “I think that you can hear on this tape, what jazz is all about." What did he mean? Was he reacting to criticisms of his long-form improvisations? Was it because he was in a small venue that prioritized jazz? Of course, you ...
Immanuel Wilkins At Bordeaux Jazz à Descas
by Artur Moral
Immanuel Wilkins QuartetChâteau Théâtre Descas Jazz À Descas Bordeaux, France October 7, 2024 It's easy to find an excuse to visit Bordeaux, the capital of the French department of Gironde. In addition to the world-famous wines made in its legendary terroirs the region has many geographical, historical and cultural ...
Max Light, Julian Lage, and Irreversible Entanglements
by Jerome Wilson
This program features music from Max Light, Julian Lage, Ornette Coleman, Irreversible Entanglements, Jeff Lederer, and others. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Ahmad Jamal “Tangerine" from Emerald City Nights: Live at the Penthouse 1963-1964 ...
Clod Ensemble + Nu Civilisation Orchestra At Barbican Theatre
by Chris May
Clod Ensemble + Nu Civilisation Orchestra Barbican Theatre The Black Saint And The Sinner LadyLondon September 19, 2024 We will never know exactly what Charles Mingus meant by the title of his suite The Black Saint And The Sinner Lady (Impulse!, 1963). Indeed, Mingus himself may not have ...
Miguel Zenon: Golden City
by Dan McClenaghan
The alto saxophone rose to jazz prominence in the 1940s, under the influence of Charlie Parker and the birth of bebop. Important players such as Art Pepper, Lee Konitz and Ornette Coleman took the horn in their own directions, crafting distinctive alto saxophone voices. Moving ahead to the new millennium, no alto saxophonist has entered the ...
