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12

Article: My Blue Note Obsession

Tina Brooks: True Blue - 1960

Read "Tina Brooks: True Blue - 1960" reviewed by Marc Davis

by Marc Davis

I love finding little-known records by almost-unknown artists. There's nothing wrong with soaking in the comfortable pool of guys you know oh-so-well. I can listen to Art Blakey, Jimmy Smith and Kenny Burrell all day. But even the greats can wear you out. How many times can you listen to the Beatles' “Hey Jude" ...

12

Article: My Blue Note Obsession

Kenny Burrell: Blue Lights – 1958

Read "Kenny Burrell: Blue Lights – 1958" reviewed by Marc Davis

by Marc Davis

The name on the cover is Kenny Burrell, but Blue Lights isn't really a Kenny Burrell album. He may be the leader, but the stars are everyone else. This is truly a democratic 1950s jam session. I came to Blue Lights fresh from Burrell's Midnight Blue, expecting another laid-back blues guitar vehicle. Not even ...

5

Article: Album Review

Luis Merino: Blacky

Read "Blacky" reviewed by Roger Farbey

by Roger Farbey

A strident piano chord progression introduces the moderately-paced majestic opener “New Day" with a lithely executed melody from the guitar of Luis Merino, leader of a quartet hailing from Las Palmas de Gran Canaria, Spain. Proceedings hot-up with the brisk toe-tapper “El Estandar" clearly demonstrating that the guitarist is no slouch when it come to playing ...

13

Article: Guitarist's Rendezvous

Steve Herberman, Hristo Vitchev, Rick Stone and Harvey Valdes

Read "Steve Herberman,  Hristo Vitchev, Rick Stone and Harvey Valdes" reviewed by Dom Minasi

by Dom Minasi

Welcome back to Guitarists Rendezvous, our third installment in a series that introduces readers to emerging or established guitarists who fly just under the radar of public recognition. Each will field the same four questions and we've included audio and video so you can sample their music. This installment includes a diverse group ...

15

Article: Album Review

Michael Kocour: Spiffy

Read "Spiffy" reviewed by Mark Sullivan

by Mark Sullivan

Keyboardist Michael Kocour revisits his Hammond B3 organ roots in this collection of hard-swinging tunes presented in the tradition of jazz organ legends such as Jack McDuff, Jimmy Smith, and Don Patterson. McDuff in particular is a stylistic mentor: Kocour met him during his college years while attending the renowned jazz program at the University of ...

4

Article: Album Review

Harvey Valdes: Roundabout

Read "Roundabout" reviewed by Chris Mosey

by Chris Mosey

New York guitarist Harvey Valdes started out at the age of 12 listening to bands like Napalm Death, Sacred Reich and Sick Of It All. “It was the music that spoke to me: loud, heavy and with a ton of attitude," he told the zine Guitar Moderne. “I would bring in a cassette ...

530

Article: Profile

Howard Rumsey: The Lighthouse All Star

Read "Howard Rumsey: The Lighthouse All Star" reviewed by Rex  Butters

by Rex Butters

Reprinted from August 2007. With the release of Ken Koenig's exhaustive, enlightening, and entertaining DVD history of a SoCal treasure, Jazz on the West Coast: The Lighthouse (RoseKing Productions, 2005), 89 year-old Howard Rumsey returns to the spotlight. Bassist, booker, and raconteur extraordinaire, Rumsey presented the best jazz shows in Los Angeles for ...

12

Article: Live Review

International Jarek Smietana Jazz Guitar Competition 2015

Read "International Jarek Smietana Jazz Guitar Competition 2015" reviewed by Ian Patterson

by Ian Patterson

International Jarek Smietana Jazz Guitar Competition Krakow, Poland July 1-4, 2015 Szymon Mika, a twenty-four year old Polish guitarist, won first prize in the inaugural International Jarek Smietana Jazz Guitar Competition, held in Krakow from 1- 4 July. An international jury comprising John Abercrombie, Karol Ferfecki, Mike Stern, Wojciech Karolak, Ed ...

16

Article: My Blue Note Obsession

Charlie Rouse: Bossa Nova Bacchanal – 1962

Read "Charlie Rouse: Bossa Nova Bacchanal – 1962" reviewed by Marc Davis

by Marc Davis

What a happy record! And what a delightful change from the usual 1960s Blue Note formula. You know the drill. In the 1960s, Blue Note was the go-to label for two kinds of jazz: hard bop and soul-jazz. But Blue Note was never the reigning bossa nova label. When the Brazilian phenomenon swept the ...

18

Article: My Blue Note Obsession

Donald Byrd: A New Perspective - 1963

Read "Donald Byrd: A New Perspective - 1963" reviewed by Marc Davis

by Marc Davis

A New Perspective is unlike any jazz album you've heard before--and the change is refreshing. The biggest difference? Voices--singers, but not jazz singers. A New Perspective includes a seven-voice gospel choir, singing wordless syllables. Not scat, but pure notes. At first, the choir feels wrong. The very first notes of this 1963 ...


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