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Article: Radio & Podcasts

Szun Waves, other new releases and some archive cuts

by Bob Osborne
September 27, 2018

Blurring the boundaries between jazz, ambience and electronica, the sophomore album from Szun Waves New Hymn to Freedom, is the album of the week on the show. This new release is a document of six entirely live improvisations with “no edits or overdubs." The album title is apt, it is jazz, but it also bedded in ...

Article: Radio & Podcasts

Ice, Ice, Baby

by Patrick Burnette
September 14, 2018

Mike's apparently random picks for this episode, whose release dates range from the mid-fifties to this very year, turn out to have at least one aspect in common: the artists involved illustrate different aspects of “cool." After detours exploring Michel Petrucciani's personal life and Mike's beef with British jazz critics, we wind things ...

Article: Interview

Randy Weston: Brooklyn, Africa e ritorno

by Ludovico Granvassu
September 4, 2018

Per ricordare il grande pianista statunitense, riproponiamo un'intervista del 1999 che ripercorre la sua vita e la sua carriera, dalla nascita a Brooklyn agli anni passati in Africa fino alla consacrazione dopo il rientro negli Stati Uniti. Ogni anno, la facoltà di musica dell'università di Harvard, dedica parte del suo calendario accademico all'analisi ...

Article: Album Review

Cesar Cardoso: Interchange

Read "Interchange" reviewed by Don Phipps

by Don Phipps
August 2, 2018

On his album Interchange, Portuguese tenor saxophonist César Cardoso offers up a lively set of original compositions to make the head nod and the heart soar. Cardoso hails from Portugal and his music is vaguely reminiscent of Weather Report--but instead of Joe Zawinul's playful keyboard there is Bruno Santos on guitar, propelling the music forward with ...

Article: Record Label Profile

Origin Records: Creating Opportunities and Community

by Jakob Baekgaard
July 30, 2018

Being a jazz musician sometimes seems like a life ruled by jungle law. Everyone fights for gigs and puts out music on “labels" with only one artist. However, it doesn't have to be this way. Origin Records is an example of a modern artist driven label that has grown through collaboration and community. As Matt Jorgensen, ...

Article: Jazz Journal

Summer 2018

by Doug Collette
July 29, 2018

Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar. Fred Hersch Trio Heartsong Sunnyside Records 2018 The longer Fred Hersch plays, the ...

Article: Interview

Lucia Cadotsch: Whispers Speak Louder than Screams

by Ludovico Granvassu
June 20, 2018

Speak Low (Enja Records, 2017), the debut release of her current Trio of the same name, catapulted Lucia Cadotsch among the new artists that promise to write original chapters of vocal jazz while showing deference to the artists that preceded them. Playing a compelling brand of music that has been aptly described as “acoustic retrofuturism" --think ...

Article: Album Review

Lee Konitz: Prisma

by Ian Patterson
June 19, 2018

Though Lee Konitz has played in a wide variety of settings and styles since his first professional engagement with Teddy Powell in 1945, recordings with full-blown orchestras have been few and far between. Recorded in Frankfurt in 2000, with the Brandenburg State Orchestra conducted by Christoph Campestrini, Prisma captures Konitz interpreting Gunter Buhles' concerto for alto ...

Article: Album Review

Lee Konitz: Frescalalto

Read "Frescalalto" reviewed by Ian Patterson

by Ian Patterson
May 22, 2018

For over seven decades, since his participation in Miles Davis's 1949-1950 Birth of the Cool sessions, Lee Konitz has carved out a tireless path as one of jazz's most illuminating improvisers. Recorded at the tail end of 2015, when he was already 87 years old, Frescalalto sees Konitz in a straight-ahead session effectively marshalled by the ...

Article: Bailey's Bundles

Seven Women 2018 – Part V

by C. Michael Bailey
May 9, 2018

An embarrassment of riches... Shirley Crabbe Bridges MaiSong Music 2018 Vocalist Shirley Crabbe's 2011 debut recording, Home (Self Produced), was very well received, with critic Edward Blanco noting that the singer has, ..."a warm approach to the music, her smooth vocals seem a perfect fit for voicing ...