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Remembering Gigi Gryce
by Larry Slater
Saxophonist and composer Gigi Gryce was a fixture on the East Coast jazz scene in the 1950's and early 1960s, working with many of the giants of the era. A talented saxophonist known for his writing and arranging, he recorded with everyone from Clifford Brown and Donald Byrd to Art Blakey and Benny Golson. In the ...
Interpreting the Lennon / McCartney Songbook, part 4: Abbey Road & Let It Be
by Larry Slater
In this final installment of interpretations of the John Lennon and Paul McCartney songbook, we turn to music from the last few Beatles albums... The White Album, Abbey Road and Let it Be. By the end of the '60s, the Lennon/McCartney partnership had fractured beyond repair; McCartney's superior musical skills were respected but resented ...
Interpreting the Lennon/McCartney Songbook, Part 3: Sgt. Pepper
by Larry Slater
It's really no surprise that the tunes from The Beatles still attract jazz musicians, much as the music of Gershwin, Kern or Cole Porter does. Sgt Pepper's Lonely Hearts Club was a defining musical moment of the 1960s. Released in 1967, the album is one of a kind and included songs that have appealed to jazz ...
Interpreting the Lennon/ McCartney Songbook: Part 2, Rubber Soul and Revolver
by Larry Slater
The songwriting team of John Lennon and Paul McCartney became increasingly sophisticated by the mid 1960s. McCartney was the more knowledgeable musically, as he played piano and understood harmony (though he never did learn to read music). Much of John Lennon's writing had a harder edge, and he had a way with lyrics. The albums Rubber ...
Interpreting The Lennon/Mccartney Songbook: Part 1, Early Songs
by Larry Slater
Since its earliest days, Jazz musicians have used popular songs as springboards for creative interpretation, reimagining these tunes through the art of improvisation.. The great American songbooks of Irving Berlin, Cole Porter, and George Gershwin, have long been a staple of the jazz repertoire. Do John Lennon and Paul McCartney belong in this exalted company? I ...
The Music of Hoagy Carmichael, part 2
by Larry Slater
This is the second hour dedicated to the music of Hoagy Carmichael, the most jazz oriented of all the American songwriters. His output was remarkably varied, and without a signature style that characterized the theater composers like Jerome Kern or Cole Porter. Carmichael composed several hundred songs, including 50 that achieved hit record status. ...
The Music of Hoagy Carmichael, Part 1
by Larry Slater
Hoagy Carmichael's career as one of America's great songwriters is unlike any of his peers. Carmichael, like George Gershwin, Cole Porter and Irving Berlin, was born at the tail end of the 19th century, but he was never a Broadway composer, and he wasn't from New York. He was a midwesterner from Indiana, drawn more to ...
Jazz Interpretations Of The Film Music Of Henry Mancini, Part 2
by Larry Slater
Henry Mancini was born Enrico Nicola Mancini in the Little Italy neighborhood of Cleveland to Italian immigrant parents. He is universally acknowledged as one of the great American film composers, and his melodies have long appealed to jazz artists. Mancini had an affinity for jazz. In the '50s and early '60s he led his ...
Jazz Interpretations of the film music of Henry Mancini, Part 1
by Larry Slater
Henry Mancini was one of the greatest composers in the history of film, and many of Mancini's scores swung. Henry Mancini was born Enrico Nicola Mancini in the Little Italy neighborhood of Cleveland to Italian immigrant parents. It's no surprise that many of Mancini's tunes have jazz sensibilities because he had deep jazz roots. ...
The Mysterious Disappearance of Dupree Bolton and Baby Face Willette
by Larry Slater
Every so often, musicians appear seemingly out of nowhere, make an impressive splash in the jazz world, and then seem to disappear into thin air. That's the story of two musicians who had remarkable debuts, and then were never heard from again: the trumpeter Dupree Bolton and B3 organist Baby Face Willette.Dupree Bolton caused ...
