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Results for "Lee Konitz"
Adam Kolker: Beckon
by Angelo Leonardi
Ad eccezione di un solo brano, di chiara impronta rock come “Cannonball" (inserito chissà perchè), la musica di questo disco si colloca tra due estetiche molto presenti negli anni cinquanta: il Third Stream di Gunther Schuller, John Lewis e Ran Blake e il Cool Jazz di Lee Konitz e Warne Marsh. Il trio sax, chitarra e ...
Jazzahead! 2018
by Henning Bolte
Bremen Trade Fair Hall Jazzahead! Bremen, Germany April 21-23, 2018 Jazzahead!, the three-day annual jazz marketplace marketplace of/for jazz in the Hanseatic city of Bremen in North-Western Germany with 3,283 participants from 61 countries stood strong and steady again this year. A total of 40 showcases over three ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
Jeff Williams: Lifelike
by Mike Jurkovic
Sounding as real as real gets, Lifelike's forward thinking drummer/composer Jeff Williams' heady sextet sure sound like they're all sitting in on a late night, cramped back room cutting session, with each player challenging, coaxing the other to new heights and horizons. Williams, an alumni of such name drops as Stan Getz, Dave Liebman, ...
Christina von Bülow: On The Brink Of A Lovely Song
by Chris Mosey
American saxophonist Lee Konitz first toured Scandinavia in 1961, his wonderfully original saxophone playing leaving a lasting impression on, among many others, an aspiring Danish alto player, Christina von Bülow. Konitz, who played on the classic Gil Evans/Miles Davis Birth Of The Cool session, is now in his nineties. It is to be ...
Andrew Dickeson: Is That So?
by Jerry D'Souza
Growing up in Australia, Andrew Dickeson played several instruments before deciding on the drums when he was 10. Over the years he developed his intuition and sensitivity, the dynamics helping create a wellspring of skills. His artistry took him to the finals of the Thelonious Monk Institute International Jazz Drums Competition in 1992 where he was ...
Ben Allison: Between Groove and Melody
by Angelo Leonardi
Bassist, bandleader, educator and composer, Ben Allison is one of the leading players of the world stage. During the past twenty years he has released twelve records and led various bands, performed on more than thirty albums, co-founded The Jazz Composers Collective, and served as its Artistic Director until its dissolution in 2005. In this conversation, ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Ben Allison: tra groove e melodia
by Angelo Leonardi
Il bassista e compositore Ben Allison è uno dei principali bandleader della scena contemporanea. Negli ultimi vent'anni ha pubblicato 12 album a capo di vari ensemble, collaborato in trenta e più dischi e fondato il Jazz Composers Collective. Dotato di una personale vena creativa, Allison compone brani d'inconfondibile freschezza e raro appeal, che sono tra gli ...
Formats – Solo Through Nonet
by C. Michael Bailey
One plus Two, equals three, and so on. What arbitrary combo size constitutes a big band? None of these. Solo: Jamie Saft Solo a Genova RareNoise Records 2018 That musical provocateur Jamie Saft, he is a prankster. After making all kinds of noise with the likes of Metallic Taste ...
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