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Results for "Lee Konitz"
Carmen McRae, Quincy Jones, Black & White Sessions
by David Brown
This week, Duke Ellington works as interpreted by Franz Koglmann / Lee Konitz, Della Reese and then Etta Jones with the Cyril Haynes Quartet. The Jones tune comes from a Mosaic Box Set reissuing works recorded for the short-lived label Black & White Records. We'll hear two more tracks from that box, from Ivie Anderson and ...
Keith Jarrett: The Old Country: More from the Deer Head Inn
by Jack Kenny
Keith Jarrett remarked as he listened to a tape of the session: “I think that you can hear on this tape, what jazz is all about." What did he mean? Was he reacting to criticisms of his long-form improvisations? Was it because he was in a small venue that prioritized jazz? Of course, you ...
Immanuel Wilkins At Bordeaux Jazz à Descas
by Artur Moral
Immanuel Wilkins QuartetChâteau Théâtre Descas Jazz À Descas Bordeaux, France October 7, 2024 It's easy to find an excuse to visit Bordeaux, the capital of the French department of Gironde. In addition to the world-famous wines made in its legendary terroirs the region has many geographical, historical and cultural ...
Max Light, Julian Lage, and Irreversible Entanglements
by Jerome Wilson
This program features music from Max Light, Julian Lage, Ornette Coleman, Irreversible Entanglements, Jeff Lederer, and others. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Ahmad Jamal “Tangerine" from Emerald City Nights: Live at the Penthouse 1963-1964 ...
Clod Ensemble + Nu Civilisation Orchestra At Barbican Theatre
by Chris May
Clod Ensemble + Nu Civilisation Orchestra Barbican Theatre The Black Saint And The Sinner LadyLondon September 19, 2024 We will never know exactly what Charles Mingus meant by the title of his suite The Black Saint And The Sinner Lady (Impulse!, 1963). Indeed, Mingus himself may not have ...
Miguel Zenon: Golden City
by Dan McClenaghan
The alto saxophone rose to jazz prominence in the 1940s, under the influence of Charlie Parker and the birth of bebop. Important players such as Art Pepper, Lee Konitz and Ornette Coleman took the horn in their own directions, crafting distinctive alto saxophone voices. Moving ahead to the new millennium, no alto saxophonist has entered the ...
Brilliant ECM Luminessence Series Shines New Light On Classic Vinyl
by Joshua Weiner
Blue Note. Verve. Impulse! ESP-Disk. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. By the close of the 1960s, jazz was undergoing a period of intense change, with an unprecedented mixing and matching of styles and influences--both musical and political--that ...
My Conversation with Anthony Braxton
by AAJ Staff
This article first appeared on All About Jazz in September 2001. In Puccini's Tosca, the lead heroine sings “Vissi d'arte" in the second act. It is with passion and anguish then that the audience understands the opera singer Floria Tosca is asking the heavens why she has suffered so much for her art when ...
Phillip Golub, Irene Schweizer, and Bill Frisell
by Jerome Wilson
This show features recent releases by Phillip Golub, Sam Anning, and Bill Frisell as well as older work from the San Francisco String Trio, Irene Schweizer, and King Pleasure. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 ...
Ornette Coleman: Free Jazz To Ornette! Revisited
by John Eyles
For ezz-thetics' revisited series' fourth Ornette Coleman album, the label has ventured back further than any of its previous Coleman albums, to New York City in December 1960 and January 1961. Recorded at A&R Studios on Wednesday December 21st 1960 from 8pm to 12.30am, the Free Jazz session produced two pieces, the thirty-seven minute “Free Jazz" ...
