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About Kurt Ellenberger
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Kurt Ellenberger
Kurt Ellenberger is a pianist, composer, and author whose work includes music for a wide range of ensembles. His writings include a jazz theory book, other pedagogical writings, and many essays that appear in his arts blog entitled Also Sprach FraKathustra, which is published by The Huffington Post–Arts and Culture. He has recorded on Innova Recordings, Ghostly International, and Challenge-A Records (the Netherlands), among others, and has been hailed as "a gifted pianist who combines the lyricism of Bill Evans with the energy of Keith Jarrett." He is a member of the Grand Valley State University New Music Ensemble, whose recent recordings of Terry Riley’s “IN C: Remixed” and Steve Reich’s “Music for 18 Musicians” have been featured in The New York Times, as well as in many of the nation’s leading publications, including The New Yorker
Crouching Pop, Hidden Jazz: A Conversation with Johnny Manchild from Johnny Manchild and the Poor Bastards
by Kurt Ellenberger
Preamble: In my previous articles, I have highlighted how important jazz and jazz musicians have been in the background of the development of pop music, and how the influence of jazz is sometimes in the foreground as well. My interview with Johnny Manchild is part of this broader discussion of how jazz aesthetics find their way ...
Jazz Journeys: A Conversation with Violinist May Yu
by Kurt Ellenberger
In New York City's crowded and competitive music scene, All About Jazz encountered in May (Tianyang) Yu, a violinist whose deep classical foundation, serious jazz language, and improvisational imagination have quickly placed her in professional settings with leading artists including Darcy James Argue. Ingrid Jensen, Erena Terakubo, Misha Piatigorsky, Peter Slavov, Chris Wabich, and recently opening ...
The Soul Inhabitant: A Conversation with Thomas Dolby
by Kurt Ellenberger
In my recent article He Blinded Me With Jazz: The Surprising Jazz DNA in the Music of Thomas Dolby," I explored the sophisticated harmonic language and modal ingenuity that have always set Thomas Dolby's synth-pop classics apart from so many of his fellow '80s hitmakers. After the piece was published, Dolby graciously agreed to sit down ...
He Blinded Me With Jazz: The Surprising Jazz DNA in the Music of Thomas Dolby
by Kurt Ellenberger
I. Introduction Thomas Dolby is one of the most prominent and recognizable synth pop artists of the '80s. His carefully crafted brand as the bookish, bespeckled mad synthesizer scientist" was perfect for the time period when MTV emerged as a dominant force in the music industry. MTV made the music video an essential part of an ...
Have A Holly, Jazzy Christmas
by Kurt Ellenberger
In my music history classes, particularly in November and December, students have often asked me about the relationship between jazz and Christmas: Why are so many popular Christmas songs so jazzy?" It is a good question--indeed, many of the most popular secular Christmas music does have a jazz flavor, while a few are actually jazz. There ...
The Plaintive Sigh of a Sonic Doppelgänger: Why are Minor Chords Perceived as “Sad”? Part 3
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Sad Song Survey Why Minor Chords and Minor Keys are Sad: Meet the Sonic Phantoms in the EtherTo begin our investigation into the hidden cause of our peculiar perception of minor chords and keys, we will listen to a trombone quartet playing a C minor ...
The Plaintive Sigh of a Sonic Doppelgänger: Why are Minor Chords Perceived as “Sad”? Part 2
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Sad Song Survey IV. The Power of the Minor Chord and Minor Keys in Classical and JazzTo begin our discussion on what it is that makes minor chords sad, we will first listen to some examples of the use of minor chords and minor ...
The Plaintive Sigh of a Sonic Doppelgänger: Why are Minor Chords Perceived as “Sad”? Part 1
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Sad Song Survey PreambleDaniel Levitin, in his popular bestseller entitled This is Your Brain on Music: The Science of a Human Obsession from 2006, characterizes the perception of the minor chord, which lowers the third of a major chord by a half-step, as follows:
A Conversation with Quentin Walston on His Jazz Pedagogy Text: How to Teach Jazz and Improvisation
by Kurt Ellenberger
Quentin Walston, a distinguished jazz pianist and educator based in the Washington, D.C. area, has crafted an exceptional contribution to jazz pedagogy with his new text, How to Teach Jazz & Improvisation (This is Jazz, 2025). This concise yet effective 80-page text fills a gap in the jazz education landscape, offering an accessible, hands-on guide tailored ...


