Results for "Kid Ory"

Kid Ory

Edward Ory was born in LaPlace, Louisiana, on Christmas Day 1886. As a child, he began to make music on homemade instruments. He soon was playing banjo, then switched to trombone. Ory went on to introduce and develop the “tailgate” style, in which the trombone plays a rhythmic line underneath the trumpets and cornets. By 1912 he was leading one of the best-known bands in New Orleans. Among its members at various times were several musicians who later were highly influential in jazz development, including Sidney Bechet, Johnny Dodds, Jimmy Noone, King Oliver, and Louis Armstrong

Documenting Jazz 2019

By IAN PATTERSON

Documenting Jazz Conservatory of Music and Drama TU Dublin jny: Dublin, Ireland January 17-19, 2019 Jazz music, which has pretty much always meant different things to different people, has been comprehensively documented since its arrival in the first decades of the twentieth century. The most obvious form ...

Women in Jazz, Part 1: Early Innovators

By KARL ACKERMANN

"Lil Hardin [Armstrong]...often imagined herself standing...at the bottom of a ladder, holding it steady for Louis as he rose to stardom." (Stanford Archive of Recorded Sound, 2012). “The all-female band is an anomaly in music, one that must constantly prove itself as a 'band,' and not just 'girls playing music together.'" (Mary Ann Clawson, 1999). Everything ...

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

By KARL ACKERMANN

Beyond the Hubs While jny: New Orleans, jny: Chicago, jny: Kansas City and jny: New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far ...

Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago

By KARL ACKERMANN

Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...

Preserving the Cradle of Jazz: The New Orleans Jazz Museum

By KARL ACKERMANN

The New Orleans Jazz Club's beginnings, according to a 1950s edition of their bi-monthly newsletter, sprang from a sidewalk meeting of four jazz fans on Mardi Gras in 1948. The impromptu gathering intended to listen to the marching band called King Zulu's. One member of that group inspired the others to begin a club for jazz ...

Steve Swell: Appreciating the Avant Garde Today

By VICTOR L. SCHERMER

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6[This is the third of an All About Jazz series of interviews and articles on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, ...

Charles Mingus 95th Birthday Celebration

By PETER JUREW

Mingus Big BandJazz StandardNew York, NY April 24, 2017 Saturday, April 22, was an unusually good day. It started, blessedly, when the president did not tweet out a series of early morning fabrications/accusations to befuddle the free world. And it could only get better from there: It was Earth Day! Scientists ...

Better Git It In Your Soul: An Interpretive Biography of Charles Mingus

By IAN PATTERSON

Better Git It In Your Soul: An Interpretive Biography Of Charles Mingus Krin Gabbard 296 Pages ISBN: 978-0-520 University California Press 2016 Compared to other historically important jazz figures, few have been the books dedicated to Charles Mingus, which is strange given his enduring influence on modern jazz practitioners. ...