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Jay Anderson: Deepscape
by Karl Ackermann
Jay Anderson took up the acoustic bass as a pre-teen, earned a Bachelor's Degree in Performance from CSU and cut his teeth playing with the Woody Herman Orchestra, right out of school. His deep resume includes classical performance with the Australian Chamber Orchestra, alternative music with Frank Zappa and Tom Waits, and pop with David Bowie. ...
Dave Liebman: On the Corner Live!
by Mike Jurkovic
Saxophonist/flautist and 2011 NEA Jazz Master David Liebman knows of what he speaks when he speaks of Miles Davis. He was part of the pack stirring the rock/jazz/electronic/funk fusion cauldron, first working with Elvin Jones and then running with Davis in the studio--first appearing on the original On The Corner, (Columbia, 1972)--and on tour from 1972 ...
ECM @ 50
by Mark Sullivan
2019 marks the 50th anniversary of German record label ECM Records. Since its founding by Manfred Eicher the label has maintained unwavering standards of excellence, characterized by an unmistakable visual identity and rigorous production values. In addition to some 20 concerts featuring ECM artists, the 2019 Big Ears Festival (full review here) also hosted an “ECM ...
Jay Anderson: Deepscape
by Dan Bilawsky
Bassist Jay Anderson has long been the rock to locks things in place and the harmonic tether to hold it all together. He appears on more than 400 albums, having served as the anchor for everybody from Lynne Arriale to Frank Zappa, and he's one of the most steady and dependable low-end quantities on the scene. ...
ECM Records Announces Change in Name, Direction
by Geno Thackara
European label turns its eye toward the future as EDM. ECM Records will mark its golden anniversary with a defining change in direction, according to an announcement released today. After operating as Edition of Contemporary Music since its small-scale beginning in 1969, the eclectic European label has confirmed plans to adopt the new title ...
Moaning, Whistling, Sighing and Other Jazz Sounds
by Ludovico Granvassu
Jazz--the quintessential open door genre--has a capacity to beautifully integrate all kinds of sources. From music from faraway places to compositions written and instruments used for completely different genres. When it comes to the human voice, jazz has shown an uncanny openness to its endless possibilities finding a musical role for all sorts of non verbal ...
Women in Jazz, Pt. 2: The Girls From Piney Woods
by Karl Ackermann
In Part 1 of Women in Jazz we looked at the historical position of women in early jazz. Despite their influence in shaping the art, their talent as composers, arrangers, instrumentalists, and band leaders, women have often been token additions; marginalized window dressing in a male-dominated world. One hundred years after Lil Hardin held ...
Vijay Iyer and Craig Taborn: The Transitory Poems
by Mark Corroto
The Transitory Poems might be the first improvised solo piano recording accomplished by a pair of pianists. Vijay Iyer and Craig Taborn are 21st century masters and descendants from the likes of Cecil Taylor, Keith Jarrett, Andrew Hill, Anthony Davis, and Paul Bley. This live duo recording, from 2018 in Budapest, is an act of improvisatory ...
The Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
by Mike Jurkovic
It was back in 2012 when the last quartet-only recording Four MFs Playin' Tunes (Marsalis Music) was released. So give more room on the floor to the evil toys dancing their pants off to the pure, wild, free-styling surge of “Dance of the Evil Toys," the killer, lead-off track to the Branford Marsalis Quartet's first full ...
Liebman, Rudolph & Drake: Chi
by John Ephland
Chi is another trio outing with saxophonist Dave Liebman and percussionist Adam Rudolph, the third leg on this stool being drummer Hamid Drake. It is a kind of follow-up to 2018's alternately serene and propulsive The Unknowable (RareNoise), on which Liebman and Rudolph were joined by percussionist Tatsuya Nakatani. Unlike The Unknowable, Chi was recorded in ...
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