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Musician

Kenny Drew

Born:

Kenny Drew was born in New York City in August of 1928. At the age of 5, he began studying classical piano with a private teacher and at 8, gave a recital. This early background is similar to that of Bud Powell, the man who later became his main inspiration as a jazz pianist. After digging Fats Waller, at 12, and then Art Tatum and Teddy Wilson, Drew attended the High School of Music and Art. He was known as a hot boogie woogie player but passed through this phase before graduation. Kenny's first professional job was as accompanist at Pearl Primus' dance school. At the same time, he was alternating with Walter Bishop Jr

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Article: Liner Notes

Nathan Davis Quintet: The Hip Walk

Read "Nathan Davis Quintet: The Hip Walk" reviewed by Ken Dryden


There are numerous examples of talented American jazz musicians who had long careers but were overlooked by critics, broadcasters and much of the jazz audience, often because they spent decades as full time jazz educators, which limited their opportunities to tour in support of their recordings. Nathan Davis, primarily known as a tenor and soprano saxophonist, ...

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Article: Album Review

Various Artists: Glucklich V1: A Collection Of Brazilian Flavours From The Past And Present

Read "Glucklich V1: A Collection Of Brazilian Flavours From The Past And Present" reviewed by Chris May


Collectors of Brazilian popular music from the mid and late twentieth century, who do not have the time or resources to visit the country for a spell of crate digging, can turn to European and Japanese DJs who do the digging for them, releasing their finds on compilation albums. In 2023, most of those crates have ...

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Article: Interview

Jean-Luc Ponty: Imaginary Voyages, Part 2

Read "Jean-Luc Ponty: Imaginary Voyages, Part 2" reviewed by Peter Rubie


Part 1 | Part 2American violinist Stuff Smith once said about the young, classically trained and self taught jazz violinist Jean-Luc Ponty, “He plays violin like Coltrane plays saxophone." Born in 1942, Ponty has almost single-handedly taken jazz violin from the swing era into modern jazz, and beyond. At rock musician Frank Zappa's urging, ...

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Article: Live Review

Jazz At The Joint: Nat Reeves

Read "Jazz At The Joint: Nat Reeves" reviewed by C. Michael Bailey


Nat Reeves Jazz At The Joint North Little Rock, AR April 11, 2021 The April 2022 edition of Ted Ludwig's “Jazz At The Joint" welcomed Hartford, Connecticut-centered bassist Nat Reeves to The Joint's stage in North Little Rock, Arkansas. Reeves has spent the last 40 years performing and recording with the ...

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Article: Building a Jazz Library

Sonny Rollins: Ten Colossal Albums

Read "Sonny Rollins: Ten Colossal Albums" reviewed by Chris May


The history of modern jazz is a short one, but even so there are few musicians whose careers began in the bop era and who are still with us in 2022. Drummer Roy Haynes is one. Tenor saxophonist Sonny Rollins is another. Both players recorded with trumpeter Fats Navarro and pianist Bud Powell in 1949.

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Article: Building a Jazz Library

Joe Henderson, Bill Evans, Jim Hall: Buried Treasure from Germany's MPS Label

Read "Joe Henderson, Bill Evans, Jim Hall: Buried Treasure from Germany's MPS Label" reviewed by Chris May


Between its founding in 1968 and sale in 1983, the original incarnation of the recently revived German label MPS—the initials stand for Musik Produktion Schwarzwald (Music Production Black Forest)—notched up around five hundred releases. Some were recorded in the US by American musicians, many more were recorded in Europe and featured bands made up of European ...

Album

The Complete Recordings

Label: Phono
Released: 2020
Track listing: CD1: Nutville; The Way You Look Tonight; Star Eyes; Minor Move; Everything Happens To Me; Good Old Soul; Up Tight’s Creek; Theme For Doris; Miss Hazel; True Blue; Nothing Ever Changes My Love For You. CD2: Back To The Tracks; Street Singer; The Blues And I; For Heaven’s Sake; The Ruby And The Pearl; Talkin’ About; One For Myrtle; Dhyana; David The King; Stranger In Paradise; The Waiting Game.

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Article: Reassessing

Kenny Drew and His Progressive Piano

Read "Kenny Drew and His Progressive Piano" reviewed by C. Michael Bailey


As a commercial release, the 12-inch LP Kenny Drew and His Progressive Piano has a curious history. It was also released under the title The Modernity of Kenny Drew and contained music from two recording sessions, one held in jny: New York City In 1953 and the second in jny: Los Angeles in 1954. Some of ...

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Article: Reassessing

New Faces - New Sounds

Read "New Faces - New Sounds" reviewed by C. Michael Bailey


In the early 1950s, Blue Note Records introduced new artists in the label's series New Faces -New Sounds. It highlighted such young artists as Horace Silver (1952); Lou Donaldson (1952); Elmo Hope (1953); and Frank Foster (1954). All of these recordings were released as part of Blue Note Record's 5000 Modern Jazz Series, all on 10-inch ...


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