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Bobo Stenson: Contra la indecision
by Karl Ackermann
With a few exceptions, Swedish pianist Bobo Stenson has spent his long recording career with the prestigious ECM label, dating back to his oddly named Underwear in 1971. That particular album turned out to be more a showcase for bassist Arild Andersen and drummer Jon Christensen than for Stenson, and the pianist did not lead again ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond
by Karl Ackermann
Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...
Fred Hersch: Life, Music, and the Creative Process
by Victor L. Schermer
Since his arrival on the jazz scene in the 1970s, pianist Fred Hersch has developed from a sought after sideman to a multi-Grammy nominated jazz icon, creative force, and significant composer of songs, jazz standards, and original complete works, the latter including Leaves of Grass (Palmetto, 2005), based upon the poetry of Walt Whitman. As one ...
Fred Delplancq: Horizons
by Mike Jurkovic
From the charging, serpentine opener “Strange Atmosphere" through old school seductions like the angular, dark harmonics of the Keith Jarrett Euro-quartet-ish “Filipus" and the very Coltrane/Rollins “Desolation," Horizons, Belgian saxophonist Fred Delplancq's latest, is a rich and resonant tribute to the classic quartet mode. With a decisively alpha-hard edge to his horn, Delplancq and ...
Gary Peacock Trio at the Regattabar Jazz Club
by Nat Seelen
Gary Peacock Trio Regattabar Jazz Club Cambridge, MA November 10, 2017 Veterans' Day was an appropriate date for this show, which was indeed a concert of veterans. Gary Peacock served in the army in the 1950s, and the three musicians on stage that evening could count over 150 years combined on the bandstand, side ...
Alf Häggkvist: Blue Serge
by Neri Pollastri
Originario del nord della Svezia, Alf Häggkvist vive da venticinque anni a Stoccolma ove ha avuto l'opportunità di collaborare con molti musicisti del suo paese e non solo. Apprezzato compositore e autore di canzoni, è anche un ottimo pianista, sensibile, espressivo e dalle notevoli capacità improvvisative. In questo Blue Serge è impegnato in un pregevole piano ...
Tony Tixier: Life Of Sensitive Creatures
by Roger Farbey
Following two semi-pastoral Tony Tixier originals, “I Remember The Time Of Plenty" and “Denial Of Love," the listener is treated to a commendably loose interpretation of Louis Armstrong's timeless “Tight Like This," which apparently Tixier's grandmother enjoyed singing. Whilst it retains some of the hooks of the 1920's tune, it is transformed into something completely different. ...
Uri Caine al Teatro di Rifredi di Firenze
by Neri Pollastri
Uri Caine Firenze It's Monk Time -Musica dei Popoli Teatro di Rifredi 6.11.2017 Erano tre anni che Uri Caine mancava da Firenze e anche l'ultima volta si era trattato di un piano solo, formula che gli è particolarmente congeniale e grazie alla quale ci ha regalato molte performances entusiasmanti. ...
Sergej Avanesov: Secret Language
by Mike Jurkovic
With his smooth, warm tone and pianist John Escreet's rolling, uncluttered Horace Silver-like ease, Russian tenor saxophonist Sergej Avanesov's Secret Language instantly rewards the listener like an old school Blue Note session. Proudly citing his inspirations John Coltrane, Joshua Redman, and Keith Jarrett, Avanesov admits to meticulously studying our vast jazz heritage and it's ...
The Many Faces of Jazz Today: The Big Picture
by Victor L. Schermer
Five All About Jazz interviews provided source information for this article. To access them, click on the following links: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 [In a series of five interviews entitled “The Many Faces of Jazz: Critical Dialogues," All ...
